Romantic Composer Comradery

Romantic Composer Comrades were Common

Romantic Composer Comrades were Common. Musical composers are the avant-guard of civilization.  Avant-guard defines a group of artists, musicians, or writers working with new and experimental ideas and methods. Without composer comrades, it is doubtful that we would ever know who Franz Schubert was. Composers are vital to a civilization. Yet, they are like babies. They need help. Such was the case with Franz Schubert. He only lived to age 31.  Franz Peter Schubert  was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind  more than 600 secular vocal works (mainly Lieder), seven complete symphoniessacred musicoperasincidental music and a large body of piano and chamber music.

Obviously, the painter was a great friend and admirer of Franz Schubert.

Oil painting of Franz Schubert by Wilhelm August Rieder (1875), made from his own 1825 watercolor portrait.

signature written in ink in a flowing script
His last symphony, “The Great,” was never performed in his lifetime. He received payment for it from the Gesellschaft der Musikfreunde in 1828. However, they ended up performing an easier symphony by Schubert, , No 6. The “Great” remained in the truck of his brother, Ferdinand Schubert. His Romantic composer comrades included Robert Schumann. Scumann went searching for it. He discovered it in Ferdinand’s trunk in his attic.
Fortunately, Felix Mendelssohn, counted among Schubert’s Romantic composer comrades,  was in a position to make the “Great” come to life. He was the director of the Gewandhaus Concerts in Leipzig, Germany. The story goes it was difficult to perform even for his orchestra. To make it more palatable, Mendelssohn omitted the repeats in the symphony that were indicated by Schubert. Here is another story of Schubert’s almost lost and forgotten music:

THE CLIFF HANGER QUEST OF GILBERT AND SULLIVAN to save Schubert’s Music

Gilbert and Sullivan had heard of Schubert’s Rosamunde. The manuscript was not to be found.  On a whim, they traveled to Germany to find the music. There, they caught wind of a Doctor Snyder who may have been in possession of the score. The rest of the story reads like a cliff hanger. When they arrived at his home, Dr. Snyder told them he had had a number of Schubert’s  manuscripts in his attic. Unfortunately, he had already placed them in the trash bin. The operetta duo ran to the refuse container. There, they not only discovered the score to Rosamunde, but numerous other symphonic works by Schubert. The rest of the story goes, they were so excited at the find, that they played leap frog with each other to celebrate the find.

This team did so much for our culture
Gilbert and Sullivan saved another work of Schubert’s.

Without the arts, life seems shorter and  even brutish.  We must support  creators of the fine arts who supply the musicians in the concert hall with new music. After all, there might not be a team like Robert Schumann, Felix Mendelssohn or Gilbert and Sullivan  at the right moment to save the great works of another poor Schubert-like composer.

This team did so much for our culture

Gilbert and Sullivan’s search for Schubert’s Rosamunde

Gilbert and Sullivan’s search for Schubert’s Rosamunde: Good stories make good blogs. One of my favorites is about Gilbert and Sullivan’s discovery of the music for Schubert’s Rosamunde. Rosamunde, Fürstin von Zypern (Rosamunde, Princess of Cyprus) is a play by Helmina von Chézy.  It is mainly remembered for the incidental music by Franz Schubert.  The play premiered in Vienna’s Theater an der Wien on 20 December 1823.[1][2]

THE CLIFF HANGER QUEST OF GILBERT AND SULLIVAN

Gilbert and Sullivan had many quests. They had heard of Schubert’s Rosamunde which was lost. They traveled to Germany to find the music. There, they caught wind of a certain Doctor Snyder who may have been in possession of the score. The rest of the story reads like a cliff hanger. When they arrived at his home, Dr. Snyder told them he had had a number of Schubert’s  manuscripts in his attic. Unfortunately, he placed them in the trash bin. The operetta duo ran to the trash. There, they not only discovered the score to Rosamunde, but numerous other symphonic works by Schubert. The rest of the story goes, they were so excited at the find, that they immediately played leap frog with each other.

Related image
The famed writing team, Gilbert and Sullivan taking a bow onstage.

Creators Come First, Not Concert Halls

I find this story quite significant to blog about. So many composers had had to have patrons or backers. It the baroque era, it was the Church. In the classical era, it was the nobility. In the romantic era,  donors and backers were rich patrons.  They helped composers to live and thrive not only for a day, but for decades. This is leading up to another  upcoming blog: It will present the premise that without  the support of musical creators by patrons, our concert halls will be without quality, vision or direction. The old names only serve us for so long. Only God is eternal. I personally have heard nothing but belittling comments and disapproval on my being a composer. “When are you going to make a living?” “Composing is fun. Life is hard work.” My question in return has always been. “Where does quality in life come from?”.  Without the arts, life is short and brutish. I ask my public to please take an interest in something more  than buildings. First, we must support the creators who give the musicians in the concert hall new music. After all, there might not be a Gilbert and Sullivan around at the right moment to save another poor Schubert-like composer.