Music Prolongs Life of Rubinoff and His Violin. I used the featured picture of the Gypsy Kings because they convey the joyfulness of older musicians in general. With music, all enjoy perpetual youth. My featured older musician is David Rubinoff. Dave Rubinoff (September 3, 1897, Grodno, Russian Empire, now Belarus – October 6, 1986), was a popular concert violinist who was also known for his Stradivarius violin. He purchased it in 1929 for $100,000. Now it is priceless.
I worked with Dave over a 15 year period. This was in the capacity of arranging and piano accompanying. This blog story has an air of mysticism. It doesn’t seem possible. It raises a question: Can music bring someone back from the edge of death’s door? First, I must explain the pocket watch Dave Rubinoff is holding in the above picture. I am standing next to him. Will Rogers and he were best of friends. Will gave him the pocket watch. Will had a poetry excerpt by Robert H. Smith engraved on back. It is called The Clock of Life. Dave read the poem at every concert to an appreciative audience.
The Clock of Life is wound but once
And no man has the power
To tell just when the hands will stop
At late or early hour.
The present only is our own,
So live, love, toil with a will,
Place no faith in “Tomorrow,”
For the Clock may then be still.”
Music Prolongs Life of Rubinoff for our Pittsburgh Concert
Darlene Rubinoff, documented her husbands life in the book, Dance of the Russian Peasant. He dictated the book in general to her. She gave it the finishing touches. I now quote: “I was 88 years old. Don Baretti book me on a concert. It was sponsored by the Pittsburgh Plate Glass Company. I had just been released from the hospital after suffering from pneumonia.” Darlene told me (David Ohrenstein) “I’m afraid you’ll have to do this concert by yourself.”
The rest of the story goes: I had flown in to Columbus, Ohio so we could practice the concert. Rubinoff stated: “”I summoned all my strength, got out of bed, dressed and was standing, violin in hand when Dave and Darlene arrived from the airport.” Here’s he’s enthusiasm: He said to me- We”ll start with Fiddler on the Roof not waiting for him (me) to remove his jacket. He smiled shook my hand, and we began to practice.”
” Darlene made me sit down for the rest of our practice. I was just out of the hospital three days, suffering from pneumonia. I was still spitting blood.”
How did the concert at Pittsburgh Wintergarden Plaza end? Literally, the audience went wild with applause. Rubinoff lived. We gave many more concerts together. Yes, music prolongs life! Learn to play. By the way, I have room for 1 or 2 piano students in Sarasota.
Piano Accompanying from Singers to Oboe Players. Talk about maximum contrast. A competent accompanist needs to be like a chameleon. Chameleons or chamaeleons (familyChamaeleonidae) are a distinctive and highly specialized clade of Old Worldlizards with 202 species described as of June 2015. These species come in a range of colors, and many species have the ability to change color. Likewise, a good accompanist must have the ability to change styles like a chameleon changes color. This, of course, depends on who he’s accompanying. I have been fortunate to work with oboist Edmund DeMattia. He is an incredible oboe player and conductor. He is also into his 80’s. I have been receiving a wealth of much needed knowledge from him. Among his accomplishments:
The idea for a “national concert band” began in 1973 with discussions among retired and former members of the four major military service bands in the Washington, DC area. The organization’s two main purposes were to provide a way for area military musicians to continue to play after retirement, and to preserve the concert band tradition of music in the United States, so prominent in the first half of the twentieth century.It was during conductor DeMattia’s tenure the Band participated in making the epic series of historic recordings of “The Heritage of the March,” produced by Robert Hoe of Poughkeepsie, NY.
The first conductor chosen was Edmund DeMattia, formerly principal oboist with the United States Navy Band. He was one of the founding members of the American Concert Band Association (ACB) and the National Concert Band became a member of this professional organization.
Ed and I are rehearsing regularly for an upcoming concert. We will do well known and established works for oboe. My wife, Sharon Ohrenstein, will also sing. Much of our music is original. I write the music. Shes does the lyrics. However, I must mention, Ed will also be performing also be playing one of my original works. It is called the Iguana Farm. Audiences go wild over it.
Now here’s the difference between the voice and the oboe:
Piano Accompanying for Singers
Singers need more of a background accompaniment. It is essential that lyrics be heard. Use the soft pedal on the piano. When music is marked forte, bring it down to mezz0 piano. If something is marked mezzo piano, bring it down to pianissimo, etc.
When the singer is tacit in a piano solo section, then release your soft pedal. Play it full out.
Piano Accompanying for Oboe Players
Ed tells me “I need a full sound.” There is no concert band with us. We do not have 50 players. You are the only one. Contrary to the singer, when the music is marked mezzo forte, play it full forte. When it is full forte, play it doubly loud. The bass must always be strong and solid, even with syncopated passages in the treble. Without these directions, the music can easily turn to chaos.
I have been so fortunate to work with experienced older musicians. (1) Piano lessons with Mischa Kottler (2) Accompanist to world renowned violinist, David Rubinoff (3) Work with Edmund DeMattia. I’ve continually built on my Master of Music degree from Wayne State University. Since I myself am becoming older, I wish to keep the tradition going. I offer piano lessons in Sarasota; but for those who are interested the possibility of a career. Our concert date and place will be announced shortly.