Mukteswara Temple draws on the 3 x 3 number square

Mukteswara Temple of Northern India

Mukteswara Temple of Northern India openly draws on the 3 x 3 number square. Famous temples of the Bhubaneswar school include Lingaraj TempleMuktesvara TempleRajarani TempleAnanta Vasudeva Temple.[83]

The length of the temple foundation is 45 feet. An editor of books on antiquity, Mortimer Wheeler, gave the figure. This is another confirmation of the 3 x 3 number square in building holy sites. In this case the use is obvious. The numbers on the square house 1-9. Total these numbers. You have forty-five. The 3 x 3 number square offers the quality holiness all over the Earth. Most likely, we could find its use on other planets with advanced life forms.

Mukteswara Temple draws on the 3 x 3 number square in an obvious manner.
The Mukteswara Temple dates back to AD 975

 Mukteswara Temple

The tradition of using the 3 x 3 number square for Holy sites is amply covered on DSOworks.com.

Judaism as well as many of the beliefs of sacred  antiquity spring from this 3 x 3 board. It becomes apparent when the boxes are filled with numbers one to nine arranged so that any row of three totals 15.

 

Three main triads and Temples in Israel use the same form

 

The times we live in are wonderful. We can see the beauty and simplicity of holy sites worldwide. I believe this calls for a re-dedication to ancient principles that encouraged and enhanced peace. We all deserve nothing less than that.

Musical sequences

Musical Sequences are Both Universal and Basic

Musical Sequences are Both Universal and Basic. In music, a sequence is the restatement of a motif or longer melodic (or harmonic) passage at a higher or lower pitch in the same voice.[1] It is one of the most common and simple methods of elaborating a melody in eighteenth and nineteenth century classical music[1](Classical period and Romantic music).  Examples of characteristics of sequences:[1]  

Look at the music of the featured picture: The sequence is well known in America, Canada and England. In the U.S. the music is an excerpt from “My Country Tis’ of Thee.” In England it is “God Save the Queen (King)”. Bars 3 and 4 form a sequence with bars 1 and 2. They use the same pattern, only one tone lower. Just as a refresher, here is the British and American music on youtube. The British words are “Send him victories, Happy and glorious.” In America the corresponding words are “Land where my fathers died, Land of the pilgram’s pride.”

Examples of how Musical Sequences are Universal and Basic

God save the King – The national anthem of the British … – YouTube

My Country, ‘Tis of Thee (with lyrics) – YouTube

Musical Sequences Applies to the Sciences

Let’s look at basic scientific sequences. They work on the same principle as music. In Platonic style, here’s two basic groupings of numbers: 3-4-5 and 6-7-8. We have a true pattern for musical sequence operating in math and the sciences.

  • 3-4-5 has geometrical import.  One is the single line that begins the process. The classic example is the 3-4-5 Pythagorean  right triangle. The formula is 3² + 4² = 5². Of course, with the 5 Platonic solids,  three use triangles (3 sides).These include the tetrahedron, octahedron and icosahedron.  The cube uses squares (4 sides). The dodecahedron uses pentagons (5 sides). Pictures are below.
Image result for picture of the 5 platonic solids on DSOworks
Platonic solids have regular polygons of either 3 4 or 5 sides.
  • 6-7-8 has implications for organic chemistry. Hydrogen begins the count. It is like the single line that begins form in geometry.  Hydrogen’s atomic number is one. Six is carbon’s. Seven is nitrogen’s. Eight is oxygen’s.
Ethanol-structure.svg
An example of an organic compound. Carbon + 6. Hydrogen = 1. Oxygen = 8.

Ethanol-CRC-MW-trans-3D-balls.png  Ethanol-2D-skeletal.svg

 

 

Conclusions: This blog puts forth mathematical Platonism.   Here mathematical entities are abstract They have no spatial, temporal or causal properties.  They are eternal and unchanging.  Numbers represent eternal truths. They are behind everything. Musical sequences, by sound,  express their beaty through sound.

 

 

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Secret ancient codes found their way through Moses into Judaism.

Secret Ancient Codes Known in Egypt

Secret Ancient Codes Known in Egypt. The secrets involved number squares. A favored was the “three by three magic square.” Why was it called magic? Because hidden codes can appear from seemingly nowhere. You just have to look past the bars. Most people are stopped by the lines. They think that nine has its own little box. Or, that seven is likewise an isolated number etc. People who believe this cannot see the truth. To the uninitiated, this is to what God says to Isaiah in 42:16. Making “crooked things straight”, means getting rid of the bars. In this manner, secret ancient codes are revealed.

  • And I will bring the blind by a way that they know not. I will lead them in paths they have not known. I will make darkness light before them, and crooked things straight. These things I will do unto them, and not forsake them. This is God’s promise to Isaiah for redemption.

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Magic  squares, in this sense, can be likened to stage or street magic. Priests, prophets, engineers and builders used the magic square in a practical manner. The 3 x 3 number square is not  paranormal or ritual magic.  This square, however, can entertain and engage. Just like the entertainer in this picture. In this sense, real technical magic is one of the oldest performing arts in the world.  Use of magic squares are documented in Neolithic times. I believe they were used before the Great Deluge in Noah’s time. I have blogged about their use in Lepenski Vir, Jericho, and Troy. Check out posts on DSOworks.com. These ancient sites were measured by characteristic numbers of number squares.

Audiences are entertained by staged tricks or illusions.  These are only seemingly  impossible or supernatural feats using natural means.[1][2]  

A stage magician using a top hat as a prop.

However, religious priests of various cultures took the magic square’s properties to heart. Here are a couple of examples of how it was used.

  • Egypt, the Great Pyramid of Gizeh. Get rid of the bars. Add the numbers three at the time as follows: 492 + 618; or 438 + 672. In both cases, the total is 1110. The perimeter around the Great Pyramid is 1110 megalithic yards.
  • Here’s how the Greek priests of ancient Athens used the magic square: Make 1110 the circumference of a circle. Its diameter becomes 353.
Three hundred fifty thid blog is about Mercury Hermes

I copied  part of my 353rd blog for this post: Three hundred fifty third blog and Hermes. This is a special blog. In antiquity a letter and numbers shared a symbol. This was true in Greek, Hebrew, Arabic, etc. In most modern languages, a letter has one type of symbol. The number has another. This ancient approach to communication was called by a Greek name- gematria. Three hundred fifty third blog, therefore is about Mercury-Hermes. The spelling by Greek letters of Hermes equated with 353.  Hermes (/ˈhɜːrmz/GreekἙρμῆς) is an Olympian god in Greek religion and mythology, the son of Zeus and the Pleiad Maia, and the second youngest of the Olympian gods (Dionysus being the youngest). Hermes was the emissary and messenger of the gods. The Romans called Hermes by the name, Mercury.

In other words, Hermes is found in the concealed span or diameter of a hidden code in the simplest of number squares. That is his domain.

Musical orphanage outlet was his professional anchor.

Musical Orphanage Outlet in Venice for Vivaldi

Musical Orphanage Outlet in Venice for Vivaldi. Antonio Lucio Vivaldi ( 4 March 1678 – 28 July 1741) was an Italian[2] Baroque composer, virtuoso violinist, teacher and cleric. Four orphanages for girls existed in Venice, Italy. They taught females the art of music. Antonio Vivaldi worked at the Ospedale (orphanage) della Pieta. He was employed there for  more than 30 years. He duties included composer, violin maestro, and orchestral conductor.

When musical styles later changed during his employment, he lost his job. He went to Vienna, impoverished. After he died, no one even knew where he was buried until 1938.   My main source of reference is Landowska On Music. Wanda Landowska quotes Italian President, De Brosses.  The points made come in part from his:  Lettres familieres ecrites d’Italie (1739 – 1740). De Brosses lived during Vivaldi’s time. He gives a glimpse into the musical life of Italy.

Musical Orphanage Outlet
Vivaldi’s Four Seasons Made its Premier With an All Female Chamber Orchestra at the Orphanage della Pieta. They were virtuosos. Not too many ladies here!

Musical Orphanage Outlet Description

  1.  Why were there four female orphanages needed in Venice? Girls were left in orphanages for three reasons (1) They were illegitimate. (2) They were orphaned. (3) They were placed there by parents who could not afford to keep them. Poor families often orphaned their girls. Hence the key words of this blog:
  2. How were they brought up? The State paid their expenses. They were trained exclusively to excel at music. De Brosses stated: “They sing like angels and play the violin, the cello. the bassoon; in short, there was no big instrument that could terrify them.” Hence the key words of this blog: Musical Orphanage Outlet
  3. De Brosses  stated about Vivaldi: “I heard him claim that he could compose a concerto faster than a copyist could write them down.”

Alas, Vivaldi’s music went out of fashion. His death was not even noticed. In 1938 it was learned that he died in 1741 and was buried in Vienna. That’s some 200 years in passing.  Vivaldi would be rich on royalties if he were alive today:

  • Walter Kolneder in Antonio Vivaldi: His Life and Work states: A unofficial survey of diners in Greenwich Ct. in the 1990’s claims: Today Vivaldi’s popularity has taken on such dimensions that it almost threatens that of other music.”
  • P.G. Goulding states in Classical Music: The 50 Greatest Composers and Their 1000 Greatest Works: “The 4 violin concertos that make up the Four Seasons are  most popular on many classical radio stations.”

Immediately below in Spring from Vivaldi’s Four Seasons. Solo violin is played and the orchestra conducted by Itzhak Perlman.

Image result for wikipedia picture of the season of winter
The four seasons, Enjoy Itzhak Perlman playing Spring on the youtube below.

 

What conclusions might we draw from this blog?  To make a living, one must know what is on the horizon and be able to respond, appropriately.  Genius does not guarantee a living. Also, everyone has their day in the Sun. That means it is necessary to put aside resources for a rainy day. As a musician, I greatly sympathize with the plight and challenges of all serious musicians- men and women. Even a genius like Vivaldi greatly suffered.

 

 

Will Rodgers was a gracious and generous soul

Will Rogers Plays the Violin, or Tries to with Rubinoff

Will Rogers Plays Had a Place in My Life Through Rubinoff. For years I worked with “Rubinoff and His Violin.” He always would praise Will Rogers. Rubinoff stated in his autbiography: “Will used to give me advice. He was a happy fellow and a pleasure to be near. Will advised me on timing, how to time my gestures, how to get the audience to do my bidding, and how to talk to provoke the appropriate responses.”  This quote is from Rubinoff’s book, Dance of the Russian Peasant. His wife, Dame Darlene Rubinoff, co-authored the book with her husband.  Maestro Rubinoff always paid homage to Will Rogers at his concerts.

Will Rogers Plays:

William Penn Adair Rogers was born on November 4, 1879, in present-day Oologah, Oklahoma—then part of Indian territory. … Himself part Cherokee, Rogers socialized with both indigenous people.  Interest in Will Rogers plays found its way into a hit Broadway show: The Will Rogers Follies is a musical with a book by Peter Stone, lyrics by Betty Comden and Adolph Green, and music by Cy Coleman.

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Will Rogers Follies

It focuses on the life and career of famed humorist and performer Will Rogers, using as a backdrop the Ziegfeld Follies, which he often headlined, and describes every episode in his life in the form of a big production number.

He gave Rubinoff a gigantic pocket watch. Will had the poem below engraved on its back. Will also included his picture with Dave with the following inscription: “To the greatest fiddler in the world. Your Pal, Will Rogers 1932.” Rubinoff recited it at every single concert. Audiences loved itHere are some paraphrases::

Will Rogers plays Rubinoff's violin
Will Rogers plays Rubinoff’s Strad in a gag picture. Rubinoff is looking on and smiling.

The clock of life is wound but once,
And no man has the power
To tell just when the hands will stop
At late or early hour.

Now is the only time we own,
So live, love, toil with a will,
Place no faith in “Tomorrow,”
For the Clock may then be still.

― Robert H. Smith

Conclusion: So many were jealous of Rubinoff. Musicians frequently were contemptuous about how he pandered to the public. However, they were really jealous of his income. In the 1930’s he made as much as $500,000/year. Now I offer a present to all my readers. Here is a free youtube link to Rubinoff and I, performing at our last concert in 1984. And yes, he’ll show off his Will Rogers pocket watch. You can hear the thunderstorm at Scott’s Oquaga Lake House during the concert. Oh yes, please share. This is happy and entertaining!

Lost Concert “Rubinoff and His Violin” on Oquaga Lake, 1984 – YouTube

https://www.youtube.com/watch?v=jujqLu-jrN8
Jun 22, 2015 – Uploaded by Lesley & Ohrenstein

In one of the final years of his life, renowned violinist Dave Rubinoff plays … Your browser does not currently …

People berries - how people mature like mountain berries

People Berries are Like Fruit Berries-Oquaga Spirit Speaks

People Berries are Like the Fruit Berries- Oquaga Spirit Speaks. Yes, we have an analogy. Computers are not great in inventing analogies. Poets are. Especially when the poet is an American Indian spirit. This spirit dwells around Oquaga Lake. Now, you must be asking, how does this analogy hold water?  I lived and worked in the Catskill Mountains. The Scott family hired me as their piano player. The resort is called Scott’s Oquaga Lake House. If you think I’m a little off with this thought, first consider this quote by Shakespeare. Then I will offer the analogy

William Shakespeare > Quotes

William Shakespeare

“ Lovers and madmen have such seething brains,
Such shaping fantasies, that apprehend
More than cool reason ever comprehends.
The lunatic, the lover and the poet
Are of imagination all compact:
One sees more devils than vast hell can hold,
That is, the madman: the lover, all as frantic,
Sees Helen’s beauty in a brow of Egypt:
The poet’s eye, in fine frenzy rolling,
Doth glance from heaven to earth, from earth to heaven;
And as imagination bodies forth
The forms of things unknown, the poet’s pen
Turns them to shapes and gives to airy nothing
A local habitation and a name. ”
People berries explained at Scott's
Summer fun at Scott’s Oquaga Lake House

People Berries as per the Oquaga Spirit

Here is the analogy. It is from my book The Oquaga Spirit Speaks. The book contains some 80 poems. It is available as a product on DSOworks.com. The spirit says in this excerpt from “The Smells of Childhood Remembered.”

The berries are the bells of summer.
Wild strawberries in June.
Then raspberries and blueberries.
Blackberries bring the harvest Moon.

Likewise, people who mature early are like the “Wild strawberries in June.” Those who mature in middle age are like the raspberries and blueberries. Those who mature later in life are like the luscious blackberries. Enjoy the wisdom of the Oquaga Spirit! Here is a free reading. I hope to recite this American Indian’s poetry in person  around the world.

The Oquaga Spirit Speaks – YouTube

https://www.youtube.com/watch?v=UM2hUWYPDgo
Mar 28, 2016 – Uploaded by Dso Works

 

 

Three hundred fifty thid blog is about Mercury Hermes

Three hundred fifty third blog and Mercury-Hermes

Three hundred fifty third blog and Hermes. This is a special blog. In antiquity a letter and numbers shared a symbol. This was true in Greek, Hebrew, Arabic, etc. In most modern languages, a letter has one type of symbol. The number has another. This ancient approach to communication was called by a Greek name- gematria. Three hundred fifty third blog, therefore is about Mercury-Hermes. The spelling by Greek letters of Hermes equated with 353.  Hermes (/ˈhɜːrmz/GreekἙρμῆς) is an Olympian god in Greek religion and mythology, the son of Zeus and the Pleiad Maia, and the second youngest of the Olympian gods (Dionysus being the youngest). Hermes was the emissary and messenger of the gods. The Romans called Hermes by the name, Mercury.

Hermes is featured in my three hundred fifty third blog
Mitigating among all the gods was a difficult job for Hermes.

The messages of Hermes were top secret.  But no longer! We will explore the source of Hermes and his message. Make 353 into the diameter of a circle. Multiply it by pi. Its circumference becomes 1110 (rounded down). Hermes message is a secret code hidden in a number square.

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What the three hundred and fifty third blog reveals

This is the secret. It is  hidden in the smallest of the ancient number squares. By hidden codes, it is also the largest. As a matter of fact, it can be worked to infinity. Called by the name of its planetary association, it represents Saturn. By the way, this is one of the primary meanings of the term: “Squaring the Circle”. We have just turned a circle and its diameter into a number square. But where’s the 1110? Very briefly, 492 + 618 = 1110. Again, 438 + 672 = 1110. Or, 951 + 159 = 1110. We now have the circumference that as a diameter, Hermes inhabits. This is further explained on other DSOworks.com blogs. They are free to enjoy.

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Megalithic Measure in Malta

Megalithic Measure Survives in Unexpected Ways

Megalithic measure, also found in Malta, found its way into Judaism – some 2500 years later! The specific measure is the megalithic yard. It equals 2.72 feet.  My book on sacred engineering was set into  triangle on site of the featured picture. First, sacred engineering was based on the simplest number square. It is the traditional arrangement of the 3 x 3 number square pictured below.  In paradox fashion, it is also the most complex.

Megalithic measurement is a straight read on this number square
Megalithic Measurement in Malta comes from a simple number square. It is a straight read of numbers.

 

First, a description of the megalithic yard: A Megalithic Yard (MY) is a unit of measurement of about 2.72 feet (0.83 m),[1][2][3] that some researchers believe was used in the construction of megalithic structures. The proposal was made by Alexander Thom as a result of his surveys of 600 megalithic sites in EnglandScotlandWales and Britanny.[4] Thom also proposed the Megalithic Rod of 2.5 MY.[5] As subunits of these, he further proposed the Megalithic Inch of 2.073 centimetres (0.816 in), one hundred of which are included in a Megalithic Rod, and forty of which composed a Meglithic Yard.

How Megalithic Measure Comes From the Traditional Arrangement of the 3 x 3 Number Square

  • As you have just read, a megalithic inch is 0.816 inches. That is a straight read across the bottom of the number square.
  • A megalithic yard contains forty megalithic inches. Here’s the arithmetic: 40 x 0.816 = 32.64 inches. Next, 32.64″/12″ = 2.72 feet –  or 1 MY.
  • Add the 8 perimeter numbers. For fun, start with the 8-1-6 trio. As 8 + 1 + 6 + 7 + 2 + 9 + 4 + 3 = 40. That is the number of megalithic inches in the megalithic yard. The megalithic inch is literally extracted from the 3 x 3 square’s basic and apparent image.

 

Megalithic Measure -The Megalithic Monuments of Malta by Gerald Formosa
Megalithic Measure has survived in unexpected ways.
  • Plato refers to the 272 as the number of harmony in his Canon Harmonia was the wife of Cadmus. Her name in Greek was spelled with the letters that added up to 272.
  • It is a masonic number. A rod of brickwork is 272 square feet.
  • The old Hatfield House in Hertfordshire, England  is 272 feet long. Even though is is called “old”,  it was built circa 1611. This is over 5,000 years after the Malta temple.
  • The triangle in the picture below, like the featured picture, also holds my book: The Sacred Engineers’ Philosophy- the Pinnacle of Thought in the Unified Culture of Ancient Builders. The triangle on all sides, by whole or fraction, defines the basic megalithic yard of 2.72 feet.

As you can deduce, the Maltese temple at Tarxien and the English Hatfield House, built 5,000 years later, are part of the same number square tradition. This tradition once encompassed cultures worldwide in a former and lost Golden Age. I think that with their re-discovery, we are about to enter a new Golden Age of peace and plenty.

Harmony as 272 is also Built into Ancient Language

  • The Hebrew word for “Hebrew” has a three letter root: ayin, reisch, veis. It means to cross or pass over; as Abraham came from Ur to start the Hebrew nation. The gematria of the three letter root in Hebrew is 272.
  • The three letter word for Arab in the  Hebrew language (which translates, evening) uses the same three letters, only re-arranged. Their numerical value by gematria spelled with Hebrew letters is, of course, 272.

Peace and Harmony are soon to be a natural state between all nations. Sites built by the code must be rebuilt in a new re-dedication to a new return to peace and plenty. These sites are all around the Earth. Let’s be joyful!

Book at Malta about megalithic measurement
How my book made it to this temple is quite a story. I stayed home.

Balanced Measurement Historically by Fives and Sixes

Balanced Measurement Historically by Fives and Sixes. I know. You are thinking the title is beyond logic. “Five and six what”, you ask? A quick response: Words favor the left side of the brain. Left-sided thinking dominates most of our culture. Math and music use the right side. That’s where this blog is coming from- the right side.  I refer you to chapter six of The City of Revelation.  Michell entitles the chapter- ” Sacred Geometry: The Plan of the Holy City.”  In that chapter we find Mayananda’s drawing of a lily and rose. At one time the rose and lily were thought to be polar opposites. Here are some of his included highlights:

  • Five represents the strong petals of the rose. It has 13 weaker petals.
  • Six represents the petals of a lily.
  • Five has historically been the number of humanity. It is the core number of the ratio called “phi”. [1] It favors ratios of life including those found throughout the human frame.
  • Six was associated with inanimate nature, like the snowflake.
  • Five was the footprint of the pentagon.
  • Six was the mark of the hexagon
  • Thus. five was considered yin. Six was thought of as yang.
Lily, Blossom, Bloom, Flower, White, Purple Dots
Lily

 

 

Balanced Measurement by fives and sixes is considered by John Michell
For years author John Michell has been my #1 source of inspiration
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Five strong petals and 13 weaker of the rose invokes the Fibonacci series of numbers.

So Where are the Ancient balanced Measurement Units?

Below is a list of balanced measurement units used in antiquity:

  1. 6/5 = 1.2  An Egyptian remen is 1.2165 feet (It gets better in a moment).
  2. 6 x 5/6 + 5 = 2.727272…A megalithic yard is 2.72 feet.
  3. 6 x 6 x 6/5 x 5 x 5 = 1.728. The larger Egyptian cubit is 1.728 feet.
  4. 6²/5² – 1.44. One hundred and forty four is a Fibonacci number.
  5. 6 x 6 x 6 x 6 / 5 x 5 x 5 x 5 = 2.0736. Approximates the Palestinian cubit of 2.107 feet.
  6.  (6 to the 6th power)  / (5 to the sixth power) = 2.979…This is close to the three feet of the English yard.
  7. Very important for Central America and the Mexican Pyramid of the Sun: The key unit of measure was the “hunab.” (See Peter Tompkins Mysteries of the Mexican Pyramids). The hunab is 3.41 feet. Again, the invaluable fives and sixes: (5 x 5 x 5) + (6 x 6 x 6) = 341. I took this information from a previous blog called “Measure Proves a Pre Genesis Citadel in Mexico.”
  8.  341 refers to world before Genesis. Here’s how: The name of the pre-creation God was Emesh  אֶ֣מֶשׁ: “Laban said unto Jacob: The God of your fathers, Emesh, said to me…” In Hebrew “Emesh” literally means “yesternight.” Reference Genesis (31:29). Letters doubled as numbers in middle eastern languages. There were no separate numbers apart from letters. Here are the letters in Hebrew with their representative numbers.
  9. אֶ֣מֶשׁ – Alef = 1; Mem = 40; shin = 300. Total is 341.
  10. אֶ֣מֶשׁ- The three Hebrew letters of  Emesh  are the the “mother” of all the Hebrew letters.   This total is merely another fusion of fives and sixes. In the Hebrew language these three letters  are the classification heading for the  the remaining 19 letters.

Conclusion: A rose and a lily are easy for all to enjoy. Also numbers 5 and 6 are easy to understand. But we need to know what this meant to the ancient, even  pre-Genesis civilizations. This blog is merely a glimpse into the mindset of those who knew of this in antiquity.

Travel golden roads

Disappearing Mailboxes Out-Dates a Work of Art

Disappearing Mailboxes Out- Dates a Work of Art. Famed cartoonist, Harold Winer, created a number of illustrations for us. They were a thank you present. At one time he was associated with the Sarasota Music Archives. My wife Sharon, and myself, do musical charity work. The Sarasota Music Archives was one of the beneficiaries. It has one of the finest collections of sheet music in the country. As a thank you, Harold Winer gave us a number of art works. The Ohs is short for our last name, Ohrenstein.

Disappearing mailboxes
This sad picture looks like a lost and found of mailboxes. It seems like they need a home.

For many, mailboxes hark back to a day and age of nostalgia. The sight of mailmen at mailboxes was the norm. Now most are hard pressed to even find one mailbox. (Photo credits: Mailboxes awaiting disposal in San Jose1973 8-cent stamp)

For baby boomers, this was part of growing up.

Disappearing Mailboxes Replaced by E-Mail

 Mail boxes have pretty much disappeared; yet, Sharon and I are still performing. We have started to write our own. I have always been a composer. Sharon writes the lyrics and book. Most recently, we wrote Golden Roads. It was the opening show for the Sarasolo festival. Carlo Thomas is our director. We thank him for his help. He guided our rehearsals. Also, he provided about 2 dozen artistically made posters. During the course of the presentation, Sharon co-ordinates the dialogue with the pictures. Our show sold out,  SRO. On the positive side, the mail is still there. Only, it is called e-mail.  Speaking of which, please feel free to share this e-mail with friends. Let’s have many new shows of all types that can  offer us rides on Golden Roads.

Behind the Script: Golda Meir Musical, Golden Roads – YouTube

Video for DSOworks youtube Golden Roads
https://www.youtube.com/watch?v=N5UYvVQnsMU
Jan 25, 2017 – Uploaded by Dso Works

Behind the Script: Golda Meir Musical, Golden RoadsDso Works … the new one-woman musical about the …