Neolithic Number Eight Permeates the Great Pyramid of Egypt. Also the modern piano keyboard. Here’s how.
First use of eight (8). The featured picture illustrates an octahedron. It is a symmetrical, eight-faced, triangulated figure. All angles at their corners are 60°. Bisect the featured picture across the square at the center. The bisected octahedron then becomes two square based pyramids. The above I call the positive. The below I call the negative. All square base pyramids imply an attached equal and opposite pyramid. The mere existence of any square base pyramid, implies a counterpart. Granted, the Great Pyramid of Egypt has differing angles. It uses isosceles triangles. But, the extra four reverse-faced pyramid is still implied. When they are joined, the square bases become internal. They literally disappear. There no longer is a separated square base. We have our first usage eight. As, 4 faces (postive) + 4 (negative) faces = 8.
2nd Usage of Neolithic Number Eight
Each side of the square base measures 440 shorter Egyptian cubits. Shorter cubits are 1.718…feet. A more encompassing measure is the Great Cubit. It measures 55 shorter Egyptian cubits. Thus each side of the Great Pyramid of Egypt is 8 Great Cubits. 440⁄ 8 = 55. Reference John Michell, The View Over Atlantis. Therefore the Great Pyramid is 8 x 8 Great Cubits.
Neolithic Number Eight and Musical Octaves on the Piano Keyboard
Last, but not least. We will tie the Great Pyramid into concert note A-440 and its octaves. Its essential measures come from octaves of the concert note A 440. A higher octave doubles the vibrations per second. The lower octave cuts them in half. The lowest note on the 88-keyed piano is “A”. It vibrates 27.5 times per second. On the Steinway below, it is the furthest note to the left.
The musical keyboard of a Steinway concert grand piano
Here’s the connection. The height of the Great Pyramid is 275 cubits. Neolithic builders freely multiplied and divided by 10’s. This is because 10 ten was considered a synthetic number in antiquity. Reason: It totaled any two opposite numbers on the 3 x 3 number square. Diagram is below. 4 + 6 = 10. Or, 9 + 1 = 10. Etc. We now have the following:
The note A, underneath Steinway’s name, vibrates 440/per second.
The lowest note on the piano, also an “A” vibrates 27.5 /second.
The length of any side of the square base on the pyramid is 440 cubits.
The height of the truncated Great Pyramid of Egypt is 275 cubits
Learning Piano With Mischa Kottler Thanks to My Dad. This blog is in memory of my father. Much of the content will be in my eulogy for my father, Bernard Ohrenstein. He just passed away at age 97. Dad was from Poland. He was a survivor from four years in the camps.
My father saw I had a flare for piano and composing. This was at age 11. He did everything possible to nurture that. I began composing as soon as we got the piano. He arranged for a solo concert of my eastern European flavored music at the local synagogue in Detroit. I was 12 years old when I played the concert. Later that year wrote a musical play. He arranged for a presentation with renowned Detroit Mi and Louisville Ky cantor, Joseph Birnholtz. I had been studying piano with a Mrs. Foster. At my 1st year recital I played the entire Moonlight Sonata by Beethoven from memory.
Learning Piano With Mischa Kottler
Dad then took me to the best, Mischa Kottler. Mischa was considered the finest teacher and prima piano player of Detroit. He headed the piano department at Wayne State University. He was the official pianist of the Detroit Symphony. He had his own radio program with WJR, On it, he played a different program every Sunday. My father paid for my college education and piano lessons with Mischa.
It gets better: When 1st accepted by Mischa, you were placed on a waiting list. Lessons could even be 2 months apart. So what did my father do? Being a jeweler, he made a solid gold ring. He then sent the ring to Italy to finest craftsman. The head of Beethoven was carved intaglio on a sardonyx stone. Beethoven was set into the ring. My father’s plan worked. I got regular piano lessons. Mischa wore the ring at every concert he gave. It was his pride and joy. So what came of my learning piano with Mischa?
Even at my current age, I play six nights weekly at the Gasparilla Inn. There, I’ve entertained two American Presidents. Guests have also included members of the British House of Lords. I am currently completing my 8th year.
I married a wonderful book writer-lyricist, Sharon Ohrenstein. Together, we write and produce shows. Below are short youtube samples. They are from our newest show entitled, Golden Roads. Thanks to my dad (and mom, of course) I’ve had a wonderful life filled with love and music. My advise to parents with children: Do any of the following: Give them piano lessons. Teach them to sing; or, to play any other instrument. Joy for everyone will follow. Feel free to share this with friends.
Having Fun Playing Piano on Main Street. My gosh, it’s like the good old days. Back to the 1960’s when everyone wanted a piano player. In the 60’s I was already playing piano professionally. At the time, I was living in Detroit. For years I was the Sunday brunch pianist at the Oakland Hills Country Club. They held the PGA’s there. That also included house parties galore. I was once told that the two best things about the club were (1) The recent addition of sirloin steak to the brunch menu. (2) My piano playing. I enjoyed playing contrasting numbers. People loved it. Frequently I would play Scott Jopin’s, The Entertainer, This would be followed by Chopin’s Nocturne in Eb (theme from the Eddie Duchin Story). My piano style was described as having sartorial eloquence. Thank the Good Lord, after all these years, I’m still ably playing for fun or at sartorially eloquent places. I am just completed my 8th winter season having fun playing piano at the Gasparilla Inn.
18th Hole at Oakland Hills Country Club (South) (498 Yard Par 5)
https://www.merriam-webster.com/dictionary/sartorial It’s easy to uncover the root of sartorial. Just strip off the suffix -ial and you discover the Latin noun sartor, meaning “tailor” (literally, “one who patches or mends”). It can be used for many descriptions as: The wedding party arrived in sartorial splendor.
Having fun playing piano at the Gasparilla Inn on the isle of Boca Grande, Fl
I strongly identify with the “father of the symphony orchestra”, Joseph Haydn. He was the court musician, conductor and composer for the Austrian family, the Esterhazys. The Austrian prince passed away. Then the king of England employed Haydn. The composer accepted a lucrative offer from Johann Peter Salomon, a German violinist and impresario. Haydn then visited England. There he conducted new symphonies with a large orchestra.
The choice was a sensible one because Haydn was already a very popular composer there. Since the death of Johann Christian Bach in 1782, Haydn’s music had dominated the concert scene in London; “hardly a concert did not feature a work by him” (Jones). Haydn’s work was widely distributed by publishers in London, including Forster (who had their own contract with Haydn) and Longman & Broderip (who served as agent in England for Haydn’s Vienna publisher Artaria). Efforts to bring Haydn to London had been undertaken since 1782, though Haydn’s loyalty to Prince Nikolaus had prevented him from accepting.
Haydn, of course, wrote the London Symphony as a thank you to the British king. I am also a composer. Frequently I play my own music. One of the favorites is my own theme and variations on “Aura Lee.” Elvis turned it into Love Me Tender, I have been working at the Gasparilla Inn for the last 8 years. Like Joseph Haydn, I suggest to all artists seeking employment: Follow the rules of etiquette. Perhaps that is also a good rule for anyone seeking employment.Below is a picture of some of the “royalty” that have stayed at the Inn. I’m there 6 nights weekly through Easter.
Minute Waltz Glimpse of Chopin’ Genius. When a genius creates, everything he or she does is great. Such is the piano music of Frederic Chopin. The Minute waltz has a touching story attached to it. It was inspired by a dog. The dog belonged to his muse and girlfriend, George Sand.
The “Minute Waltz” is the nickname for the Waltz in D flat major, Op. 64, No. 1 by Frederic Chopin. It was written in 1847. It is a piece of music for the piano. It is sometimes called “The Waltz of the Little Dog” (French: Valse du petit chien). This is because Chopin was watching a little dog chase its tail when he wrote it. The little dog was “Marquis”. He belonged to Chopin’s friend George Sand. Marquis had befriended Chopin. The composer mentioned Marquis in several of his letters. In one letter dated 25 November 1846, Chopin wrote: “Please thank Marquis for missing me and for sniffing at my door.”
The waltz was published by Breitkopf & Härtel. It was the first of three waltzes in a collection of waltzes called Trois Valses, Op. 64. The publisher gave the waltz its popular nickname “Minute”. The tempo marking is Molto vivace (English: Very fast, very lively), but Chopin did not intend the waltz to be played in one minute as some believe. A typical performance will last between one and a half to two and a half minutes.
The Complex Rhythms of the Minute Waltz Revealed
Just take a look at my 5 measure excerpt above for this:
The treble staff has the 2 beat motif of four eighth notes in measures 1 and 2. The motif is repeated many times during the waltz.
The scale that follows in has 8 eighth notes. They cover 4 beats.
Measures 4 and 5 have a dotted quarter note beginning each measure. The entails 1½ beats each.
Also in 4 and 5, following the dotted quarter are 3 eighth notes. Each 3 note phrase lasts for 1½ beats.
Finally, against all this melodic complexity, we find a steady 1-2-3 beat in the left hand. It takes the form of “Bass-chord-chord.”
So Where Can I Hear David (this blogger) Play Chopin’s Minute waltz?
I am still booked six days a week through April 14 at the Gasparilla Inn. It is on the Florida isle of Boca Grande. There I get my choice of 2 vintage steinway Grand pianos. I played in the “living room” from 6:20 to 7:00 pm. Then I go in the dining room and play from 7 – 9 pm. See you there.
Birthday of the Gasparilla Inn on the Isle of Boca Grande. What a way to usher in the New Year. Yes, I’ll be working. But for many reasons I couldn’t be happier. The Inn encourages co-operation and group spirit among the employees. Management is polite and diplomatic. The list goes on and on. Great dinners, great desserts…I also love the totally wonderful Steinway concert grand dated back to 1924. It is vintage. Even better: It has just been totally rebuilt by master piano technician, Larry Keckler. After installing the strings and hammers from direct from Steinway in Germany, he said : “This piano has the sweetest sound.” It does. Diners at the Gasparilla Inn love my selections in it.
Special Piano Treat for the Inn on its 100th Birthday
Many make it a point to stay at the Inn regularly. This is even more so on its 100th Birthday. The Gasparilla Guest Book in the past has included: Tom Edison, George H.W, Bush, Jimmy Buffet, Harvey Firestone, Harrison Ford, Henry Ford and Katharine Hepburn (see feature picture).
David is scheduled 6 nights weekly in season on this island resort. On a typical night you can hear music by Cole Porter, George Gershwin. You’ll authentic ragtime by Scott Joplin. The Inn was actually built at the height of the ragtime era. He also loves the great classics. His regular list this time of the year is a 30 minute rendition of principle dances from the Nutcracker Suite by Tchaikovsky. He plays Jupiter from the Planets by Gustav Holst. He loves to play the theme from the King’s Speech. It is the slow movement of Beethoven’s 7th Symphony. Excerpts from principle operas are often included. His favorite popular song to play is “Killing Me Softly.” The arrangement he plays by George Shearing is so beautiful that many diners have tears in their eyes.
Beautiful and elegant Gasparilla Inn where David plays nightly.
Other Scheduled Events
David is quite a composer. He and his wife, Sharon Lesley have co-written Golden Roads. It is named after the Golden Wegen initiative of Golda Meir in 1949. She wanted the roads in Israel to be beautiful. The show is premiering at the Sarasolo festival in Sarasota this January 28th at the Crocker Memorial church at 1 pm. Limited seating. Later in the season they will have a special appearance at at the Longboat Key Education Center on March 24, 2017. It is a one time special event:Centre Shops of Longboat KeyAddress: Centre Shops of Longboat Key, 5370 Gulf of Mexico Dr # 212, Longboat Key, FL 34228 Phone: (941) 383-8811. 11 :00 AM- 12:30 PM Members $18 Non-Members $23
Our best for the happiest New Year ever – David and Sharon.
Career – Circumstances that Bolstered Beethoven’s. Here is a brief summary of his accomplishments from Wikipedia: Ludwig van Beethoven (baptized 17 December 1770 in Bonn – 26 March 1827 in Vienna) was a Germancomposer. He wrote classical music for the piano, orchestras and different groups of instruments. His best-known works are his third (“Eroica”), fifth, sixth (“Pastorale”) and ninth (“Choral”) symphonies, the eighth (“Pathetique”) and fourteenth (“Moonlight”) piano sonatas, two of his later piano concertos, his opera “Fidelio”, and also the piano piece Für Elise. When he was a young man, he was a talented pianist. Beethoven was popular with the rich and important people in Vienna, Austria, where he lived.
So, What Bolstered His Career?
Obviously, he played for rich and important people. But, he also held his music in the highest of esteem. Higher than even the royalty, At the time he lived in Vienna. It was the day of the amateur pianist. Aristocrats played the piano. They had a conception of how difficult mastery was. Prince Ferdinand Josel Lobkowitz was one of three that guarenteed him a life long income as long as he stayed in Vienna. This Prince had his own quartet. He played music all day long. Archduke Rudolph was a pianist who took lessons with Beethoven himself. He contributed to his income. The 3rd was Prince Ferdinand Kinsky. He loved vocal music. The times, Beethoven’s location and his incomparable genius launched his carrer. You could say, the right person at the right time. If the times are not quite right for you, be patient. Times also change in cycles. We are over due for lots of wonderful new happenings in the arts.
I have a special connection to Beethoven. It is being 5 generations removed by teaching lineage. Beethoven taught Carl Czerny. Czerny taught Franz Liszt. Liszt taught Emil von Sauer. Sauer taught my piano teacher, Mischa Kottler. I studied with Kottler for some 15 years. One of Beethoven’s inventions, I was told, was the prepared thumb. Also, the 2 note phrase was used to “divide and conquer” many difficulties. Enjoy my youtube presentation called the Paris Piano connection. You can hear me play 6 nights weekly at the Boca Grande Gasparilla Inn. I have a just newly reconditioned 1924 Steinway concert grand. This will be my 8th year of 6 nights weekly from Dec. 20 – April 14, 2017. I also have a couple of openings for piano lessons in Sarasota. The Beethoven tradition of my lineage of teachers must be kept alive!
Happiest Unplanned Moment of My Life and Mischa Kottler. For some 17 years I studied piano with a great master, Mischa Kottler. He prepared me, as a pianist, to play for heads of state from around the world as well as Presidents of the United States. Among his students were counted; Ruth Loredo, Cynthia Raim and Seymour Lipkin. One of his students was Greg Phillinganes. From work with Stevie Wonder while still in his teens, to tours and recordings with Quincy Jones, Michael Jackson, Eric Clapton, and Toto; Phillinganes’ massive discography reads like a “Who’s Who” of pop music, encompassing four decades. Mischa defied time. At age 93 he paid us a surprise visit in Sarasota home. There he played Chopin’s Minute Waltz. So what, you ask? He played it with double notes in the right hand. Instead of single notes he played 3rds, 4th, and 5th in with one hand. The tempo of its fast pace was never lost. Fortunately, this feat can be witnessed on youtube. Single notes at that speed a difficult enough, Alfred Cortot, his teacher also plays it but with single notes. Many students feel the compulsion to outdo their teachers. Mischa did.
From Greg Philliganes’ interview in Keyboard Magazine and his Quote of Mischa Kottler
“Sensing that I needed discipline more than anything else, my Mom managed to hook me up with a wonderful teacher named Mischa Kottler. He was a no-nonsense Russian Jewish guy who could crack a pane of glass with one finger. He was a complete badass, and he cooled my attitude out immediately. I studied with him well into my teens.
Happiest Moment Comes With an Unplanned Visit by Mischa
In 1993 I get a phone call. In context, I had no contact with Mischa for some 16 years. I thought he was no longer with us. The voice on the phone said: “David, this is your piano teacher, Mischa Kottler.” I was sure it was a joke. The heavy Russian accent went on to say: “I hear you have more children than I know piano concertos.” At that moment I nearly collasped. It was him. I recognized his dry humor. Guess what? He visited our home and gave me piano lessons “in exchange” for hospitality. Naturally, he would have been most welcome even without the piano lessons.
My advise to children. Learn to play the piano. It will allow you to someday talk about the happiest moments of your life. We are about to enter an era where beautiful is once more in vogue. Beautiful piano playing will lead the way. I still have a couple openings for piano lessons in Sarasota. Also, I am about to begin my 8th year playing a wonderfully reconditioned Steinway Concert Grand at the famed Gasparilla Inn on the isle of Boca Grande. It probably has the sweetest sound of any piano anywhere. See you there December 20th-April 14. I play 6 nights a week. And yes, Mischa stays with me, in my heart.
Chopinesque Includes a Love of J.S. Bach. My piano instructor was Mischa Kottler. In the 1920’s Kottler went to Europe. He had a recommendation from Sergei Rachmaninoff to study with Alfred Cortot. From Cortot, Kottler learned about the influences on Chopin’s compositional style. These influences included Polish folk music, the classical tradition of J. S. Bach, Mozart and Schubert. Mischa also emphasized how crucial study of J.S. Bach was for playing Chopin properly. So how this affect my musical education?
My Chopinesque Education at Wayne State University
I received both Bachelor of Music and Master of Music degrees from Wayne State University. While at Cass Tech High School, I began my studies with Mischa Kottler. Before I even graduated high school, Mischa was appointed head of the piano department at the university. They gave him a studio right next door to the head of the Liberal Arts Music Department’s office. In this manner those applying could hear the most wonderful music issuing forth next door. You could always tell when the student was playing and when Mischa was playing. Mischa used a phrase for good piano instruction. He called it: “going through the mill.” The “mill” included a continual stream of J.S. Bach. As soon as you completed one book of Bach’s works, he took you to the next level. These volumes included:
Works for keyboard (BWV 772–994)
Inventions and Sinfonias
Four Duets from Clavier-Übung III
Partitas for keyboard (published as Clavier-Übung I)
French Overture, from Clavier-Übung II
Properly playing baroque counterpoint was key to effective Chopin. Cortot felt this was mainly to be acquired by playing Bach. When Kottler gave his lessons excercises came first, They would include finrst finger independence exercises, then Czerny, Cramer etc. Then came Bach. Afterwards came classical sonatas, romantic works and something 20th century-ish. Chopin was Mischa’s favorie composer. Below is a sample of him playing the minute waltz by Chopin. As you listen to the work, his virtuoso counterpoint is simply incredible. Who today could play it like Mischa? In the meanwhile, I am available for piano lessons in Sarasota until the season in “kicks in.” A vintage Steinway grand from 1924 was just rebuilt by management for my 8th year at the Gasparilla Inn on the isle of Boca Grande. See you there starting Dec. 20 Through April 14. I play six nights weekly.
Fifths of Tones Sets the Future and was the Neolithic Standard. Why the featured picture? The answers are all on the piano keyboard. Piano playing develops a talent for working with numbers. The solfeggio of the fifth set the way for the building of Neolithic temples. In Close Encounters of the Third Kind, the tones Do and So are the 5th. Do to So are a prototype for all fifths. The ancient temples used specific diatonic tones. The fifth relationship (3 to 2 ratio) was there. The only difference was the set specific tones. They were the fifth of A to E in Neolithic times; not the C to G as pictured on this staff.
Ancient diatonic tones had a primary fifth. The lower was set at A-440 vibrations per second. The higher was E-660 vibrations per second. Various historical cultures set the numbers of these tones into their own units of measure. Instruments dating back to the Sumerian times have been found. We know of their vibrations per second.
Neolithic cultures thrived on number squares. That’s what I have blogging about on DSOworks. Please read them all. This is lost knowledge that I have found. They also had knowledge of the hidden number codes on the 3 x 3 number square.
Consider the 3 x 3 number square by double numbers: First we view horizontally: (49 + 35 + 81 + 94 + 53 + 18) + (92 + 57 + 16 + 61 + 75 + 29) = 660. Now view vertically: (43 + 95 + 27 + 34 + 59 + 72) + (83 + 15 + 67 + 38 + 51 + 76) = 660. That numbers our diatonic “E”.
Consider the perimeter of 3 x 3 number square by overlapping double numbers as: 49 + 92 + 27 + 76 + 61 + 18 + 83 + 34 = 440. Reverse the numbers and get the same total. That numbers our diatonic “A”.
We have just found the following: (1) The lower diatonic “A” 440 of the fifth. (2) The higher interval of the fifth. That is, E- 660. Many readers are experiencing this information for first time. Please recognize that Neolithic, priestly ancestors knew this over 6,000 years ago. How did I come by this knowledge? On Oquaga Lake an Indian Spirit from the Lennie Lenape tribe was anxious to share her wisdom with me. Below is a free sampling of her poetry. Enjoy!
Audition on the piano youtube. Enjoy six typical selections for free. Time for all 6 is 13.48 minutes. Most important factor: The two-note phrase. For auditions the proof of the pudding is in the tasting. What does tasting pudding have to do with piano playing? A well played two note phrase is the highest piano art. More on this in a moment. Piano makes dining more pleasurable. This only holds if the piano is played with a beautiful touch.
AUDITION – MASTERING THE TWO NOTE PHRASE KEEPS YOU IN THE RUNNING
Be it Bach, Beethoven or Brahms- the two note phrase is key. In this regard the size or quantity of what you know, speed and power mean little. This phrase is the smallest increment of piano playing. My own teacher was Mischa Kottler. He was a stickler about this tool. It took me a year and a half to master it. That was only under his constant supervision. Mischa studied in Paris and Vienna in the 1920’s. His teachers were direct descendants of Liszt and Chopin. They were Emil von Sauer and Alfred Cortot.
Many, if not all compositions, are only played properly with a plethora of such phrases. This is especially true on the piano. My own youtube sample is below. I do my best to demonstrate its effectiveness. Keys to long term employment as a pianist include beautiful tone production and such phrases. Unfortunately, too many students have turned piano playing into an athletic event. As Mischa would say about such crudely undetailed pianists. “They play like pigs.” This, of course, was in his fiery Russian accent.
For bookings I go through Jay Goodley Associates Inc. in Sarasota, Fl. (941 480-9600). They are wonderful to work with both as an employee and for you as an employer. Also, I am available for piano lessons in Sarasota- especially off season.