## Women Out West are in Copland’s Rodeo

Women out West: Rodeo. Copeland wrote  Rodeo in 1942 as a Ballet in One Act.  The Ballet Russe of Monte Carlo commissioned choreographer Agnes de Mille to collaborate with Aaron Copeland on the Rodeo project. I found a  score arranged for piano. The arrangement is copyrighted by the Aaron Copland Fund for Music. It was printed in 1962. It has six principle sections:

1. First Episode: Buckaroo Holiday
2. Transition
3. Second Episode: Corral Nocturne
4. Ranch House Party
5. Third Episode: Saturday Night Waltz
6. Fourth Episode: Hoe-Down

### Women Out West Had to Find Suitable Men!

Basically, throughout the American southwest, the Saturday afternoon rodeo was a tradition. Usually, it was followed by an evening dance at the Ranch House. Copland’s Rodeo uses this basic western concept. As a matter of fact dating between the sexes  was problem confronting all American women since early pioneer times. The question has been how to get a suitable  man? Most likely, it is still a problem everywhere.

### Women Out West Relished the Saturday Evening Dance.

On Saturday evening, after the Rodeo, social time was shared by dancing the square dance. The principle theme of Copland’s Hoe-Down in Rodeo uses a square dance tune called Bonypart. Of course this is a humorous reference to Napoleon Bonaparte.

Agnes de Mille describes the basic concept for choreography: “Throughout the American Southwest, the … dance was a tradition. On the remote ranches, as well as in trading centers and the towns, the “hands” get together to show off their skill in roping, riding, branding and throwing. Often, on the more isolated ranches, the rodeo is done for an audience that consisted only of a handful of fellow-workers and women-folk.  Any neighbors that attended often had to do an eighty mile or so run-over to witness the event.”

I, the blogger, also wrote a ballet called The Dance of the Zodiac. It also features the bull, as in the rodeo. Only it appears as the symbol of Taurus. Enjoy this internal link to my own ballet.

## Instrumental Versus Vocal – Which One Dominates?

Instrumental Versus Vocal – Which One Dominates at any particular time? Secular cultures have greater emphasis on instrumental. Religious cultures emphasized more vocal music.  Troubadours and jongleurs elevated the dominance of instrumental music in Medieval times. How did they come about? The oldest mention of the word troubadour as trobadors is found in a 12th-century Occitan text by Cercamon.[1] The sixteenth century Italian historian Giammaria Barbieri was perhaps the first to suggest Arabian influences on the music of the troubadours.[13] With instrumental versus vocal, the former comes out ahead in this case. Later scholars like J.B. Trend have asserted that the poetry of troubadours is connected to Arabic poetry written in Spain.[14]

Location Exterior of the Troubadour in 2006 9081 Santa Monica Boulevard, West Hollywood, California Nightclub Folk, singer-songwriters, rock, heavy metal standing 500 1957

### Instrumental Versus Vocal Plays Out

1. Instrumental music was given a boost by the Crusades. War and hardship also resulted from the Crusades.  But, these Holy Pilgrimages also brought about  free flow of ideas to Europe from the Middle East. Author Theodore M. Finney in A History of Music goes so far as to state: …”the development of harmony may sometime need to be rewritten giving much more weight to Eastern influence. Eastern being Arabian influence.”
2. Instrumental music, Finney states, was at first fashioned by what he calls “rough people”. This simply means people who did not dwell in towns or villages. They used instruments to accompany their wanderings with their flocks of goats or sheep. . Also, they would play for their own dancing. These activities, in turn,  gave rise to instrumental secular music.

Here are two class systems that gave rise to more instrumental music. This system involved the division between Troubadours and Jongleurs. This music was performed by groups of musicians known as troubadours,trouvères, and jongleurs. The troubadours and trouvères were active in France.  The troubadours to the south. Trouvères to the north. They were medieval poet musicians that catered to the upper class, or the nobility. Oftgen they were noblemen themselves.

The Jongleurs were often collaborators or assistants of Medieval Troubadours or Minstrels. Jongleurs gained a reputation of itinerant entertainers of Medieval France and in Norman England.  Many were deemed to be vagabonds. They wandered from court to court with their music.

### Traditional Employment at Scott’s Oquaga Lake House

For better than 15 summer seasons I played piano for shows at Scott’s Oquaga Lake House in Deposit, New York. The resort was born in 1869. What a wonderful time our family had.  Our children literally grew up in the Catskills at Scott’s.   Playing many shows as well as our own  (with wife, Sharon) were part of my duties. Most recently, the cast of The Marvelous Mrs. Maiselle got to experience the same resort.

To the right, Rachel Brosnahan, winner of the award for best actress in a comedy series for “The Marvelous Mrs. Maisel”, speaks in the press room at the 23rd annual Critics’ Choice Awards at the Barker Hangar on Thursday, Jan. 11, 2018, in Santa Monica, Calif. (Jordan Strauss | Invision/AP)

### Is Traditional Employment Also in our Future?

My wife and I wrote a new opera comique entitled Patra. It certainly is quite traditional. Our models were Bizet’s Carmen and Bernstein’s West Side Story. We will have a full production workshop in New York at Schroon Lake scheduled for September 2019. This will be with the Seagle Music Colony. The Colony is under the artistic direction of Darren Woods and The American Center for New Works Development. Schroon Lake has quite a cultural history. Here is an internal link to this Schroon Lake’s glorious past. It inspired me to write a poem. Share if you wish.

### Conclusion

What’s the best way to acquire rewarding and long term employment?

1. Work hard at mastery of your talent or craft.
2. Then, work with a well establish person, group of people or company.
3. Happy New Year!

## Central Pillar and the 3 x 3 Number Square

Central Pillar and the 3 x 3 Number Square. In the featured picture the corner numbers on the Lo shu are 4,9,3 and 5. Remaining 5 remaining numbers are called the gnomon. These five are 2,7,6,1, and 8. There are three more possible corner/gnomon arrangements. That can be a subject for future blogs. The Tree of Life uses this one arrangement on the central pillar: The upper left corner v. its gnomon. Here are some instructions on how to read and compare the two systems. A vanished civilization knew what you are about to read. They enjoyed a Golden Age until they succumbed to a worldwide cataclysm. Certainly, Plato’s account of Atlantis fits this description. Allusions to this lost culture are found in the survival of ancient measurements. Below are a couple of my internal links.

## Tens: Here’s the Formula on How Tens Grow into Infinity

### Central Pillar and its Link to the 3 x 3 Number Square

First, what is a number square? It is found in recreational mathematics and combinatorial design. A magic square[1]  filled with distinct positive integers in the range . Each cell contains a different integer. The integers in each row, column and diagonal are equal.[2] Now to compare the two systems:

• On the number square, multiply the numbers of the upper  left corner: 4 x 5 x 9 x 3 = 540.
• Multiply the gnomon numbers: 2 x 7 x 6 x 1 x 8 = 672.

Next, look at the central pillar on the Tree of Life:

• Multiply the Central numbers of the four emanations (circles):1 x 6 x 9 x 10 = 540. This duplicates 540  product of the upper left corner of the number square.
• Take the central pillar numbers again. Add them: 1 + 6 + 9 + 10 = 26. Square 26 as 26² = 676. This is not the 672 gnomon product above. However, by rules of gematria, one can be added to each word or factor, in this case- circle, without essentially altering its meaning. We have 4 circles on the central pillar. Thus 672 + 4 = 676. We have congruence again. Gematria is explained in great depth by my favorite author, John Michell. His books are extremely rare and difficult to come by.

## Ageless Teacher Pianist Mischa Kottler

Ageless Teacher Pianist Mischa Kottler. Great men, like great wines, improve with age. Mischa, at the time of this picture was 88. He stayed active until age 94. What kept him going? Passion for the piano. As a teacher, he had a slew full of piano competition winners on his record. Even rock n’ roll benefited from his total mastery of the instrument. Gregory Arthur “Greg” Phillinganes (born May 12, 1956) is an American keyboardistsinger-songwriter, and musical director based in Los Angeles, California.   A prolific session musician, Phillinganes has contributed keyboard tracks to numerous albums. These included representing a broad array of artists and genres. He has toured with notable artists, such as Stevie WonderEric ClaptonDavid Gilmour and Toto, served as musical director for Michael Jackson, and has released two solo studio albums.

#### From Greg Philliganes’ interview in Keyboard Magazine and his Quote of Mischa Kottler

“Sensing that I needed discipline more than anything else, my Mom managed to hook me up with a wonderful teacher named Mischa Kottler.  He was a no-nonsense Russian Jewish guy who could crack a pane of glass with one finger. He was a complete badass, and he cooled my attitude out immediately. I studied with him well into my teens.

### Minute Waltz (Mischa Kottler Version) – YouTube

Dec 28, 2013 – Uploaded by Joseph Beels

### Ageless Teacher Pianist Visits My Family

Primarily as result of having studied with my ageless teacher pianist Mischa, I too have had a successful and long lasting career. I’ve just begun my 10th year at the Gasparilla Inn on the isle of Boca Grande. There, I play piano for VIP’s from around the world. The most memorable person I played for was former President George H. Bush. Below is an internal link to this event from DSOworks. Also, Sharon Ohrenstein, my wife, and I are bringing a full workshop to the NY stage this coming September. Our original “opera comique” is entitled “Patra”. Look under the “stage” heading on DSOworks.com. We will be working with an incredibly, wonderful, creative team.  Workshop will be sponsored by: The American Center for New Works Development.

## Three Square Code Structures Stonehenge

Three Square Code Structures Stonehenge. Life often offers us the polarity of opposites. Something stands in opposition to something else.

This tiny number square gives rise to the pillar arrangement at Stonehenge. It was used in countless ways by ancient historic and even prehistoric civilizations. Currently we are entering a new age. It will be marked by peace and plenty. This is also known as a Golden Age. The same arrangement that formed the Palestinian cubit and the Egyptian cubit also structured the pillar arrangement at Stonehenge. Some information I quote from my own internal link below:

## Two Ancient Reads From One Number Set

Abu Mūsā Jābir ibn Hayyān explains how this number square was divided into various corners and gnomons. I show how the dotted points below were the options that were used for the appropriate Egyptian and Palestinian cubits. It was also used for builiding Stonehenge.

• Multiply the 4 corner numbers: 5 x 7 x 1 x 6 = 210. The Palestinian cubit is 2.107 feet.
• Multiply the remaining five numbers which are called the gnomon: 8 x 3 x 4 x 9 x 2 = 1728. The larger Egyptian cubit is 1.728 feet.

First we must see who gave rise to realizing this division of the square three code in the particular manner that I will present. Abu Mūsā Jābir ibn Hayyān (Arabicجابر بن حیان‎‎, Persianجابر بن حیان‎‎, often given the nisbahs al-Bariqi, al-Azdi, al-Kufi, al-Tusi or al-Sufi; fl. c. 721 – c. 815),[6] also known by the Latinization Geber, was a polymath: a chemist and alchemistastronomer and astrologerengineergeographerphilosopherphysicist, and pharmacist and physician. Born and educated in Tus, he later traveled to Kufa. He has been described as the father of early chemistry.[7][8][9]

15th-century European portrait of “Geber”, Codici Ashburnhamiani 1166, Biblioteca Medicea Laurenziana, Florence

### Three Square Code Uses Lower Right Corner and its Gnomon for Stonehenge

Numbers in a row are called a sequence. Sequence is also used in music and dance. Stonehenge uses 5,6,7, and 8:

• 5 x 6 = 30. This numbers  inner stone circles.
• 7 x 8 = 56. This numbers the outer holes.

Plan of the central stone structure.  The stones were dressed and fashioned with mortise and tenon joints before 30 were erected as a 108-foot (33 m) diameter circle of standing stones, with a ring of 30 lintel stones resting on top.

For fun, add 5 + 6 + 7 + 8 = 26.  Now, let’s look at the two products and one sum we created from consecutive numbers 5,6,7 and 8: They are 30, 56 and 26. Any beginning student of chemistry knows these numbers define the most stable isotope of iron: (1) 30 neutrons. (2) atomic number 56 (3) Finally 56  – 30 = 26.  That is the atomic number of iron. Why is this important? Iron is the ash of nuclear fusion on stars. When enough iron is at the star’s core, it explodes. This creates all the heavier elements than iron.

Here’s the big question: Does Stonehenge represent the cosmic stellar process of creation? Was this known in the distant past? Or, is this just another numerical co-incidence?

## Plus one factor shared by Geometry and Math

Plus one factor shared by Geometry and Math. This post applies to all of the prominent ancient number squares. For various reasons, they are also called magic squares. What characterizes  these squares of numbers? In recreational mathematics and combinatorial design, a magic square[1] is a {\displaystyle n\times n} square grid (where n is the number of cells on each side) filled with distinct positive integers in the range {\displaystyle 1,2,…,n^{2}}

• Each cell contains a different integer.
• The sum of the integers in each row, column and diagonal is equal.[2]

### So Where is the Plus One Factor?

The plus one in number squares is one thing above and beyond  obvious definition on the number square. Let’s look at the application in geometry first. The 3 by 3 number square is the smallest that can be constructed. It has 2 parallel lines that intersect two more parallel lines.  Thus, 3 x 3 columns of vertical and horizontal numbers, are set on a 2 x 2 set of horizontal and vertical lines.  Note:  By custom, these parallel lines are not encased by a square. Surrounding these nine numbers by a square would then create 4 x 4 parallel lines. In a way, this hides the true nature of the number square in consideration.  Number square perimeters  should be left open ended as in the featured picture. I must confess, some of my earlier number square pictures are encased.

Here is the  mathematical plus one factor: This number square contains the numbers 1 to 9. Any straight row of three totals 15. Opposite numbers total ten. Hence, the following sets of numbers total 10: 4 + 6; 3 + 7; 8 + 2; and 9 + 1. The plus one factor becomes the total of the opposite numbers- 10. Ten is above and beyond the nine. It is not even notated on the prime number square; being invisible, like the Deity. So how does this apply in religious antiquity?

### The 1st of the 10 Commandments is the Plus One Factor

The 10 Commandments are thus modeled on the 3 x 3 number square. The 1st commandment is actually not a commandment. It is a statement of the presence of the Deity who is above and beyond everything. He is invisible, like the number 10.  Compare it to the “colel” in numbers. That’s why in the 10 Commandments it becomes a statement as opposed the apparent nature of the other nine numbers.

## Graphic Polarity Activation on the 3 x 3 Square

Graphic Polarity Activation on the 3 x 3 square. The prime number square of every higher number square is the 3 x 3. The complete, traditional, square is pictured at the bottom of the featured picture. There are a number of possible arrangements, possibly seven. However, the understanding of the distant past begins with this traditional. Many blogs on DSOworks are about this number square. Check them out by key word. They are free to view. I currently have some 570 posts about two primary subjects: (1) Music (2) Number squares. Most of the posts on number squares about the 3 x 3. It is the simplest, yet the most complex. Both of these subjects were the backbone of a former and lost Golden Age.

The full set of rings, imaged as Saturn eclipsed the Sun from the vantage of the Cassini orbiter.  It was 1.2 million km distant, on 19 July 2013.  The brightness is exaggerated. Earth appears as a dot at 4 o’clock. Our planet can be seen between the G and E rings. Most important for this blog: The rings of Saturn are the most extensive ring system of any planet in the Solar System. Why is the important? There are three obvious perimeters around this number square. However, the number of possible rings goes to infinity.

### Graphic Polarity Activation Instructions

Reference the traditional arrangement at the bottom as I point our a few of the possibilities. Also a have a number of internal links on infinity and this number square. Also, “perfect numbers” favor this number square. Ancients knew this. Today, our civilization does not. Of course, there once was a Golden Age. Today peace and plenty seem be  elusive. Here are a couple of such links on DSOworks.com:

## High Perfect Numbers in Ancient Times

### Graphic Polarity Activation on Isaiah 45:2-3New International Version (NIV)

I will go before you
and will level the mountains[a];
I will break down gates of bronze
and cut through bars of iron.
I will give you hidden treasures,
riches stored in secret places,
so that you may know that I am the Lord,
the God of Israel, who summons you by name.

• How does Isaiah allude to graphic polarity activation with the above? Look at the chapter number. It is 45. Total the numbers 1 to 9 in the grid. The order does not matter. Sum =  45.
• Next, look at the two verse numbers of the Scripture. They they are verses 2 and 3. The sum of the verse numbers define the central number of the number square. 2 + 3 = 5. “Five” activates the entire system of all number squares. This is the smallest and prototype of all number squares.
• Breaking the gates of brass and cutting through the bars of iron allude to reading the numbers without the grid. See the internal links above.
• Specific applications will be covered in future blogs.
• Please credit an Indian spirit from the Lennie Lenape tribe for my knowledge of this number square. Her haunt is Oquaga Lake at Scott’s Oquaga Lake House. I was Scott’s piano player for some 15 summer seasons. There, I encountered the spirit on hikes in the Catskill Mountains.

## Catskill Resort Celebration- my Home Away from Home

Catskill Resort Celebration- my Home Away from Home. The Catskill Mountain Resorts are coming back. It’s possibly starting with Scott’s Oquaga Lake House. I was the Scott’s piano player for some 15 years. Oh boy, are the Catskills coming back! They have just been the background for a wagon load full of prestigious top entertainment industry awards. Some of the list is below, in blue. Immediately below is the Catskill Mountain movie trail from The Marvelous Mrs. Maisel.

### Catskill Resort Celebration at Scott’s Oquaga Lake House

Als0, below the picture is link to a special interview with one of the stars:  Rachel Brosnahan chats with Jimmy Fallon about the latest season of The Marvelous Mrs. Maisel. She talks about  years ago Scott’s turned down the filming of Dirty Dancing. The clip at Scotts, relatively new posts, have 75,00 views.

Above, Rachel is speaking in the press room at the 23rd annual Critics’ Choice Awards. It is at the Barker Hangar.  Date is Thursday, Jan. 11, 2018. Location is Santa Monica, Calif. (Jordan Strauss | Invision/AP)

### More Catskill resort Celebration

Preview YouTube video Rachel Brosnahan Drops Hints About Season 2 of The Marvelous Mrs. Maisel
Rachel Brosnahan Drops Hints About Season 2 of The Marvelous Mrs. Maisel

Yes miracles still happen.  Just when everybody is ready to give the resort up, this happens. Scott’s will be featured in quite a number of episodes this coming year. I have been the piano player at Scott’s Oquaga Lake House over a span of some 15 years. Hard times hit the resort. Bus loads of people from Ontario, Canada stopped coming. This was due to higher taxes and added health insurance costs on group bus tours. A high percentage of their business was Canadian. In addition to to regular fair, Canadians loved the wilderness and seemingly magical feeling of this pristine, clear  lake.

### More Catskill Resort Celebration

Here is one of my my contributions to Scott’s Oquaga Lake House: As Rubinoff and His Violin’s arranger and accompanist for over 15 years, I brought Rubinoff to the resort.  This was in 1984. At age 86 David Rubinoff also performed miracles. This youtube video is the only complete 44 minute+ concert of his in existence.He took America by storm in the 1930’s.  Please also enjoy this rare Scott’s video as I (David Ohrenstein) accompany this “legendary” violinist. He plays his Strad. It belonged to the Czars of Russia.

### Lost Concert “Rubinoff and His Violin” on Oquaga Lake, 1984 – YouTube

Jun 22, 2015 – Uploaded by Lesley & Ohrenstein

In one of the final years of his life, renowned violinist Dave Rubinoff plays theStradivarius violin for an …

## Forgiving Audience for Rubinoff and His Violin

### The Marvelous Mrs. Maisel Awards Peabody Awards

Last, but not least for my wife, Sharon, and myself. We wrote an opera comique entitled Patra. It will be showcased on Schroon lake in New York state this coming September  of2019. The American Center for New Works Development is sponsoring it under the auspices of the Seagle Music Colony. More details on our website.  DSOworks.com.  Patra has a banner heading. Exact date to be announced shortly. Don’t miss this event!

## Hollywood Nineteen Thirties under Rubinoff’s Baton

Hollywood Nineteen Thirties under Rubinoff’s Baton. I frequently blog about David Rubinoff and His Violin. That’s because I worked with him for over 15 years. My capacity was as his arranger and piano accompanist. The years spanned 1971 to 1986. In 1986 Dave passed away at age 89. He was the very model of musical success. This was especially true in Hollywood during the nineteen thirties. I’ll never forget the spontaneity of his reply when I said to him: “Mr Rubinoff, music has been good to you.” He immediately replied as a matter of factly, “Why, that’s because I’ve been good to music.”

You can now listen to a recent concert that I was honored to perform at with maestro Steven Greenman. Steve performs the Fiddler just as Rubinoff intended it. The Ted Lewis Big Band museum curator and conductor extraordinaire, Joseph Rubin, invited me in from Sarasota to play the concert honoring my friend and mentor, David Rubinoff.

Preview YouTube video Rubinoff’s Fiddler on the Roof – Violin and Piano

### Hollywood Nineteen Thirties

Dave’s wife, Darlene Rubinoff, wrote a book about his life. Dave personally dictated it to her as she tape recorded his voice. Eloquence, sophistication, technical prowess,  passion and perfection marked his playing. But most of all he openly conveyed the love he had for his  audience. In return his audiences loved loved him. This was to the tune of hundreds of thousands annually in the 1930’s.  In this regard I must quote Mr. Rubinoff’s words through his angel of a wife, Darlene Azar Rubinoff:

“I worked every  hour of the day and night, driving everyone with no conception of time, being only interested in my music and pleasing the public. My audiences screamed and applauded. They were after me night and day, waiting for me outside the stage door for a glimpse or for an autograph. I seldom refused them. They were the reason for my success. That is why I drove the orchestra and the arrangers so hard. I screamed, I cajoled. I even, on occasion, threw things in order to win my way. The amazing thing was, I was always right when it came to my music.”

Please enjoy the internal link below of the concert I gave with Rubinoff in the Catskills at Scott’s Oquaga Lake House.  The youtube link is at the end of the blog. It was over 30 years ago. Also, my wife Sharon and I have written a new opera entitled “Patra”.  The featured artwork is used by permission from the  “From Cairo With Love”  art gallery in Cairo, Egypt. It will be premiered in New York on Schroon Lake this coming September. Please read about the details under the “stage”on our front page of DSOworks.com.