A VISIT FROM THE LEGENDARY MISCHA KOTTLER
Mischa Kottler – A visit by the legendary piano instructor. Here’s how it all started: The phone rings. I pick it up and hear, “David, this is your piano teacher, Mischa.” I was incredulous . Having left Detroit, Michigan 10 years earlier, I remembered that Mischa Kottler was in his eighties just before I had moved to Sarasota. I said to the voice on the phone: “That’s a joke. Who is this, really?”
Minute Waltz (Mischa Kottler Version) – YouTube (to be amazed beyond words, click on you tube words and watch)
Chopin’s Minute Waltz, with a twist … … Mischa Kottler playsRachmaninoff’s Third Piano Concerto, Movement #1 – Duration: 15:18. by Joseph …
The voice said, “Really, it’s Mischa and I hear that you have more children than I know piano concertos.”
At that moment, I knew it was Mischa because his gruff, Russian accent now matched his familiar sense of humor. To my shock, he said he would love to fly to Sarasota to visit me and my family. To which I, without hesitation, said , “Yes.” He also said he would be happy to give me piano lessons in the exchange. To which I immediately said,”That would be a dream come true!”
Mischa’s famous students
Mischa had guided the careers, at least in part, of such notables as Seymour Lipkin, Ruth Laredo, and Cynthia Raim. Mischa’s student frequently went on to win piano competitions. He even gave advice to Van Cliburn, who flew in from Texas for fingering solutions to a Brahms Piano Concerto. My father and I saw van Cliburn leave as I arrived for my piano lesson. I was told at the time by Mischa to keep Van Cliburn’s visit a secret…. which I have until now. You may remember that Van Cliburn was an American pianist who achieved worldwide recognition in 1958, at the age of 23, when he won the first quadrennial International Tchaikovsky Piano Competition in Moscow at the height of the Cold War that actually opened the doors to better Russian-American relations. Ah, the merits of great music, well-played!
If you were accepted as a Kottler student, you might have to wait about 1-2 years just to start, his lesson time was in such demand. Even then, acceptance didn’t mean regular piano lessons. Since Mischa was the official pianist of the Detroit Symphony Orchestra, he would tour for months.
Mischa’s own legendery teacher – Alfred Cortot
A visit from the legendary Mischa Kottler. Wow! That Mischa was actually coming to stay with our family was beyond my wildest dreams. When he arrived at our home, this man at 94 years of age, sat down at our not so great piano and played Chopin’s “Minute Waltz”. It is incredibly difficult to play in tempo with single notes, but Mischa played it with double notes in 3rds, 4ths and 5ths in the right hand at the same tempo that other pianists are only able to play it one note at the time. Mischa mastered this most difficult art under the instruction of Alfred Cortot….who had studied with a pupil of Chopin. Kottler studied with Cortot at the Paris Conservatory during the 1920’s because of a recommendation from a very impressive pianist composer – Sergei Rachmaninoff. Kottler had auditioned for Rachamninoff. I was told by Kottler that Rachmaninoff said to Kottler, ” You have to go to Paris and study with Cortot.” and gave him a a personal letter of recommendation.
Another notable Mischa student – Greg Philliganes
From work with Stevie Wonder while still in his teens, to tours and recordings with Quincy Jones, Michael Jackson, Eric Clapton, and Toto, Phillinganes’ massive discography reads like a “Who’s Who” of pop music, encompassing four decades.
From Greg Philliganes’ interview in Keyboard Magazine
“Sensing that I needed discipline more than anything else, my Mom managed to hook me up with a wonderful teacher named Mischa Kottler. He was a no-nonsense Russian Jewish guy who could crack a pane of glass with one finger. He was a complete badass, and he cooled my attitude out immediately. I studied with him well into my teens.
What kinds of things were you studying with him?
I was studying technique and classical repertoire. He taught me a certain way of playing that I still use to this day: a sense of evenness where your wrists aren’t loose or moving up and down. It’s a totally linear way of playing, where there’s even movement in both hands so your wrists stay perfectly still. Misha would take two fingers and weigh them down on my wrists to keep them from moving. He instilled a sense of dexterity and definition in my playing. If I’m known for my speed and precision, it’s probably due to Misha more than anything else.
Now you see why titled the blog: Mischa Kottler- A Visit By the Legendary Piano Instructor