The length of the temple foundation is 45 feet. An editor of books on antiquity, Mortimer Wheeler, gave the figure. This is another confirmation of the 3 x 3 number square in building holy sites. In this case the use is obvious. The numbers on the square house 1-9. Total these numbers. You have forty-five. The 3 x 3 number square offers the quality holiness all over the Earth. Most likely, we could find its use on other planets with advanced life forms.

Mukteswara Temple

The tradition of using the 3 x 3 number square for Holy sites is amply covered on DSOworks.com.

Judaism as well as many of the beliefs of sacred antiquity spring from this 3 x 3 board. It becomes apparent when the boxes are filled with numbers one to nine arranged so that any row of three totals 15.

Temples Play Tick-Tack-Toe. Right below is a blurry picture of the tick tack toe board blueprint that includes the basis of both the Holy Temples in Jerusalem. The First Temple based on the middle row of 3 vertical boxes. That corresponds to the pictured middle. On the 3 x 3 number square, that relates to 9-5-1. The Second Temple was built to include the entire nine-boxed tick tack toe board. The 2nd temple extends the dimensions of the 1st to the left and right of 9-5-1. The First Temple was 60 x 20 cubits. According to the Tanach (Hebrew for Bible), the 2nd temple became 60 x 60 cubits.

The times we live in are wonderful. We can see the beauty and simplicity of holy sites worldwide. I believe this calls for a re-dedication to ancient principles that encouraged and enhanced peace. We all deserve nothing less than that.

Numerical Reality involves number square of Saturn. At one time, numbers were thought to be the foundation of all. Numbers, however, were not random. Reality was set in number squares. This plan was global. Seven squares in particular were favoured. Each square represented the properties of a particular planet. They were:

Saturn with 3 x 3.

Jupiter was 4 x 4.

Mars was 5 x 5.

The Sun was 6 x 6.

Venus was 7 x 7.

Mercury was 8 x 8.

The Moon was 9 x 9.

The most complex was the simplest.The rings of Saturn are the most extensive planetary ring system of any planet in the Solar System. They consist of countless small particles, ranging from μm to m in size,^{[1]} that orbit about Saturn.

The full set of rings, imaged as Saturn eclipsed the Sun from the vantage of the Cassini orbiter, 1.2 Million km distant, on 19 July 2013 (brightness is exaggerated). Earth appears as a dot at 4 o’clock, between the G and E rings.

Numerical Reality of Saturn’s 3 x 3 Number Square

Numerous layers rings are visible around Saturn. This parallels the properties of the number square the represents Saturn

Likewise, a number of mathematical rings surround the 3 x 3 number square.

Add the numbers around the central 5 (I term these numbers p1 which stands for perimeter one). 4 + 9 + 2 + 7 + 6 + 1 + 8 + 3 = 40.

Then add them two at the time overlapping the numbers. (I call this p-2. This stands for perimeter two: 49 + 92 + 27 + 76 + 61 + 18 + 83 + 34 = 440.

Now take the numbers three at the time. Overlap the third with the first number. I call this p-3. This stands for perimeter three. 492 + 276 + 618 + 834 = 2,220.

These numerical rings around the 3 x 3 number square were used to measure holy sites of ancient civilizations. The ways have been described in the blogs on DSOworks. The blogs are free and easy to access.

We are about to enter a new era of peace and plenty. It is also termed a Golden Age. The codes contained in this planetary number square can help in this quest.

Amen Draws on the 5 x 5 Number Square. Number squares were sacred. A famous American shared my love of “magic squares”: Benjamin Franklin. Franklin was a Mason. There is a tie in with the Great Pyramid. I’ve blogged about how number squares laid out blueprints for many ancient sites. For example, an 8 x 8 square grid can be superimposed on the Great Pyramid. Then the “Great Cubit” of 55 smaller cubits takes on the 8 x 8 dimensions. Franklin says in his autobiography:

“I then confessed to him that in my younger days, having once
some leisure which I still think I might have employed more
usefully, I had amused myself in making these kind of magic
squares…”

Franklin then described an 8×8 magic square he had devised in his
youth, and the special properties it possessed. Here is the square:

As explained by Franklin, each row and column of the square have the
common sum 260. Also, he noted that half of each row or column sums
to half of 260. In addition, each of the “bent rows” (as Franklin
called them) have the sum 260. The “bent rows” are patterns of 8
numbers with any of the shapes and orientations shown below…

What is the meaning of “amen?”The word amen (/ˌɑːˈmɛn/ or /ˌeɪˈmɛn/; Hebrew: אָמֵן, Modernamen, Tiberianʾāmēn; Greek: ἀμήν; Arabic: آمين, ʾāmīn ; “So be it; truly”) is a declaration of affirmation^{[1]}^{[2]} found in the Hebrew Bible and the New Testament. It is found in Jewish, Christian, and Muslim worship as a concluding word or response to prayers.^{[2]} Common English translations of the word amen include “verily” and “truly”. It can also be used colloquially to express strong agreement.^{2]} For instance, amen to that.^{[3]}Our touch with antiquity is largely lost. This word can be properly viewed in light of the 5 x 5 number square.

How does this number square abound with the essence of God and the word of benediction, Amen? In Hebrew, letters doubled as numbers. The four letter name of God is called the tetragrammaton (Hebrew: יהוה). Its value by the rules of gematria is 26. Any opposite numbers on the 5 x 5 square total 26. Adonay is another name that draws on this ancient number square (Original Word: אֲדֹנָי). Any row of five totals 65.

Amen (Original Word: אָמֵן) is hidden at the core of the 5 x 5 number square. By rules of gematria, “amen” totals 91. Gematria is the inseparable connectin that words and numbers had in certain ancient languages. I know. Obviously, 91 is not 13. However, double and sometimes even triple coding was used. Here is the featured word’s double code: Add all numbers from 1 to 13. As in: 1+2+3 +4+5+6 + 7 + 8 + 9 + 10 + 11+ 12 + 13 = 91. By this successive addition, we see the numerical basis in a number square for our featured word.

Musical Sequences are Both Universal and Basic. In music, a sequence is the restatement of a motif or longer melodic (or harmonic) passage at a higher or lower pitch in the same voice.^{[1]} It is one of the most common and simple methods of elaborating a melody in eighteenth and nineteenth century classical music^{[1]}(Classical period and Romantic music). Examples of characteristics of sequences:^{[1] }

Look at the music of the featured picture: The sequence is well known in America, Canada and England. In the U.S. the music is an excerpt from “My Country Tis’ of Thee.” In England it is “God Save the Queen (King)”. Bars 3 and 4 form a sequence with bars 1 and 2. They use the same pattern, only one tone lower. Just as a refresher, here is the British and American music on youtube. The British words are “Send him victories, Happy and glorious.” In America the corresponding words are “Land where my fathers died, Land of the pilgram’s pride.”

Examples of how Musical Sequences are Universal and Basic

Let’s look at basic scientific sequences. They work on the same principle as music. In Platonic style, here’s two basic groupings of numbers: 3-4-5 and 6-7-8. We have a true pattern for musical sequence operating in math and the sciences.

3-4-5 has geometrical import. One is the single line that begins the process. The classic example is the 3-4-5 Pythagorean right triangle. The formula is 3² + 4² = 5². Of course, with the 5 Platonic solids, three use triangles (3 sides).These include the tetrahedron, octahedron and icosahedron. The cube uses squares (4 sides). The dodecahedron uses pentagons (5 sides). Pictures are below.

6-7-8 has implications for organic chemistry. Hydrogen begins the count. It is like the single line that begins form in geometry. Hydrogen’s atomic number is one. Six is carbon’s. Seven is nitrogen’s. Eight is oxygen’s.

Conclusions: This blog puts forth mathematicalPlatonism. Here mathematical entities are abstract They have no spatial, temporal or causal properties. They are eternal and unchanging. Numbers represent eternal truths. They are behind everything. Musical sequences, by sound, express their beaty through sound.

Universal Egyptian Remen is Found Throughout the Cosmos. It’s fun to speculate. Here are my thoughts on the subject:

First, the remen is 1.2165…feet. Measurement around the globe was in fact once based on this remen. Jay Hambidge discovered the remen roots of measure. He called his discovery the Canon of Measures. This was at the turn of the 20th century. An excellent hard copy explanation is found in John Michell’s, City of Revelation. Chapter Ten is called “The Canon of Measures.” Or, look Hambidge’s Canon up on line.

So where did the remen come from? The 3 x 3 number square. It is traditionally arranged below in a manner connected to the planet Saturn.

The Universal Egyptian Remen Comes From a Formula Involving the 3 x 3 Number Square

Work with your calculator to double check my arithmetic.

Add the numbers around the central 5 (I term these numbers p1 which stands for perimeter one). 4 + 9 + 2 + 7 + 6 + 1 + 8 + 3 = 40.

Then add them two at the time overlapping the numbers. (I call this p-2. This stands for perimeter two: 49 + 92 + 27 + 76 + 61 + 18 + 83 + 34 = 440.

Now take the numbers three at the time. Overlap the third with the first number. I call this p-3. This stands for perimeter three. 492 + 276 + 618 + 834 = 2,220.Then (p-1) is 40 + (P-2) is 440 + ( P-3) 2,220 = 2700. Finally, Divide this 2700 total of p1 + p2 + p3 by/ p3(2220) or 40 + 440 + 2220/2220 = 1.2162…virtually one Egyptian remen. Very important: A remen = 14.6 inches. (12 x 1.2165). The inch is of ancient origin. Cubic inches of gold were standard weights. Samples exist from Greece and Egypt. They are in the British Museum.

Thus, the Universal Egyptian Remen Comes From a Universal Number Square

עוֹלָם- is the Hebrew spelling of the noun “Universe”.

In Hebrew letters doubled as numbers. Take the letters that make “Universe.” Ayin equals 70. Vav equals 6. Lamed equals 30. Mem equals 40. Universe in Hebrew totals 146. 70 + 6 + 30 + 40 =146. Those are the numbers of remen by inches. In antiquity numbers were freely multiplied or divided by tens. Ten was a synthetic number.

Conclusion:

Number squares hold water anywhere in the cosmos.

The first and basic number square is 3 x 3

However, the 3 x 3 number square has infinite solutions.

The remen comes from it.

Planets were connected to number squares in antiquity.

The remen is universal. Hebraic “Universe” voices this.

Mystical Overlap, Number Squares & Tree of Life. Adam and Eve ate from the Tree of Knowledge of good and evil. They were expelled from the Garden of Eden before they could eat from the Tree of Life.

New International Version
And the LORD God said, “The man has now become like one of us, knowing good and evil. He must not be allowed to reach out his hand and take also from the tree of life and eat, and live forever.”

Enter the Vehicle of Mystical Overlap

Study the blogs. Learn how the 3 x 3 number square works. This was known at least 11,000 years ago. Here’s how it applies to the Tree of Life. On the number square below, 10 is a synthetic number. It is feminine. Ten is passively created when two opposite numbers are added. For example, 4 + 6; or 3 + 7. As such it receives. In antiquity this was called the feminine principle.

Now look at the Tree of Life picture. Perform the following additions:

358 + 742 = 1100

853 + 247 = 1100

1100 is a sum that is hidden on the 3 x 3 number square. It is the sum of 440 + 660. Briefly, Add the perimeter numbers by double numbers in either direction. Overlap starting with upper right to left: 49 + 92 + 27 + 76 + 61 + 18 + 83 + 34 = 440.

Now overlap two at a time either horizontally or vertically. You get 660. So, 49 + 35 + 81 + 94 + 53 + 18 = 330. Then from the other side: 29 + 75 + 61 + 92 + 57 + 16 = 330. Then horizontally, 330 + 330 = 660.

Finally, 440 + 660 = 1100. That is the numerical total to the entry of the Tree of Life in Paradise.

Now, Let’s Further Enhance the Mystical Overlap

Take our synthetic number of 10 as described above. Add this to our numerically derived 1100 number from the 3 x 3 number square explained above.

1100 + 10 = 1110. This is another key number on the 3 x 3 number square. For example, 492 +618 = 1110. Or, 951 + 159 = 1110.

A profound measure is now revealed. The perimeter around the Great Pyramid of Egypt is 1110 megalithic yards. This is a well known measurement. Documented sources are on some of my blogs. Conclusion: The passageway back to the Tree of Life in Eden is by way of the 3 x 3 number square.

Three hundred fifty third blog and Hermes. This is a special blog. In antiquity a letter and numbers shared a symbol. This was true in Greek, Hebrew, Arabic, etc. In most modern languages, a letter has one type of symbol. The number has another. This ancient approach to communication was called by a Greek name- gematria. Three hundred fifty third blog, therefore is about Mercury-Hermes. The spelling by Greek letters of Hermes equated with 353. Hermes (/ˈhɜːrmiːz/; Greek: Ἑρμῆς) is an Olympian god in Greek religion and mythology, the son of Zeus and the PleiadMaia, and the second youngest of the Olympian gods (Dionysus being the youngest). Hermes was the emissary and messenger of the gods. The Romans called Hermes by the name, Mercury.

The messages of Hermes were top secret. But no longer! We will explore the source of Hermes and his message. Make 353 into the diameter of a circle. Multiply it by pi. Its circumference becomes 1110 (rounded down). Hermes message is a secret code hidden in a number square.

What the three hundred and fifty third blog reveals

This is the secret. It is hidden in the smallest of the ancient number squares. By hidden codes, it is also the largest. As a matter of fact, it can be worked to infinity. Called by the name of its planetary association, it represents Saturn. By the way, this is one of the primary meanings of the term: “Squaring the Circle”. We have just turned a circle and its diameter into a number square. But where’s the 1110? Very briefly, 492 + 618 = 1110. Again, 438 + 672 = 1110. Or, 951 + 159 = 1110. We now have the circumference that as a diameter, Hermes inhabits. This is further explained on other DSOworks.com blogs. They are free to enjoy.

Fourfold Orientation Comes from a Number Square. Even numbered squares of antiquity have 4 central numbers. The 4 x 4 number square is key. It is the first even numbered square. The compass also orients by fourfold. It is an instrument used for navigation and orientation that shows direction relative to the geographic cardinal directions (or points). Usually, a diagram called a compass rose shows the directions north, south, east, and west. On the compass it is as abbreviated initials N,S,E,W:

The number square balances and orients by numbers.

The compass balances and orients direct or geography.

Fourfold Orientation and How the Central Numbers Hold All Potential

The four numbers at the center of the 4 x 4 number square are are: 6, 11, 7 and 10. Do the following operations:

Draw a diagonal so that 6 and 11 are crossed by a diagonal line.

Then cross 7 and 10 by another. Multiply these two sets of central numbers. We get 66 and 70.

Then add both sets together. Thus, (6 x 11) + (7 x 10) = 136.

Next, add all the numbers from one to sixteen. Their total is also 136.

This means the center of the 4 x 4 number square computed in such a fashion, holds the entire sum of numbers of that square. This is also true for all even numbered squares. It is a mathematical law.

Creation in Genesis draws on the featured picture. Our Creator describes his work on each day as “good.” In Hebrew letters doubled as numbers. They shared the same symbol. “Good” in Hebrew is Tov (טוב). Viewed as numbers, these letters total 17. Hebrew words are read from right to left. The first letter is 9. The second is 6. The third symbol is for #2. Thus, 9 + 6 + 2 = 17. Next, look at the featured picture. Any two opposite numbers around the perimeter total 17. Examples: (1 + 16) or (12 + 5) or (8 + 9). This was God’s favored number square for Genesis. Thus, having a “good day” is having a productive day. Is that good for business or what?

Fourfold Orientation is also Basic to Mankind

A fourfold compass regarding the psyche is basic according to Carl G. Jung. It explains the means through which the conscious orients to experience. Below, the seasons, is another.

Sensation is sense perception. It tells you something exists.

Thinking tells you what it is.

Feeling determines whether or not it is agreeable.

Intuition tells you where it came from and where it’s going.

Many blogs will appear about the fourfold orientation.

Four Aspects of the Moon and Four Types of Musical Triads. Time is cyclic. A cycle may be divided into four distinct parts. I call these the four aspects of time. The four aspects of time are continuous. One part of the cycle follows the other in the same order over and over. If we know what point the cycle is at, we can predict the next point. Just for the sake of starting somewhere in the cycle of time, I listed the up swing of the cycle first.

The winding up of a cycle is the increase of cyclic activity.

The maximum point at which cyclic activity is the greatest is most intense.

After maximum intensity, the cycle unwinds.

Finally, the point of least activity is reach. Tension disappears. Immediately after this point, the cycle starts another upswing.

Next we have four types of triads. From smallest to largest they are: Diminished, major and minor, and augmented.

Diminished is the most contracted. Counting from the first note, in root position, it has six half steps up to the last note.

Major and minor triads are middle of the road. The have 7 half tones from the first note up to the last.

Finally, augmented is the largest. It has 8 half tones from the first to the last.

In music, a triad is a set of three notes (or “pitches“) that can be stacked vertically in thirds.^{[1]} The term “harmonic triad” was coined by Johannes Lippius in his Synopsis musicae novae (1612).

Here’s how to animate the four phases of the Moon by musical triads:

The new Moon has the least light. The diminished triad is the smallest triad. It has the 6 half tones as described above.

The full Moon has the most light. The augmented triad is the largest triad. It has the 8 half tones.

The waxing and waning Moon are neither the smallest or largest aspect of the Moon. They are in between. They correspond to the major and minor triads respectively. The major would represent the waxing cycle. The minor represents the waning cycle. Major and minor triads both use 7 half tones from the 1st note.

Four aspects, be they four elements, the cyclic view of time, or musical triads- all correspond. The goal is to seek a grand unity of science and art in the same manner as did Neolithic and pre-Neolithic cultures. In unity we find harmony and co-operation.

Balanced Measurement Historically by Fives and Sixes. I know. You are thinking the title is beyond logic. “Five and six what”, you ask? A quick response: Words favor the left side of the brain. Left-sided thinking dominates most of our culture. Math and music use the right side. That’s where this blog is coming from- the right side. I refer you to chapter six of The City of Revelation. Michell entitles the chapter- ” Sacred Geometry: The Plan of the Holy City.” In that chapter we find Mayananda’s drawing of a lily and rose. At one time the rose and lily were thought to be polar opposites. Here are some of his included highlights:

Five represents the strong petals of the rose. It has 13 weaker petals.

Six represents the petals of a lily.

Five has historically been the number of humanity. It is the core number of the ratio called “phi”. ^{[1]} It favors ratios of life including those found throughout the human frame.

Six was associated with inanimate nature, like the snowflake.

Five was the footprint of the pentagon.

Six was the mark of the hexagon

Thus. five was considered yin. Six was thought of as yang.

So Where are the Ancient balanced Measurement Units?

Below is a list of balanced measurement units used in antiquity:

6/5 = 1.2 An Egyptian remen is 1.2165 feet (It gets better in a moment).

6 x 5/6 + 5 = 2.727272…A megalithic yard is 2.72 feet.

6 x 6 x 6/5 x 5 x 5 = 1.728. The larger Egyptian cubit is 1.728 feet.

6²/5² – 1.44. One hundred and forty four is a Fibonacci number.

6 x 6 x 6 x 6 / 5 x 5 x 5 x 5 = 2.0736. Approximates the Palestinian cubit of 2.107 feet.

(6 to the 6th power) / (5 to the sixth power) = 2.979…This is close to the three feet of the English yard.

Very important for Central America and the Mexican Pyramid of the Sun: The key unit of measure was the “hunab.” (See Peter Tompkins Mysteries of the Mexican Pyramids). The hunab is 3.41 feet. Again, the invaluable fives and sixes: (5 x 5 x 5) + (6 x 6 x 6) = 341. I took this information from a previous blog called “Measure Proves a Pre Genesis Citadel in Mexico.”

341 refers to world before Genesis. Here’s how: The name of the pre-creation God was Emesh אֶ֣מֶשׁ: “Laban said unto Jacob: The God of your fathers, Emesh, said to me…” In Hebrew “Emesh” literally means “yesternight.” Reference Genesis (31:29). Letters doubled as numbers in middle eastern languages. There were no separate numbers apart from letters. Here are the letters in Hebrew with their representative numbers.

אֶ֣מֶשׁ – Alef = 1; Mem = 40; shin = 300. Total is 341.

אֶ֣מֶשׁ- The three Hebrew letters of Emesh are the the “mother” of all the Hebrew letters. This total is merely another fusion of fives and sixes. In the Hebrew language these three letters are the classification heading for the the remaining 19 letters.

Conclusion: A rose and a lily are easy for all to enjoy. Also numbers 5 and 6 are easy to understand. But we need to know what this meant to the ancient, even pre-Genesis civilizations. This blog is merely a glimpse into the mindset of those who knew of this in antiquity.