A Theatrical Phoenix is Beginning to Fly- a Brief History. It took wing in New York as a staged reading. This was at the oldest summer vocal training camp in America: The Seagle Music Colony. Our singers had won auditions with the New York Metropolitan Opera. Other prominent opera companies were represented. Among the people who have tested their work at Seagle have been Stephen Schwartz and Pulitzer Prize winners. Patra is now scheduled in Sarasota.
We have been riding on a phoenix for this experience. Our opera, entitled Patra, has “Wings of Song”. This new opus emphasizes the importance of meaningful and healthy relationships between men and women. The show highlights rulers of two great empires, Rome and Egypt. For Egypt we have Cleopatra; for Rome, we have Octavian. He, through Patra’s influence, decides to become the future Augustus Caesar.
Theatrical Phoenix is Scheduled for Sarasota
Sarasota is famous for opera. A marquee, only, from the Sarasota Opera House is pictured below and to the right. . Our new opera, however, will be presented in concert version at The Glenridge Performing Arts center. Immediately above/right is a photo of the setting . We will even have a professional “snake” dance. Our dancer also portrays the Egyptian goddess, Aset.
Our first staged concert was at the Westcoast Black Theater in Sarasota
The story of Octavian and Cleopatra has its own thrust. It is an engaging opera comique. Sharon, as the librettist, not only offers a cornucopia of hope in this lifetime; but also gives ancient instructions on how to be reborn to a high position. Make your reservations at The Glenridge Performing Arts Center today. Contact info is on featured picture.
Song Without Words Can Stand on its Own. It certainly has in the past. Witness the musical compositions of Felix Mendelssohn.
If you ask me what I had in mind when I wrote it, I would say: just the song as it is. And if I happen to have certain words in mind for one or another of these songs, I would never want to tell them to anyone. This is because the same words never mean the same things to others: Only the song can say the same thing. Such songs can arouse the same feelings in one person as in another. Words cannot express this feeling.
Songs Without Words, German Lieder ohne Worte, collection of 48 songs written for solo piano rather than voice by Felix Mendelssohn. Part of the collection—consisting of 36 songs—was published in six volumes during the composer’s lifetime. Two further volumes—with 12 more songs—were published after Mendelssohn’s death in 1847.
Felix Mendelssohn, painting by Wilhelm Hensel.Photos.com/Getty Images…………………………………………………………..
A Song Without Words – Can it Stand on its own Today?
Certainly, there are some affirmative examples. But the music to much of what is written today is circular and repetitive. In computer terms you could say the music “loops”. Repetition of the the same three notes over and over to simplistic lyrics or single words is the style. Basically I feel that what much of the music industry markets today is the image of the “composer.” The archetype example, in my opinion is found in the movie, The Producers.
YouTube – Feb 17, 2016
A gun-wielding Franz confronts Max and Leo, accusing them of breaking the “Siegfried Oath“. He is partially angered over the continual used of the word “baby” in the musical lyrics by the star in the cast.
I Write in the Song Without Words Form
Fortunately, I am married to my own lyricist. What a convenient source for words. We are producing a concert version with dance of our New York tested opera, Patra. It was presented as a staged reading by the American Center for New Works Development. Date of the Sarasota performance is March 23 at the Glenridge Performing Arts Center in Sarasota, Fl. Reserve your tickets today.
Opera Comique In Two Acts – By Sharon and David Ohrenstein
Changing Standards in Musical Performance are Upon Us: Fast, crass, loud and vulgar interpretations of music are fleeing and soon to be gone. Mars and Venus have been used for social comparison. I refer to the book Men Are from Mars, Women Are from Venus (1992). The author is John Gray He had earned degrees in meditation and taken a correspondence course in psychology.
So what are some of the changes we can expect in the musical field?
Large concert hall and amphitheater concerts will greatly diminish. Smaller, more intimate settings for music will gain the upper hand. This is very much akin to the chamber music recitals that used to grace the wealthy during the classical era. Often wealthy patrons would employ their own orchestras. Conductor-composer. Joseph Haydn, working for the Austrian Esterhazy family was an archetype example:
Repeating a a three or four note phrase dozens of times during a song will find its place in private practice rooms only.
Changing Standards on Multiple Repetition of Notes
This is based on a true story. I worked with Rubinoff and His Violin. He would stand in front of a TV set, watching television, and practice the opening four notes of any given song maybe one to two hundred times. This was to get precision to to max on the motif he was working on. But this was for practice only! He would never think of making his practice session into a hit song! Today we mostly listen to musical practice sessions with expensive costumes and backgrounds. I ask my reader, how long will that last?
Beauty is the ascription of a property or characteristic to an animal, idea, object, person or place that provides a perceptual experience of pleasure or satisfaction. Classical Greek offers a more inclusive definition. The word is κάλλος, kallos. As an adjective it was καλός, kalos. However, kalos may and is also translated as ″good″ or ″of fine quality. It had a broader meaning than mere physical or material beauty. Similarly, kallos was used differently from the English word beauty in that it first and foremost applied to humans. As such, it came with an erotic connotation.
From 6 – 7 pm on the “living room Steinway.” I frequently feature ragtime piano. It was composed by writers as Scott Joplin, Tom Turpin and Lucketh Roberts. As the inn was being built, the music of these wonderful American composers gave birth to the American style of music. The music fits the living room’s elaborate and beautiful decor. Then I go into the elaborate, spacious dining room. A 1925 newly rebuilt Steinway concert grand is to be found there. My hours there are from 7 – 9:30 pm six days weekly from Christmas to Easter. It is best to call for reservations.
Hello Boca Grande for my piano employment the 11th straight Year. Click on the Boca Grande nowhere but here box below to see many incredibly beautiful and exotic pictures of the island. There my piano playing services will be in full swing. Daughter Kathryn Parks worked on this post for Michael Saunders. She works on promotion for this real estate company in Florida and does a beautiful job at that.
Untouched by time, Boca Grande is a classic Florida getaway where pristine beaches, sunny days, and small-town charms create a blissful atmosphere.
Hello Boca Grande
It’s impossible not to have fabulous stories when you work at such a place. One of favorites is the evening that two distinguished ladies from London sat and enjoyed their dinner while dining on the table right beside the piano. Fortunately, my piano touch is such that people can enjoy their dinner and still converse while listening to beautiful melodies. My incredible instructor Mischa Kottler, studied in Europe in Paris under Alfred Cortôt in the 1920’s. Cortôt traced his lineage to Frederic Chopin. Then Mischa Kottler went to Vienna and apprenticed under Emil von Sauer. Sauer studied under Franz Liszt and Johannes Brahms. Mischa was always emphatic when he would say: ” “Present the melody on a silver platter.” In so doing you can eliminate all the ponderous accompaniment that so many often vulgarly place into their piano playing.
But on with the story: When I got up for a small respite, I walked past the ladies. One said to me, “We enjoyed your playing, especially your Andrew Lloyd Webber selections.” I replied.”Oh, thank you.” Then the other lady proudly said: “Yes,our assigned seats are in the British House of Lords right next to him!”
Why is this Lineage Important?
Today so much piano playing is electronic. Often accompaniments are provided by the touch of a button. The old school of knowledge is then lost. Happily, at the fabulous Inn the old school is still in full swing. I will be there nightly from Dec 20 until Easter. Please say hello. P.S. if you decide to buy a home there, ask my daughter, Kathryn. I am also a composer. My wife, Sharon, is my lyricist and librettist. Sharon, and I just work shopped our new opera Patra in New York. Click on the link for more info. Finally, please share this post with friends! Thank you.
PATRA – An Opera Comique performed in two acts, sung in English, written by Sharon and David Ohrenstein about Cleopatra’s final days as ruler of Egypt.
Piano Competitions Have Judges on Edge. My source is an excellent book on piano playing. David Dubal wrote it: “Reflections from the Keyboard”. He interviews numerous keyboard artists about their trials and tribulations. Being a judge at competitions is also certainly trying. Why? I felt that pianist Jorge Bolet was particularly relevant in this regard.
Bolet emphasizes how perfection is expected with piano playing. This is primarily due to the recording industry. He believes this has destroyed a great deal of “music making.” That is because recordings are of such mechanical perfection that any imperfection in actual performance is severely frowned upon. The other source of homogeneous playing is competitions.
Bolet on Piano Competitions
This piano legend actually states “Competitions have done more harm to piano playing than anything else.” In many competitions there are some 15 judge. Those he enter have to try to get all the votes. To do this they must not antagonize any of the judges in any way. Nothing must be different or worse yet, controversial. Any personal idea is shunned and looked down upon. Bolet states that as a result whether you listen to 10, 20 or 30 pianists, they all play alike. That affects the status of piano playing in general. No one becomes outstanding.
My Own Piano Instructor- Mischa Kottler
My own teacher was Mischa Kottler. He was the official pianist with the Detroit Symphony Orchestra. Mischa also directed the music at WJR in Detroit. His waiting list for students was incredibly long. Once you got to start, he often went with the Symphony on tour. I grew up in Detroit. Listen to him playing Chopin’s Minute Waltz. He actually plays the difficult passages with double notes in the right hand. The main help I credit with is avoiding hand injuries at the piano. He taught: (1) Hand positions, (2) The proper way to scales and arpeggios. (3) Showed me the regimen that I still practice daily. (4) How to play with a singing tone. (5) How to: “Present the melody on a silver platter.” (6) Above all else: He was a fanatic about proper fingering. Mischa never seemed satisfied with editors. He learned his art and fingering from Alfred Cortot and Emil von Sauer in Paris in Vienna in the 1920’s. Would he have lost at a piano competition for his originality? Perhaps?
So What Am I doing Now?
I’ve never been so busy. I’ve just return from New York where my wife and I workshopped our original opera, Patra. All our singers had won auditions with the NY Met Opera. Check out our Patra website, Patraopera.com. Professionally I play 52 weeks a year. I’m scheduled to play my 11th winter season in Boca Grande at the Gasparilla Inn. The owners have just reconditioned their Steinway Grand from 1924. You be the judge: Are piano competitions necessary? Perhaps.
Ten Minute Musical Bliss of Rubinoff and His Violin https://www.youtube.com/watch?v=QUz-LOrzTQU. Like fine wine, musicians and artists improve with age. Dave Rubinoff is much too ignored today. That is due to the jealousy of the 100% pure classical musicians. Indeed, I even wonder how many pure symphonic musicians are left to be found today. It seems like so many are crossing the lines into the popular field.
Even as of recently, Dave Rubinoff refuses to give up the ghost. This is true even some 35 years after he passed away. Maestro, conductor, and curator Joseph Rubin (not related to Rubinoff except in spirit) gave a concert commemorating this great artist last summer. I was called to appear with violinist extraordinaire, Steven Greenman. It was held at the Circleville High School near Colombus, Ohio. Maestro Greenman had just returned from a tour of Poland. Among other places, he played the most haunting melodies in the synagogue in Cracow. Below was the itinerary Maestro Rubin sent me for the Circleville. Ohio concert.
Witness Another Ten Minute Musical Bliss with Steven Greenman and I playing the Rubinoff’s Fiddler
Friday, June 1 (2017)
Around 3 PM – Rehearse Fiddler Medley with Steven Greenman, location TBA
7-9:30 PM – Orchestra Rehearsal at Circleville High School
Saturday, June 2
11 am – Rehearse Fiddler Medley with Steven Greenman
2-4:30 pm- Orchestra Rehearsal at Circleville High School
6:30 PM – Pre-show lecture at High School
7-9 PM Concert at High School
9-10:30 PM Post show VIP reception at High School
Copy and paste the youtube link above to see what success is obtainable by playing incredibly well what the general public enjoys. I was thrilled to work so many years with this man.
Resort number 1 seems to be my 2nd Home. My 1st home graces in sunny Sarasota.My profession as a pianist takes me to Boca Grande. There, I play at the Gaparilla Inn. The Inn captures the charm of a bygone era of Florida hospitality. It again claims its throne this year as resort #1. The Inn’s style is stately and grand. It offers glamour that recalls the heyday of mid-century Floridian beach resorts. A slower pace of life is offered. “It’s Old Florida at its best with modern updates.” Activities abound at the resort. Sport offerings include golf, tennis, croquet, boating, and other misc. water sports . You’ll want to have in your list of memories its Beach Club views of the Gulf of Mexico. More information: the-gasparilla-inn.com
Resort number 1 has Interesting Guests
David is scheduled 6 nights weekly in season on this island resort. On a typical night you can hear music by Cole Porter, George Gershwin. You’ll authentic ragtime by Scott Joplin. The Inn was actually built at the height of the ragtime era. He also loves the great classics. His regular list this time of the year is a 30 minute rendition of principle dances from the Nutcracker Suite by Tchaikovsky. He plays Jupiter from the Planets by Gustav Holst. He loves to play the theme from the King’s Speech. It is the slow movement of Beethoven’s 7th Symphony. Excerpts from principle operas are often included. His favorite popular song to play is “Killing Me Softly.” The arrangement he has by George Shearing is so beautiful that many diners have to wipe tears from their eyes.
Be sure to also catch David and his wife, Sharon, as they workshop their new opera comique, Patra September 1 -7 on Schroon Lake in New York.
PATRA – Opera Comique by Sharon and David Ohrenstein. Join the Fun!
Counterpoint focuses on melodic interaction—only secondarily on the harmonies produced by that interaction. John Rahn contrasts melody with counterpoint quite adeptly. He states:
It is hard to write a beautiful song. It is harder to write several individually beautiful songs that, when sung together, sound more beautiful as a polyphonic whole. The internal structures that create each must contribute to the the polyphony. Vice versa, the combination in turn must comment on the the individual voices. In this way the contrapuntal universe combines the singular with the plural. The way that is accomplished in detail is … ‘counterpoint’.
Our New Opera, Patra, Skillfully Uses Melody with the Contrapuntal Universe
Patra Workshop to debut in New York. Patra is the shorter name for Cleopatra. Queen of Egypt, she was one of the most famous women in history. Her full name was Cleopatra VII Thea Philopator (69 BC – 12 August 30 BC). She was the last of the Pharaohs set up in Egypt by Alexander the Great. By descent, she was a Macedonian Princess. It will appear off book in the workshop. Our singers will literally be top notch. My wife, Sharon is the librettist and a co-composer of Patra. I, husband David, am also a composer. Before going to NY, it will have a staged concert presentation. This will be in Sarasota Fl at the newly built Sarasota West Coast Black Theater. Our casts in both NY and Fla are busy rehearsing. Here’s the gist:
Cleopatra had stopped the onslaught of two invading Roman generals through love. She thus neutralized the worst effects of their invasions by marrying the generals. Patra had children with each. The generals were, first, Julius Caesar; and then, Marc Antony. Was there any possibility of love with the 3rd invading general, Octavian? That is the subject of our new opera comique.
`How does this tie together melody and counterpoint? By the beautiful vocal lines. Also, the piano provides additional counterpoint. Don’t miss our New York workshop on September 7, 2019. See our website, Patraopera.com. for details.
Romantic Composer Comrades were Common. Musical composers are the avant-guard of civilization. Avant-guard defines a group of artists, musicians, or writers working with new and experimental ideas and methods. Without composer comrades, it is doubtful that we would ever know who Franz Schubert was. Composers are vital to a civilization. Yet, they are like babies. They need help. Such was the case with Franz Schubert. He only lived to age 31. Franz Peter Schubert was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind more than 600 secular vocal works (mainly Lieder), seven complete symphonies, sacred music, operas, incidental music and a large body of piano and chamber music.
Oil painting of Franz Schubert by Wilhelm August Rieder (1875), made from his own 1825 watercolor portrait.
His last symphony, “The Great,” was never performed in his lifetime. He received payment for it from the Gesellschaft der Musikfreunde in 1828. However, they ended up performing an easier symphony by Schubert, , No 6. The “Great” remained in the truck of his brother, Ferdinand Schubert. His Romantic composer comrades included Robert Schumann. Scumann went searching for it. He discovered it in Ferdinand’s trunk in his attic.
Fortunately, Felix Mendelssohn, counted among Schubert’s Romantic composer comrades, was in a position to make the “Great” come to life. He was the director of the Gewandhaus Concerts in Leipzig, Germany. The story goes it was difficult to perform even for his orchestra. To make it more palatable, Mendelssohn omitted the repeats in the symphony that were indicated by Schubert. Here is another story of Schubert’s almost lost and forgotten music:
THE CLIFF HANGER QUEST OF GILBERT AND SULLIVAN to save Schubert’s Music
Gilbert and Sullivan had heard of Schubert’s Rosamunde. The manuscript was not to be found. On a whim, they traveled to Germany to find the music. There, they caught wind of a Doctor Snyder who may have been in possession of the score. The rest of the story reads like a cliff hanger. When they arrived at his home, Dr. Snyder told them he had had a number of Schubert’s manuscripts in his attic. Unfortunately, he had already placed them in the trash bin. The operetta duo ran to the refuse container. There, they not only discovered the score to Rosamunde, but numerous other symphonic works by Schubert. The rest of the story goes, they were so excited at the find, that they played leap frog with each other to celebrate the find.
Without the arts, life seems shorter and even brutish. We must support creators of the fine arts who supply the musicians in the concert hall with new music. After all, there might not be a team like Robert Schumann, Felix Mendelssohn or Gilbert and Sullivan at the right moment to save the great works of another poor Schubert-like composer.