Piano Competitions Have Judges on Edge. My source is an excellent book on piano playing. David Dubal wrote it: “Reflections from the Keyboard”. He interviews numerous keyboard artists about their trials and tribulations. Being a judge at competitions is also certainly trying. Why? I felt that pianist Jorge Bolet was particularly relevant in this regard.
Bolet emphasizes how perfection is expected with piano playing. This is primarily due to the recording industry. He believes this has destroyed a great deal of “music making.” That is because recordings are of such mechanical perfection that any imperfection in actual performance is severely frowned upon. The other source of homogeneous playing is competitions.
Bolet on Piano Competitions
This piano legend actually states “Competitions have done more harm to piano playing than anything else.” In many competitions there are some 15 judge. Those he enter have to try to get all the votes. To do this they must not antagonize any of the judges in any way. Nothing must be different or worse yet, controversial. Any personal idea is shunned and looked down upon. Bolet states that as a result whether you listen to 10, 20 or 30 pianists, they all play alike. That affects the status of piano playing in general. No one becomes outstanding.
My Own Piano Instructor- Mischa Kottler
My own teacher was Mischa Kottler. He was the official pianist with the Detroit Symphony Orchestra. Mischa also directed the music at WJR in Detroit. His waiting list for students was incredibly long. Once you got to start, he often went with the Symphony on tour. I grew up in Detroit. Listen to him playing Chopin’s Minute Waltz. He actually plays the difficult passages with double notes in the right hand. The main help I credit with is avoiding hand injuries at the piano. He taught: (1) Hand positions, (2) The proper way to scales and arpeggios. (3) Showed me the regimen that I still practice daily. (4) How to play with a singing tone. (5) How to: “Present the melody on a silver platter.” (6) Above all else: He was a fanatic about proper fingering. Mischa never seemed satisfied with editors. He learned his art and fingering from Alfred Cortot and Emil von Sauer in Paris in Vienna in the 1920’s. Would he have lost at a piano competition for his originality? Perhaps?
So What Am I doing Now?
I’ve never been so busy. I’ve just return from New York where my wife and I workshopped our original opera, Patra. All our singers had won auditions with the NY Met Opera. Check out our Patra website, Patraopera.com. Professionally I play 52 weeks a year. I’m scheduled to play my 11th winter season in Boca Grande at the Gasparilla Inn. The owners have just reconditioned their Steinway Grand from 1924. You be the judge: Are piano competitions necessary? Perhaps.
Ten Minute Musical Bliss of Rubinoff and His Violin https://www.youtube.com/watch?v=QUz-LOrzTQU. Like fine wine, musicians and artists improve with age. Dave Rubinoff is much too ignored today. That is due to the jealousy of the 100% pure classical musicians. Indeed, I even wonder how many pure symphonic musicians are left to be found today. It seems like so many are crossing the lines into the popular field.
Even as of recently, Dave Rubinoff refuses to give up the ghost. This is true even some 35 years after he passed away. Maestro, conductor, and curator Joseph Rubin (not related to Rubinoff except in spirit) gave a concert commemorating this great artist last summer. I was called to appear with violinist extraordinaire, Steven Greenman. It was held at the Circleville High School near Colombus, Ohio. Maestro Greenman had just returned from a tour of Poland. Among other places, he played the most haunting melodies in the synagogue in Cracow. Below was the itinerary Maestro Rubin sent me for the Circleville. Ohio concert.
Witness Another Ten Minute Musical Bliss with Steven Greenman and I playing the Rubinoff’s Fiddler
Friday, June 1 (2017)
Around 3 PM – Rehearse Fiddler Medley with Steven Greenman, location TBA
7-9:30 PM – Orchestra Rehearsal at Circleville High School
Saturday, June 2
11 am – Rehearse Fiddler Medley with Steven Greenman
2-4:30 pm- Orchestra Rehearsal at Circleville High School
6:30 PM – Pre-show lecture at High School
7-9 PM Concert at High School
9-10:30 PM Post show VIP reception at High School
Copy and paste the youtube link above to see what success is obtainable by playing incredibly well what the general public enjoys. I was thrilled to work so many years with this man.
Resort number 1 seems to be my 2nd Home. My 1st home graces in sunny Sarasota.My profession as a pianist takes me to Boca Grande. There, I play at the Gaparilla Inn. The Inn captures the charm of a bygone era of Florida hospitality. It again claims its throne this year as resort #1. The Inn’s style is stately and grand. It offers glamour that recalls the heyday of mid-century Floridian beach resorts. A slower pace of life is offered. “It’s Old Florida at its best with modern updates.” Activities abound at the resort. Sport offerings include golf, tennis, croquet, boating, and other misc. water sports . You’ll want to have in your list of memories its Beach Club views of the Gulf of Mexico. More information: the-gasparilla-inn.com
Resort number 1 has Interesting Guests
David is scheduled 6 nights weekly in season on this island resort. On a typical night you can hear music by Cole Porter, George Gershwin. You’ll authentic ragtime by Scott Joplin. The Inn was actually built at the height of the ragtime era. He also loves the great classics. His regular list this time of the year is a 30 minute rendition of principle dances from the Nutcracker Suite by Tchaikovsky. He plays Jupiter from the Planets by Gustav Holst. He loves to play the theme from the King’s Speech. It is the slow movement of Beethoven’s 7th Symphony. Excerpts from principle operas are often included. His favorite popular song to play is “Killing Me Softly.” The arrangement he has by George Shearing is so beautiful that many diners have to wipe tears from their eyes.
Be sure to also catch David and his wife, Sharon, as they workshop their new opera comique, Patra September 1 -7 on Schroon Lake in New York.
PATRA – Opera Comique by Sharon and David Ohrenstein. Join the Fun!
Counterpoint focuses on melodic interaction—only secondarily on the harmonies produced by that interaction. John Rahn contrasts melody with counterpoint quite adeptly. He states:
It is hard to write a beautiful song. It is harder to write several individually beautiful songs that, when sung together, sound more beautiful as a polyphonic whole. The internal structures that create each must contribute to the the polyphony. Vice versa, the combination in turn must comment on the the individual voices. In this way the contrapuntal universe combines the singular with the plural. The way that is accomplished in detail is … ‘counterpoint’.
Our New Opera, Patra, Skillfully Uses Melody with the Contrapuntal Universe
Patra Workshop to debut in New York. Patra is the shorter name for Cleopatra. Queen of Egypt, she was one of the most famous women in history. Her full name was Cleopatra VII Thea Philopator (69 BC – 12 August 30 BC). She was the last of the Pharaohs set up in Egypt by Alexander the Great. By descent, she was a Macedonian Princess. It will appear off book in the workshop. Our singers will literally be top notch. My wife, Sharon is the librettist and a co-composer of Patra. I, husband David, am also a composer. Before going to NY, it will have a staged concert presentation. This will be in Sarasota Fl at the newly built Sarasota West Coast Black Theater. Our casts in both NY and Fla are busy rehearsing. Here’s the gist:
Cleopatra had stopped the onslaught of two invading Roman generals through love. She thus neutralized the worst effects of their invasions by marrying the generals. Patra had children with each. The generals were, first, Julius Caesar; and then, Marc Antony. Was there any possibility of love with the 3rd invading general, Octavian? That is the subject of our new opera comique.
`How does this tie together melody and counterpoint? By the beautiful vocal lines. Also, the piano provides additional counterpoint. Don’t miss our New York workshop on September 7, 2019. See our website, Patraopera.com. for details.
Romantic Composer Comrades were Common. Musical composers are the avant-guard of civilization. Avant-guard defines a group of artists, musicians, or writers working with new and experimental ideas and methods. Without composer comrades, it is doubtful that we would ever know who Franz Schubert was. Composers are vital to a civilization. Yet, they are like babies. They need help. Such was the case with Franz Schubert. He only lived to age 31. Franz Peter Schubert was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind more than 600 secular vocal works (mainly Lieder), seven complete symphonies, sacred music, operas, incidental music and a large body of piano and chamber music.
Oil painting of Franz Schubert by Wilhelm August Rieder (1875), made from his own 1825 watercolor portrait.
His last symphony, “The Great,” was never performed in his lifetime. He received payment for it from the Gesellschaft der Musikfreunde in 1828. However, they ended up performing an easier symphony by Schubert, , No 6. The “Great” remained in the truck of his brother, Ferdinand Schubert. His Romantic composer comrades included Robert Schumann. Scumann went searching for it. He discovered it in Ferdinand’s trunk in his attic.
Fortunately, Felix Mendelssohn, counted among Schubert’s Romantic composer comrades, was in a position to make the “Great” come to life. He was the director of the Gewandhaus Concerts in Leipzig, Germany. The story goes it was difficult to perform even for his orchestra. To make it more palatable, Mendelssohn omitted the repeats in the symphony that were indicated by Schubert. Here is another story of Schubert’s almost lost and forgotten music:
THE CLIFF HANGER QUEST OF GILBERT AND SULLIVAN to save Schubert’s Music
Gilbert and Sullivan had heard of Schubert’s Rosamunde. The manuscript was not to be found. On a whim, they traveled to Germany to find the music. There, they caught wind of a Doctor Snyder who may have been in possession of the score. The rest of the story reads like a cliff hanger. When they arrived at his home, Dr. Snyder told them he had had a number of Schubert’s manuscripts in his attic. Unfortunately, he had already placed them in the trash bin. The operetta duo ran to the refuse container. There, they not only discovered the score to Rosamunde, but numerous other symphonic works by Schubert. The rest of the story goes, they were so excited at the find, that they played leap frog with each other to celebrate the find.
Without the arts, life seems shorter and even brutish. We must support creators of the fine arts who supply the musicians in the concert hall with new music. After all, there might not be a team like Robert Schumann, Felix Mendelssohn or Gilbert and Sullivan at the right moment to save the great works of another poor Schubert-like composer.
Women out West: Rodeo. Copeland wrote Rodeo in 1942 as a Ballet in One Act. The Ballet Russe of Monte Carlo commissioned choreographer Agnes de Mille to collaborate with Aaron Copeland on the Rodeo project. I found a score arranged for piano. The arrangement is copyrighted by the Aaron Copland Fund for Music. It was printed in 1962. It has six principle sections:
First Episode: Buckaroo Holiday
Second Episode: Corral Nocturne
Ranch House Party
Third Episode: Saturday Night Waltz
Fourth Episode: Hoe-Down
Women Out West Had to Find Suitable Men!
Basically, throughout the American southwest, the Saturday afternoon rodeo was a tradition. Usually, it was followed by an evening dance at the Ranch House. Copland’s Rodeo uses this basic western concept. As a matter of fact dating between the sexes was problem confronting all American women since early pioneer times. The question has been how to get a suitable man? Most likely, it is still a problem everywhere.
Women Out West Relished the Saturday Evening Dance.
On Saturday evening, after the Rodeo, social time was shared by dancing the square dance. The principle theme of Copland’s Hoe-Down in Rodeo uses a square dance tune called Bonypart. Of course this is a humorous reference to Napoleon Bonaparte.
Agnes de Mille describes the basic concept for choreography: “Throughout the American Southwest, the … dance was a tradition. On the remote ranches, as well as in trading centers and the towns, the “hands” get together to show off their skill in roping, riding, branding and throwing. Often, on the more isolated ranches, the rodeo is done for an audience that consisted only of a handful of fellow-workers and women-folk. Any neighbors that attended often had to do an eighty mile or so run-over to witness the event.”
I, the blogger, also wrote a ballet called The Dance of the Zodiac. It also features the bull, as in the rodeo. Only it appears as the symbol of Taurus. Enjoy this internal link to my own ballet.
Traditional Employment includes types of people and places. Any new year is a time for reflection: What happened or didn’t happen last year? What might happen this year? Since this new year (2019) is about to begin, I thought I’d reflect on previous jobs. I seem to have a predilection for working with: (1) Successful older people. (2) Spectacular older places. By traditional I refer to: (1) Great places built over 100 years ago. Or, (2) Successful men who, at the time, were old enough to be my grandfather or possibly great-grandfather at the time of employment.
Traditional Employment by Rubinoff and His Violin
I learned the musical craft of arranging and accompanying from Rubinoff. He conducted the Paramount Theater in New York and Paramount Pictures in Hollywood. What a perfectionist! After working for 8 hours during the day, at night he’d change his mind. The next day we did a different 16 bars. Dave’s Stradivarius violin was purchased for $100,000.00 in 1929. He made about $500,000.00 annually in the 1930′ by conducting and performing. It seemed like the “His Violin” was his marriage contract with music.
Traditional Employment at Scott’s Oquaga Lake House
For better than 15 summer seasons I played piano for shows at Scott’s Oquaga Lake House in Deposit, New York. The resort was born in 1869. What a wonderful time our family had. Our children literally grew up in the Catskills at Scott’s. Playing many shows as well as our own (with wife, Sharon) were part of my duties. Most recently, the cast of The Marvelous Mrs. Maiselle got to experience the same resort.
To the right, Rachel Brosnahan, winner of the award for best actress in a comedy series for “The Marvelous Mrs. Maisel”, speaks in the press room at the 23rd annual Critics’ Choice Awards at the Barker Hangar on Thursday, Jan. 11, 2018, in Santa Monica, Calif. (Jordan Strauss | Invision/AP)
My wife and I wrote a new opera comique entitled Patra. It certainly is quite traditional. Our models were Bizet’s Carmen and Bernstein’s West Side Story. We will have a full production workshop in New York at Schroon Lake scheduled for September 2019. This will be with the Seagle Music Colony. The Colony is under the artistic direction of Darren Woods and The American Center for New Works Development. Schroon Lake has quite a cultural history. Here is an internal link to this Schroon Lake’s glorious past. It inspired me to write a poem. Share if you wish.
Ageless Teacher Pianist Mischa Kottler. Great men, like great wines, improve with age. Mischa, at the time of this picture was 88. He stayed active until age 94. What kept him going? Passion for the piano. As a teacher, he had a slew full of piano competition winners on his record. Even rock n’ roll benefited from his total mastery of the instrument. Gregory Arthur “Greg” Phillinganes (born May 12, 1956) is an American keyboardist, singer-songwriter, and musical director based in Los Angeles, California. A prolific session musician, Phillinganes has contributed keyboard tracks to numerous albums. These included representing a broad array of artists and genres. He has toured with notable artists, such as Stevie Wonder, Eric Clapton, David Gilmour and Toto, served as musical director for Michael Jackson, and has released two solo studio albums.
From Greg Philliganes’ interview in Keyboard Magazine and his Quote of Mischa Kottler
“Sensing that I needed discipline more than anything else, my Mom managed to hook me up with a wonderful teacher named Mischa Kottler. He was a no-nonsense Russian Jewish guy who could crack a pane of glass with one finger. He was a complete badass, and he cooled my attitude out immediately. I studied with him well into my teens.
Primarily as result of having studied with my ageless teacher pianist Mischa, I too have had a successful and long lasting career. I’ve just begun my 10th year at the Gasparilla Inn on the isle of Boca Grande. There, I play piano for VIP’s from around the world. The most memorable person I played for was former President George H. Bush. Below is an internal link to this event from DSOworks. Also, Sharon Ohrenstein, my wife, and I are bringing a full workshop to the NY stage this coming September. Our original “opera comique” is entitled “Patra”. Look under the “stage” heading on DSOworks.com. We will be working with an incredibly, wonderful, creative team. Workshop will be sponsored by: The American Center for New Works Development.
Graphic Polarity Activation on the 3 x 3 square. The prime number square of every higher number square is the 3 x 3. The complete, traditional, square is pictured at the bottom of the featured picture. There are a number of possible arrangements, possibly seven. However, the understanding of the distant past begins with this traditional. Many blogs on DSOworks are about this number square. Check them out by key word. They are free to view. I currently have some 570 posts about two primary subjects: (1) Music (2) Number squares. Most of the posts on number squares about the 3 x 3. It is the simplest, yet the most complex. Both of these subjects were the backbone of a former and lost Golden Age.
The full set of rings, imaged as Saturn eclipsed the Sun from the vantage of the Cassini orbiter. It was 1.2 million km distant, on 19 July 2013. The brightness is exaggerated. Earth appears as a dot at 4 o’clock. Our planet can be seen between the G and E rings. Most important for this blog: The rings of Saturn are the most extensive ring system of any planet in the Solar System. Why is the important? There are three obvious perimeters around this number square. However, the number of possible rings goes to infinity.
Graphic Polarity Activation Instructions
Reference the traditional arrangement at the bottom as I point our a few of the possibilities. Also a have a number of internal links on infinity and this number square. Also, “perfect numbers” favor this number square. Ancients knew this. Today, our civilization does not. Of course, there once was a Golden Age. Today peace and plenty seem be elusive. Here are a couple of such links on DSOworks.com:
Graphic Polarity Activation on Isaiah 45:2-3New International Version (NIV)
2 I will go before you and will level the mountains[a]; I will break down gates of bronze and cut through bars of iron. 3 I will give you hidden treasures, riches stored in secret places, so that you may know that I am the Lord, the God of Israel, who summons you by name.
How does Isaiah allude to graphic polarity activation with the above? Look at the chapter number. It is 45. Total the numbers 1 to 9 in the grid. The order does not matter. Sum = 45.
Next, look at the two verse numbers of the Scripture. They they are verses 2 and 3. The sum of the verse numbers define the central number of the number square. 2 + 3 = 5. “Five” activates the entire system of all number squares. This is the smallest and prototype of all number squares.
Breaking the gates of brass and cutting through the bars of iron allude to reading the numbers without the grid. See the internal links above.
Specific applications will be covered in future blogs.
Please credit an Indian spirit from the Lennie Lenape tribe for my knowledge of this number square. Her haunt is Oquaga Lake at Scott’s Oquaga Lake House. I was Scott’s piano player for some 15 summer seasons. There, I encountered the spirit on hikes in the Catskill Mountains.
Catskill Resort Celebration- my Home Away from Home. The Catskill Mountain Resorts are coming back. It’s possibly starting with Scott’s Oquaga Lake House. I was the Scott’s piano player for some 15 years. Oh boy, are the Catskills coming back! They have just been the background for a wagon load full of prestigious top entertainment industry awards. Some of the list is below, in blue. Immediately below is the Catskill Mountain movie trail from The Marvelous Mrs. Maisel.
Catskill Resort Celebration at Scott’s Oquaga Lake House
Als0, below the picture is link to a special interview with one of the stars: Rachel Brosnahan chats with Jimmy Fallon about the latest season of The Marvelous Mrs. Maisel. She talks about years ago Scott’s turned down the filming of Dirty Dancing. The clip at Scotts, relatively new posts, have 75,00 views.
Above, Rachel is speaking in the press room at the 23rd annual Critics’ Choice Awards. It is at the Barker Hangar. Date is Thursday, Jan. 11, 2018. Location is Santa Monica, Calif. (Jordan Strauss | Invision/AP)
Yes miracles still happen. Just when everybody is ready to give the resort up, this happens. Scott’s will be featured in quite a number of episodes this coming year. I have been the piano player at Scott’s Oquaga Lake House over a span of some 15 years. Hard times hit the resort. Bus loads of people from Ontario, Canada stopped coming. This was due to higher taxes and added health insurance costs on group bus tours. A high percentage of their business was Canadian. In addition to to regular fair, Canadians loved the wilderness and seemingly magical feeling of this pristine, clear lake.
More Catskill Resort Celebration
Here is one of my my contributions to Scott’s Oquaga Lake House: As Rubinoff and His Violin’s arranger and accompanist for over 15 years, I brought Rubinoff to the resort. This was in 1984. At age 86 David Rubinoff also performed miracles. This youtube video is the only complete 44 minute+ concert of his in existence.He took America by storm in the 1930’s. Please also enjoy this rare Scott’s video as I (David Ohrenstein) accompany this “legendary” violinist. He plays his Strad. It belonged to the Czars of Russia.
Lost Concert “Rubinoff and His Violin” on Oquaga Lake, 1984 – YouTube
Last, but not least for my wife, Sharon, and myself. We wrote an opera comique entitled Patra. It will be showcased on Schroon lake in New York state this coming September of2019. The American Center for New Works Development is sponsoring it under the auspices of the Seagle Music Colony. More details on our website. DSOworks.com. Patra has a banner heading. Exact date to be announced shortly. Don’t miss this event!