Johannes Brahms Arch Romanticist, not Richard Wagner

Johannes Brahms Arch Romanticist

Johannes Brahms Arch Romanticist, not Richard Wagner. I am in awe of Johannes Brahms. I have been religiously practicing the six numbers of his opus 118. I hope to eventually make a post playing all six. The key to the romantic era is fusion of  melody with counterpoint. Counterpoint is so rare nowadays that I will define it.

Image result for Wiki Commons picture of composer Richard Wagner

Ludwig II (GermanLudwig Otto Friedrich Wilhelm; English: Louis Otto Frederick William; 25 August 1845 – 13 June 1886)[1] was King of Bavaria from 1864 until his death in 1886. He stands next to Richard Wagner who is seated at the piano. 

Why Johannes Brahms Arch Romanticist Peaked the Romantic Era, not  Richard Wagner

Brahms is the master. Wagner is dramatic, exciting and on a grand scale. Brahms, however,  is the scholarly master of counterpoint. The romantic era revived counterpoint. One era contrasts another. Melody with accompaniment mostly characterized the rococo period and the classical. To be different, the romantics revived counterpoint as an art form. My opinion is that Brahms is better at counterpoint that Wagner. The collection of Opus 118 is filled with masterpieces of this genre. No. 4 is mostly a continuous “round.” The right hand plays one bar of music. In the next measure the left hand plays the same.  In that same measure,  the right plays a new aspect of the melody. In the next measure, the left hand plays the same… I think that Tal-Haim Samnon in the youtube video has an excellent approach.

Conclusion: Melody and counterpoint fused together are hallmarks of the Romantic era. In my opinion, Brahms is its outstanding representative.

Brahms – intermezzo op. 118 no. 4 – Samnon – YouTube

https://www.youtube.com/watch?v=fIM-2hq3f9E

Apr 1, 2011 – Uploaded by Tal-Haim Samnon

Brahms– intermezzo op118 no. 4 in f minor- Samnon. Tal-Haim Samnon was born in Tel Aviv in …

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