Disappearing Mailboxes Out- Dates a Work of Art. Famed cartoonist, Harold Winer, created a number of illustrations for us. They were a thank you present. At one time he was associated with the Sarasota Music Archives. My wife Sharon, and myself, do musical charity work. The Sarasota Music Archives was one of the beneficiaries. It has one of the finest collections of sheet music in the country. As a thank you, Harold Winer gave us a number of art works. The Ohs is short for our last name, Ohrenstein.
Mail boxes have pretty much disappeared; yet, Sharon and I are still performing. We have started to write our own. I have always been a composer. Sharon writes the lyrics and book. Most recently, we wrote Golden Roads. It was the opening show for the Sarasolo festival. Carlo Thomas is our director. We thank him for his help. He guided our rehearsals. Also, he provided about 2 dozen artistically made posters. During the course of the presentation, Sharon co-ordinates the dialogue with the pictures. Our show sold out, SRO. On the positive side, the mail is still there. Only, it is called e-mail. Speaking of which, please feel free to share this e-mail with friends. Let’s have many new shows of all typesthat can offer us rides on Golden Roads.
Public Premiere of Golden Roads Musical of Golda Meir. The word is out. Ticket sales are brisk. Everyone thinks we have a hit on our hands. This musical is happy, uplifting and meant to inspire. Also, this musical has elements of the beautiful music of the 1930’s. Likeearly 1930’s hit, Stardust, by Hoagy Carmichael, melody is of primary importance. David composes from the standpoint of melody, unlike many of today’s composers. Melody should be held as sacred. Rhythm is also enjoyable. However, in composition, it should be at the service of melody. Since age 11, that has been David’s style of composition. All have their own Golden Roads that lead to fulfillment of personal wishes and dreams. The formula is in the musical.
So, What is So Special About This Public Premiere?
We have a wonderful director, Carlo Thomas. “He went on to a career which included Opera (City Opera, Canadian Opera, Berlin Opera, The Spoleto Music Festival, where he was directed by Gian Carlo Menotti), Broadway (1776, Phantom of the Opera), Concert (soloist at Radio City Music Hall), Recording with the Fred Waring band – and anything that required music. With his life partner Timothy Gray (who with Hugh Martin wrote the score for the musical High Spirits – based on the Noel Coward play Blithe Spirit, and many more), Carlo was enmeshed in the theater scene. Listen to this extraordinary man tell the charming, funny and sometimes outrageous stories of a life and career dedicated to the making of beautiful music. 11-24-14 Audio Interview.”
Carlo introduced us to the use of musical motifs. We use them extensively in Golden Roads. The piano becomes a surrogate actor by using musical comments on stage. The technique was used extensively in The Phantom of the Opera. What a learning experience this was for us. We are honored to work with this man.
Sharon Ohrenstein (book and lyrics) performs multiple characters as Golda takes her extraordinary journey from Pinsk to Prime Minster of Israel. Her true love and spirit guide, Zion, follows her every move. Nobody Can Tell Me, I Do, We Have Returned,My Heart Is Always Home (composer: David Ohrenstein) are a few of the songs.
Golden Roads, our one-woman musical about Golda Meir, premieres in less than 10 days at the SaraSolo Festival! Get a sneak preview and find out just how young David was when he started composing these melodies. Why is this production so special?
It is our 4th major rewrite of a show whose time is now. Its history goes back to 1990 at the then Jewish Community Center in Sarasota. Then it had a full cast of 25. Afterwards, it was included in the abbreviated version of three of our musicals, called Three Queens: They were (1) Elizabeth of Russia (2) Octavian and Cleopatra (3) Our Golda.
We placed the Golda musical on the back burner for 10 years because of the then touring “Golda’s Balcony.” Now after the recent election we brought it out again. Here is a musical about a woman who did rule her country. This was in spite of her having cancer at the time. She had to lead the country during a vicious attack on Israel. This was on the holiest of Jewish holidays- Yom Kippur.
Above, composer/pianist David Ohrenstein seated at the piano.
Sneak Preview: Our Wonderful Director is New York Broadway and Metropolitan Opera Veteren, Carlo Thomas
The following about Carlo Thomas is an excerpt from Lynn Bernfield’s radio show. “He went on to a career which included Opera (City Opera, Canadian Opera, Berlin Opera, The Spoleto Music Festival, where he was directed by Gian Carlo Menotti), Broadway (1776, Phantom of the Opera), Concert (soloist at Radio City Music Hall), Recording with the Fred Waring band – and anything that required music. With his life partner Timothy Gray (who with Hugh Martin wrote the score for the musical High Spirits – based on the Noel Coward play Blithe Spirit, and many more), Carlo was enmeshed in the theater scene. Listen to this extraordinary man tell the charming, funny and sometimes outrageous stories of a life and career dedicated to the making of beautiful music. 11-24-14 Audio Interview.”
Kind, wonderful and generous Carlo has been coming to our Sarasota home twice weekly. He introduced us to concepts that are now currently used in Broadway musicals: These are the use of musical motifs throughout the score. The motifs uniquely make the piano an active actor in the show. Now Golda and the piano have an active dialog. One example: When Golda goes to the kibbutz, the piano’s motif is “Old MacDonald had a Farm”. Everyone has enjoyed the piano’s part. The piano cleverly comments on almost everything. I could go on and on. But I won’t. Just come and see the grand premier. Seating is limited. The show is selling quite well.