Common Time is Anything but Common. The time signature (also known as meter signature, or measure signature) is a notational convention used in Westernmusical notation. Time signatures specify:
How many beats (pulses) are contained in each measure (bar).
The common signature (C) is an abbreviation of 4/4 meter.
Yet, when written for piano, which has a bass staff as well as treble, something unusual happens.
You see 4/4 for the treble staff; then you see 4 /4 for the bass staff (or common time for each staff). Subliminally that becomes four sets of four. What does that infer? Music draws on the 4 x 4 number square of Jupiter pictured below. The perimeter of numbers around the central four has four numbers in each direction of the compass.
Common Time Becomes Four Sets of Four
Where in antiquity do we find four sets of four? In the “magic square of Jupiter”. Jupiter, in astrology, is the bearer of good things as success in business and abundance.
Here is an ancient picture of the 4 x 4 number square. Note that four numbers are located on each side of the number square. Common time, as written for piano can be expressed by four fours: 4/4 and 4/4. At the center are four numbers: 7, 10, 6 and 11. The core of four creates the totality of of this magic square in a most special way:
Cross multiply the central numbers: (6 x 11) + (7 x 10) = 136
Next, add all the numbers in the number square from one to sixteen. They also total 136.
Now for a peek at a future post: add 136 to 136. The sum is 272. That probably is the most important number of all ancient civilizations! Plato refers to it as the grand number of harmony in antiquity. Revival of this knowledge is also a goal of Revivingantiquity.com
Start Over Again Rubinoff Discusses the Great Depression. Monopoly can be an allegory for life. Every time you pass “Go”, you start over again. The thing is to just keep on going! Yes, the roll of a dice can bring hardship and calamity. You can loose a ton of money when another player has hotels on Boardwalk or Parkway. Just keep on playing the game. Perhaps there is a chance? Now who was are Rubinoff?
Rubinoff and His Violin was a conductor violinist that I worked with for 15 years.
Below is the Start Over Context of Famed Violinist, Rubinoff and His Violin
Rubinoff did the start over thing. He left Russia under the wing of Victor Herbert, becoming his protege. Dave and his entire family had lived in abject poverty and with anti–Jewish sentiment while in Russia and Poland. He rose through his own efforts; from selling newspapers on a street corner to conducting and working orchestras for both the Paramount Theater in Brooklyn and Pictures in Hollywood. He lead the Chicago Symphony in a concert attended by 225,000 people in 1937. They turned away 25,000 at the door. Among many accomplishments, he played for 5 American Presidents. Talking about the hardships of the Great Depression Dave says in his autobiography: “I guessed the ones who were committing suicide hadn’t learned to throw ace-duce and start over again.”
Unlikely Friendship Between Rubinoff and Rudy Vallee. Vallee set show business ablaze. Hubert Prior “Rudy” Vallée (July 28, 1901 – July 3, 1986) was an American singer, actor, and radio host. Teens loved him. After playing drums in his high school band. Vallée played clarinet and saxophone as a teenager. From 1924 through 1925, he played with the Savoy Havana Band at the Savoy Hotel in London. He returned to the United States, briefly attending the University of Maine. Vallee received a degree in philosophy from Yale University. At Yale he played with Peter Arno. in a jazz band called the Yale Collegians.
David Rubinoff talks about their totally different background. His autobiography was dictated by him to his wife, Darlene: Dance of the Russian Peasant. The title says it all: Rubinoff was from a small impoverished town in Russia. Dave’s speech was colored by his Russian accent. Vallée was highly educated and from an elite background. Yet, at one time, Dave and Rudi shared a great friendship,
Unlikely Friendship Quoted from Darlene’s Writings
Darlene Azar Rubinoff quotes David the book “Rudy was a Yale man and I admired his perfect English and diction immensely. I wished I had his command of the English language. Opposites attract and he laughed good-naturedly at my broad Russian accent. Rudy corrected my English many times, but told me not to worry because my violin spoke for me.”
Rudy recommended Rubinoff to perform on a radio spot for the American Broadcasting Company. At time Rudy had to many previous engagements to take the job. As a result, Dave got his big start on the Chase and Sandborn Hour.
Good timing and knowing the right people are key to advancing a career!
Continuous Musical Practice by Rubinoff and His Violin. Yes, Dave played and conducted at the Paramount Theater and for Paramount pictures. His fame covered the country from New York to Hollywood. Rubinoff was a guest conductor of the Chicago Philharmonic. Dave featured his artistry weekly on the Ed Cantor radio hour. Yet, he always made time for children in schools.
I Witnessed Dave’s Continuous Musical Practice
I (David Ohrenstein) worked as his accompanist and arranger for many years. My work took place at the Leland House in downtown Detroit. After he married Darlene Azar, we worked together in Hilliard Ohio and later in Houston Texas. Dave seemed to like my musical ideas. Also, my temperament is easy going. So what characterized Dave’s practicing?
Except for eating, he almost never stopped playing his violin. When he watched TV, his violin was in his hand. Over and over, he worked tricky passages. When his wife or a chauffeur drove us to a concert, he’d run scales in the back seat on his violin. We worked a five day day making musical arrangements. Trial and error for arrangements and practice for proper technique were always there.
Here’s What Dave Had to Say About Being Diverted from Practice
I quote this story from Dave autobiography written with his last wife, Darlene. His book is entitled Dance of the Russian Peasant. “Back in Hollywood, Cary Grant, Victor Mature, Rudy Vallee…talked me into going deep sea fishing on someone’s yacht…To me it was a waste of time; I could have been practicing. Music was my life. I lived for music.” My own relevant story was the day a said to Dave, “Music has been good to you.” Dave immediately and sharply replied; “Why, that’s because I’ve been good to music!”
Enjoy these internal Rubinoff links for stories like you’ve never heard:
Beauty is the ascription of a property or characteristic to an animal, idea, object, person or place that provides a perceptual experience of pleasure or satisfaction. Classical Greek offers a more inclusive definition. The word is κάλλος, kallos. As an adjective it was καλός, kalos. However, kalos may and is also translated as ″good″ or ″of fine quality. It had a broader meaning than mere physical or material beauty. Similarly, kallos was used differently from the English word beauty in that it first and foremost applied to humans. As such, it came with an erotic connotation.
From 6 – 7 pm on the “living room Steinway.” I frequently feature ragtime piano. It was composed by writers as Scott Joplin, Tom Turpin and Lucketh Roberts. As the inn was being built, the music of these wonderful American composers gave birth to the American style of music. The music fits the living room’s elaborate and beautiful decor. Then I go into the elaborate, spacious dining room. A 1925 newly rebuilt Steinway concert grand is to be found there. My hours there are from 7 – 9:30 pm six days weekly from Christmas to Easter. It is best to call for reservations.
Hello Boca Grande for my piano employment the 11th straight Year. Click on the Boca Grande nowhere but here box below to see many incredibly beautiful and exotic pictures of the island. There my piano playing services will be in full swing. Daughter Kathryn Parks worked on this post for Michael Saunders. She works on promotion for this real estate company in Florida and does a beautiful job at that.
Untouched by time, Boca Grande is a classic Florida getaway where pristine beaches, sunny days, and small-town charms create a blissful atmosphere.
Hello Boca Grande
It’s impossible not to have fabulous stories when you work at such a place. One of favorites is the evening that two distinguished ladies from London sat and enjoyed their dinner while dining on the table right beside the piano. Fortunately, my piano touch is such that people can enjoy their dinner and still converse while listening to beautiful melodies. My incredible instructor Mischa Kottler, studied in Europe in Paris under Alfred Cortôt in the 1920’s. Cortôt traced his lineage to Frederic Chopin. Then Mischa Kottler went to Vienna and apprenticed under Emil von Sauer. Sauer studied under Franz Liszt and Johannes Brahms. Mischa was always emphatic when he would say: ” “Present the melody on a silver platter.” In so doing you can eliminate all the ponderous accompaniment that so many often vulgarly place into their piano playing.
But on with the story: When I got up for a small respite, I walked past the ladies. One said to me, “We enjoyed your playing, especially your Andrew Lloyd Webber selections.” I replied.”Oh, thank you.” Then the other lady proudly said: “Yes,our assigned seats are in the British House of Lords right next to him!”
Why is this Lineage Important?
Today so much piano playing is electronic. Often accompaniments are provided by the touch of a button. The old school of knowledge is then lost. Happily, at the fabulous Inn the old school is still in full swing. I will be there nightly from Dec 20 until Easter. Please say hello. P.S. if you decide to buy a home there, ask my daughter, Kathryn. I am also a composer. My wife, Sharon, is my lyricist and librettist. Sharon, and I just work shopped our new opera Patra in New York. Click on the link for more info. Finally, please share this post with friends! Thank you.
PATRA – An Opera Comique performed in two acts, sung in English, written by Sharon and David Ohrenstein about Cleopatra’s final days as ruler of Egypt.
Traditional Employment includes types of people and places. Any new year is a time for reflection: What happened or didn’t happen last year? What might happen this year? Since this new year (2019) is about to begin, I thought I’d reflect on previous jobs. I seem to have a predilection for working with: (1) Successful older people. (2) Spectacular older places. By traditional I refer to: (1) Great places built over 100 years ago. Or, (2) Successful men who, at the time, were old enough to be my grandfather or possibly great-grandfather at the time of employment.
Traditional Employment by Rubinoff and His Violin
I learned the musical craft of arranging and accompanying from Rubinoff. He conducted the Paramount Theater in New York and Paramount Pictures in Hollywood. What a perfectionist! After working for 8 hours during the day, at night he’d change his mind. The next day we did a different 16 bars. Dave’s Stradivarius violin was purchased for $100,000.00 in 1929. He made about $500,000.00 annually in the 1930′ by conducting and performing. It seemed like the “His Violin” was his marriage contract with music.
Traditional Employment at Scott’s Oquaga Lake House
For better than 15 summer seasons I played piano for shows at Scott’s Oquaga Lake House in Deposit, New York. The resort was born in 1869. What a wonderful time our family had. Our children literally grew up in the Catskills at Scott’s. Playing many shows as well as our own (with wife, Sharon) were part of my duties. Most recently, the cast of The Marvelous Mrs. Maiselle got to experience the same resort.
To the right, Rachel Brosnahan, winner of the award for best actress in a comedy series for “The Marvelous Mrs. Maisel”, speaks in the press room at the 23rd annual Critics’ Choice Awards at the Barker Hangar on Thursday, Jan. 11, 2018, in Santa Monica, Calif. (Jordan Strauss | Invision/AP)
My wife and I wrote a new opera comique entitled Patra. It certainly is quite traditional. Our models were Bizet’s Carmen and Bernstein’s West Side Story. We will have a full production workshop in New York at Schroon Lake scheduled for September 2019. This will be with the Seagle Music Colony. The Colony is under the artistic direction of Darren Woods and The American Center for New Works Development. Schroon Lake has quite a cultural history. Here is an internal link to this Schroon Lake’s glorious past. It inspired me to write a poem. Share if you wish.
Extremely Humble King of Early American Music. In part, Dave Rubinoff’s exactitude helped the cause of early American orchestral music. To him, music was sacred. He had such a passion for music, that his temperamental outbursts were quite infamous. He never got mad or angry any at anyone- just at what they didn’t do with the music. The American public loved him. 225,000 turned out for one of his concerts in 1937 at Grant Park in Chicago. His success and temperament were the source of much jealousy and resentment. The musicians under him were often quite resentful. They were not used to such a fireball.
Extremely Humble King at Work
Very few people were so driven by music as Dave. When he conducted or played violin, it seemed like he was on a quest for the Holy Grail. He sought Truth through music. He rarely, if ever, talked about his past personal accomplishments in music with me. His mind was focused on the music we were currently working on. Sometimes we’d work a week on arranging 16 bars of music. We would try this solution, than another, than yet another. That’s why I think of him as an extremely humble king. He literally bowed his head to the great arrangement that a melody demanded. of music. The public treated him like royalty for his efforts.
Below is a concert we gave together at Scott’s Oquaga Lake House in the Catskills. The year was 1984. He was 86 years of age at the time. Although Dave most likely gave 1000’s of public concerts, below is the only sample of a full concert in existence. Every minute is worth listening to. Dave discusses each selection, and why it was special to him. Some people even resented his success. A prominent concertmaster came in to hear one of our performances. I won’t even mention the derogatory things he said as he made fun of this great violinist’s style. He learned a good part of his style from Will Rogers. Will Rogers, who identified with the American Cherokee Indians, even taught him how to take his bows. He was best friends with Will.
Image being able to apprentice your craft with under the guidance of this great man.
Every Sunday night Rubinoff was able to meet the most prominent singers and musicians in America. Victor Herbert had weekly musical soirées at his home. There, Rubinoff got to meet the likes of the great tenor -Caruso, Mme. Schumann Heink, and John Philip Sousa.
John Philip Sousa secured a grant from the US State Department so Rubinoff could take his music to the public schools.
Full Musical Lifetime Included Me for some 15 years
Now by a great happenstance, one of our concerts was recently found. My daughter posted it on youtube. Dave Rubinoff was eighty-six years of age at the time. His Stradivarius violin is set with the official crest of the Russia Empire in solid gold set with diamonds and rubies. Riches followed this man for his great contributions to America. Some years, in the 1930’s, he grossed as much as $500,000.00. Rubinoff truly is a rags to riches story. As you will hear, even in his older years, his playing was remarkable. Now you see why I titled this post: Full Musical Lifetime is a Blessing and a Half. Please feel free to share this miracle with friends.
For those of you who missed our recent Rubinoff and His Violin Concert in June of 2018, here’s a montage of some of the highlights! When was the last time you heard music of this calibur? https://youtu.be/P96T57dq8t0
Poetry as an art form predates written text. The earliest poetry is believed to have been recited or sung. It was used as a way of remembering oral history, genealogy, and law. Poetry is often closely related to musical traditions. The earliest poetry exists in the form of hymns (such as the work of Sumerian priestess Enheduanna).
Poetic Import for a New Direction
Our subject today: So many styles and mannerisms currently floating. What direction will the arts take? Times and tendencies are cyclic. I believe we are heading for a more gentile, kinder and well-mannered age. Poetry can again lead the way. Consider the poetry of Heinrich Heine: Christian Johann Heinrich Heine (German: [ˈhaɪnʁɪç ˈhaɪnə]; 13 December 1797 – 17 February 1856). He was a Germanpoet, journalist, essayist, and literary critic. I found some comments on Heine in “Music” by Frederic V. Grunfield. It is part of the World of Culture Series.Publisher is Newsweek Books. Grunfield asserts that Heine is “the quintessential product of German musical romanticism.”
Robert Schumann explained how Heine’s poems inspired a whole new genre of music. “Thus arose a more artistic and profound style of song. Earlier composers could know nothing of this. It created a spirit in music that became the new Romantic era music.” Schumann wrote of musical currents in his magazine: Die Neue Zeitschrift für Musik.Robert Schumann co-founded it with his teacher and future father-in law Friedrich Wieck, and his close friend Ludwig Schuncke. The first issue appeared on 3 April 1834.
Perhaps my own books of poetic import, with those many upcoming poets, can lead us to a new Romantic Movement? Here is a short excerpt from my The Oquaga Spirit Speaks. It is entitled: Maple Tree Seeds:
Helicopter blade seeds
Spinning as they drop,
Blowing in the wind,
Care not where they’ll stop.
These maple navigators.
Sugar, silver and red,
Hope for only one thing;
And that’s that they’ll be bred.
The entire book is available as a product on DSOworks.com.