Harmony’s Number

DebussyInEcstasy

 Harmony’s Number is 272. My unpublished manuscript, entitled, The Sacred Engineers Philosophy, the Pinnacle of Thought in the Unified Culture of Ancient Builders, was placed on the etched stone triangle at the Mnajdra Temple on the Island of Malta. The treatise discusses the number codes that the ancient engineers used for building temples. These same codes defined the vibrations per second of the musical tones of the ancient diatonic scale. I merely rediscovered the codes that they used.

Harmony’s number is 272. What can this possibly mean?  In antiquity, measure and music shared a common bond. The scale in use by the ancient Greeks was called diatonic. They knew the vibrations per second of each tone (Refer to Issac Asimov’s On Physics for the list).  Middle “C” vibrated 264 times per second. “C”, and octave higher, vibrated twice as fast: 528 times per second.  “A” still vibrates in symphony orchestras today at 440/sec. “E” above middle “C” was 264 times per second, etc. Numbers are readily available.

In antiquity, harmony referred to a balance of forces that were able to co-exist in peace. Harmony, according to Webster,  is an agreement or an accord. In music Webster states that it is a simultaneous sounding of tones that are pleasing to the ear. When a pair is in accord, be it people or music, they are able to co-exist harmoniously. John Michell in The View Over Atlantis elaborates on how 272 was connected by gematria  (defined as the former unity  that letters and numbers shared). The example that Michell uses goes back to ancient Greece with Harmonia who was the wife of Cadmus. The gematria of her name in Greek equaled 272. Numbers, in antiquity, could represent words, things and forces. Many ancient languages did not have separate symbols for numbers. Letter doubled as numbers. You could therefore  total the numerical values of the letters in a single  word, phrase or even a lengthy sentence. Each had a sum. The writings of John Michell covers the subject amply.

HOW HARMONY UNITES NUMBERS 5 AND 6

Harmony’s number  is 272.  Question: In what possible way can 272 bind opposing forces as one? Answer: Numbers 5 and 6 were considered polar opposite numbers. Five was yin. Six was yang. The five pointed star was a symbol of man. The hexagon, with 6 sides, was connected to the cosmos and the inanimate. In the Medieval gardens and decorations the five strong petaled rose was thought of yin; while the six- petaled lily was yang (refer to John Michell in City of Revelation). Many crystalline forms, the snowflake, even the cells of a honeycomb are six sided…So how does 272 unite man and the cosmos through numbers 5 and 6? Answer:  272 results from basic arithmetic of numbers 5 (yin) and 6 (yang). As, 6 x 5/ 6 + 5 = 2.72727272… Or stated in another way, 30/11= 2.727272….

HARMONY WAS ONCE ALL OVER THE PLANET IN A GOLDEN AGE

As harmony’s number in ancient Greece was 2.72; even older megalithic cultures all over the world used 2.72…. as it defined the 2.72 feet of the megalithic yard.  Its hidden existence was  discovered by professor Alexander Thom of Oxford  in the 1960’s  He found that it measured most of the ancient sites in England.  Among the sites that were built by the megalithic yard are (1 Karnak Temple in Egypt whose length of either side of the rectangular base was 440MY. (2) the placement of the Sphinx in relationship to the Great Pyramid which was 440 MY distant,  (3) the  perimeter around the foundation of Persepolis in Iran was a square that measured 4 x 440 MY. (4) Rhe rectangular lengths of Troy in Turkey (2 x 220MY) combine to equal 440 MY. (5) The Akapana of Tiahuanaco in Mexico had one length and one width of its rectangular foundation together span 440 MY.  “A” , at 440, exists in two systems: (1) the old diatonic note “A” above middle “C” and (2) the modern well tempered “A” of our current tuning system.   As far back as 3500 BC the megalithic yard is found on Malta at the Mnajdra Temple at the higher section of the North entrance.  A triangle is etched in this section. Gerald J. Formosa found its dimensions and most of the temples in Malta that were defined  by the MY. He wrote about it in, The  Megalithic Monuments of Malta. Yes, music married architecture. The minister was Mr. Megalithic Yard, and their child was called harmony!

THE COMMON BOND OF HARMONY IN MIDDLE EASTERN CULTURES

A very significant use of 272 bonds Islam and Judaism. The three letter root of “Arab” in Hebrew is ayin (70), reisch (200), and  veis (2). Its gematria is 272. The word, Hebrew, uses the same letters, re-arranged as: ayin (70), beis (2),and reisch (200)= 272. In this manner, both cultures have an harmonic accord. Also, the two primary Hebrew names for God in the Torah equal 272 but in a hidden way.. Scholars have pyramided the letters of a word to come up with the hidden pyramided value.  Thus the Tetragrammaton becomes: yud (10)  +  yud, hei(15)  +  yud, hei,vav (21)  + the full name- yud, hei, vav, hei (26).  The total is 72.  Using the same technique for the other primary name, Elohim, the total is 200. Therefore, the sum of these two pyramided names also equals  272.  I can only conclude that if we allow it, the natural state of the Middle East and the world  is all about peace and harmony. One last 272 point. When you multiply the Hebraic factors of the pyramided names of the Lord (described above) as 72 X 200, you get 14, 400…….. 2.72  defines the number of feet in a megalithic yard, 14,400 defines the number of feet in the “megalithic mile” which is even found in China as a measure called the Pu.

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