Keyboard Touches Vary Greatly Depending on Instrument. My piano instructor was Mischa Kottler. I was offered a position playing the organ. Kottler told me not to accept it. He said, playing organ would ruin my piano technique. Of course, I wondered how and why? I think the answer comes from Karl Philipp Emanuel Bach. In the quote below, C.P. E. had the harpsichord in mind. The piano wasn’t yet invented. But what he said about the contrast applies to the piano. In the interest of keeping posts short, there will be more blogs. A harpsichord is a musical instrument played by means of a keyboard. The player presses a row of levers. This triggers a mechanism. One or more strings are then plucked with a quill.
The above harpsichord is the work of two celebrated makers: originally constructed by Andreas Ruckers in Antwerp (1646). It was remodeled by Pascal Taskin in Paris (1780). The prototype of the pianoforte was invented in 1710. Bartolomeo Cristofori di Francesco (Italian pronunciation: [bartoloˈmɛːo kriˈstɔːfori di franˈtʃesko]; May 4, 1655 – January 27, 1731). He was an Italian maker of musical instruments.
The 1720 Cristofori piano in the Metropolitan Museum in New York is the picture on the right. The total number of pianos built by Cristofori is unknown. Only three survive today, all dating from the 1720s.
Keyboard Touches and Keyboard Styles
Here is a primary difference between the organ and the harpsichord/piano. According to C.P. E. Bach: “The organ is indispensable in church. It bestows splendor and maintains order. However, for sacred recitatives, and arias… one must resort to the harpsichord. It gives the singing voice freedom of variation. Too often, one discovers how bare a performance can be without harpsichord accompaniment. Moreover, this instrument is indispensable in the theater and at concerts.”