Glendalough Cathedral 30 Miles South of Dublin. St. Peter and St Pauls’ Cathedral Achonry, is a former cathedral in the Republic of Ireland: It is within the same enclosure as Our Lady’s Church and the Round Tower.
My source for this measure- 110 feet in height – is the book, Riddles in the British Landscape. It has 148 illustrations and 4 maps. The book is written byRichard Muir, p. 183. Publisher is Thames and Hudson, London, 1981.
Glendalough Cathedral has a Tower Built by a Hidden Number Square Code
Masonic symbol is traceable to the basic number square of antiquity. 110 is found here. Feet are assigned to this figure. Why is this number square Masonic? A pattern outlines a Masonic symbol. We have nine numbers. Take the numbers three at the time as follows:
At a slant, 1, 2, 3 gives you the top triangle of the compass.
7, 8, 9 offers the reciprocal bottom triangulated half of the “T” square.
Finally, 4, 5, 6, offers the slanted diagonal. Again these numbers are tilted in the number square. In the Masonic symbol above it occupied by “G”.
So where is the 110 used at the Glendalough Round Tower? It seems like the square only goes up to nine. But, consider the numbers in the following manner: Two at the time by opposite polarities. We now have:
49 + 61 = 110
94 + 16 = 110
95 + 15 = 110
45 + 65 = 110 etc.
Finding the Hidden 110 at the Glendalough Cathedral
For those who care to go thru the trouble and time, 110 can be found in sixteen different ways on this simple number square. The total of all 16 becomes 1,760. Those who know measurement can recognize 1,760 is another number of measurement: There are exactly 1,760 English yards in one mile. Three feet are in the yard. There are 5,280 feet in the mile. Thus, 5,280 ÷ 3 = 1,760.
Why go through all this trouble? This number square once marked a lost Golden Age of Peace and Plenty. This code needs to be reactivated. Why shouldn’t we all have the same today? The tower at Glendalough Cathedral would then become the symbol of good things to come.
Two Seven Two – What are these Three Numbers About? They provide a numerical key to lost prehistoric antiquity. Clues of the past have many forms and fashions. Numbers are one of them. A primarily defined number is megalithic yard. It was 2.72 feet. Professor Alexander Thom of Oxford University established this accepted measure. For background on the subject, study writings of the John Michell. His books have been my companions for over fifty years. Now they are mostly out of print and difficult to acquire.
How Megalithic Measure Comes From the Traditional Arrangement of the 3 x 3 Number Square
A megalithic inch is 0.816 inches. That is a straight read across the bottom- left to right, on the 3 x 3 number square pictured to the right. If you reverse these numbers you have 618. These are the square root numbers of the Golden Section. This was called “phi” by the ancient Greeks- 1.618…. The square root is o.618 feet.
A megalithic yard contains forty megalithic inches. Here’s the arithmetic: 40 x 0.816 = 32.64 inches. Next, 32.64″/12″ = 2.72 feet – or 1 MY. Next:
Add the 8 perimeter numbers. You have 8 + 1 + 6 + 7 + 2 + 9 + 4 + 3 = 40. It is no co-incidence that there are 40 megalithic inches in the megalithic yard.
In summary: Three primary ancient numbers come from the perimeter: (1) The megalithic inch as 816 comes from the bottom three perimeter numbers- left to right. (2) Phi’s square root numbers are from the same bottom perimeter but reversed as right to left (618). (3) The number of megalithic inches in the megalithic yard as 40 from the entire perimeter.
This blog is the tip of the iceberg. Keep reading the posts on DSOworks for more information on the subject as well as on music. It will be forthcoming.
Measurement Overview by the Traditional 3 x 3 Square. This simplest of number squares has an infinity of hidden number codes. I currently have some 535 posts on DSOworks.com. They are divided primarily between music and this simplest of of ancient number squares. Of course, music and measure overlap. With so many blogs, perspective is difficult. Who has the time to even quickly glance at so much material? The purpose of this blog is simply to provide a measurement overview of the source of measures. A few of the hidden codes are in this internal link.
With Troy, here is the computation. Follow the numbers on the square. 43 + 67 = 110. Backwards 34 + 76 = 110. Total is 220. This works with any opposite columns of two numbers. Megalithic yards were assigned to this number. It defines the length rectangular part of the citadel.
Next, take two numbers at the time again as follows. Watch the number square with three pairs of numbers. 49 + 35 + 81 = 165. Take them in reverse: 94 + 53 + 18 = 165. It works the same way if you work the numbers horizontally.
Both actual measurements of ancient sites and units of measurement came from the 3 x 3 number square. It was once the backbone of a civilization that was destroyed by a cataclysm. A Golden age of peace and plenty once marked this time. Perhaps it is time to return to a Golden Age guided by a simple number square?
Golden Age (disambiguation) – Wikipedia https://en.wikipedia.org/wiki/Golden_Age_(disambiguation)
Golden Age refers to a mythological period of primeval human existence. It was perceived as an ideal state. Human beings were pure and free from suffering. Golden Age may also refer to: Golden age (metaphor), the classical term used as period of perceived greatness.
Measurement Overview – a Partial List
Here a few of the measures mathematically derived from this number square. Review many of them on DSOworks.com. Type in the keyword.
Sacred Engineers Part One -Book Series on Line. I wrote a book. It is entitled “The Sacred Engineers Philosophy- The Pinnacle of Thought in the Unified Culture of Ancient Builders”. New knowledge is often kept at bay. It is not allowed to dock. The cargo of new knowledge that these ships carry are kept from unloading. Then a new era comes. Their cargo becomes suddenly desirable. Welcoming crowds even go out to greet the ships.
Is there such a thing as new knowledge? Any valuable new knowledge is usually based on something old. Sometimes, the older, the better. This view was expressed in 1382 in a Biblical translation attributed to John Wycliffe’s followers: “No thing under the sun is new” (Ecclesiastes 1:9). Time is cyclic. Specifically: At one time there was a Golden Age. Strife among people nations was unknown. Food was plentiful. Such stories have been reduced to legends. Ancient Chinese referred to it as a time when yin ruled. This knowledge is alluded to in my link- the rose and lily.
The term Golden Age, as we know it, comes from Greek mythology. The Works and Days of Hesiod, describes the decline of the state of peoples through five Ages.Gold being the first and the one during which the Golden Race of humanity (Greek: χρύσεον γένοςchrýseon génos)lived. Those living in the first Age were ruled by Kronos,. After the finish of the first age was the Silver. Then came the Bronze. After this, the Heroic age. The fifth and current age is called Iron.
And what has been lost? Certainly the “Golden Age” factor. It denoted a period of primordial peace, harmony, stability, and prosperity. What can help to bring it about? Certainly, and most important, love. Also important,knowledge of number squares added balance to lost, prehistoric civilizations. Yes, the concept is mathematical in nature. The Sacred Engineers Part One was written to introduce and explain a series of posts that will follow. The book was written in dialogue form in the style of Plato’s Republic.
The tetrahedron is the basis of the other four solids. Look at the 1st five numbers. With that knowledge, here is some mathematical fun. 1² x 2² x 3² x 4² x 5² = 14,400. Where is 14,400 significant as an ancient number?
The tetrahedron is the basic unit of the five.
By vertices, its 4 triangles total 720º (4 x 180° per triangle). Then 7 + 2 + 0 = 9.
The solid whose faces contain the most degrees of the 5 is the dodecahedron
With 9 x 720° = 6,480°. (This is exactly 9 x the tetrahedron’with 720° degrees). (9 x 720 = 6480). Its second way is, 6 + 4 + 8 + 0 = 18. Reducing the number by horizontal adding of the smaller numbers, 1 + 8 = 9.
With the remaining three solids: Cube has 2,160°. Each of its 6 squares has 360°. Thus, 6 x 360 = 2160. That is 3 times the 720° of the tetrahedron. Reduce 2160 and we have: 2 + 1 + 6 + 0 = 9.
Icosahedron has 20 triangles. Every triangle has 180°. Thus, 20 x 180 = 360o. That is five times the 720 ° of the basic tetrahedron. Reduce 3600 and we have: 3 + 6 + 0 + 0 = 9
Finally, there’s the octahedron with 8 triangles. 8 x 180° = 1440. That is 2 x the 720° of the tetrahedron. Then 1 + 4 + 4 + 0 = 9.
In content and quality number 9 imbues the regular solids.
Ancient Computing had a Source
Why was number 9 the limiting number of the Platonic solids in the manner described above? I like to call the nine-boxed digits in the number square below the “stamping mill of the Universe.” Nine is the highest number of the traditional arrangement of the pictured numbers.
A second mystery: Why are there only 5 possible regular polyhedrons? Because 5 is the core number of the 3 x 3 number square. The infinitely complex Universe is stamped out from this simplest of number squares.
A third mystery to solve:: Why was a megalithic mile 14,400 feet? How did it relate to King Arthur’s Palace? The answer is simple. Total the number of degrees in the 5 solids. They are listed above. We have, 720 + 1440 + 2160 + 3600 + 6480 = 14,400. Now read the internal link below.
Mesolithic cultures worked with the 3 x 3 number square for ancient computing. Roses hold a primary ancient secret. Again, read this internal link. The high priests of various cultures and countries knew its secrets. Another known entity was how this tiny number square can become infinite. Link is also below. I’m attempting to restore this lost knowledge. My insights all took place on Oquaga Lake. I was the house piano player at Scott’s Oquaga Lake House for years. I communed with a female Indian spirit from the Lennie Lenape. This numerical square could offer a common vision based on balance. That, in turn, could initiate another Golden Age.
Another Ancient Dodecahedron in Summeria. Check the last blog. This same model applied to ancient Israel. The blog explains the parallel. This same figure explains our current musical circle of fifths. The dodecahedron is quite inclusive. Ancients ascribed the overall shape of the Universe to this figure. Click on my internal link below: Translating Geometry to Words and Numbers. This link contains another internal link. Both also define the dodecahedron in antiquity.
Visiting Summeria For Another Ancient Dodecahedron
The Summerians, like many cultures, had 12 gods. The Israelites also used the dodecahronal model. However, they substituted 12 tribes for the 12 deities. One God centered the whole system. In Summeria each god was assigned a number. The male deities had numbers 10,20, 30, 40, 50 and 60. The female deities were 5, 10, 15, 25, 35, 45, and 55. We have the following list:
Male deities: Ishkur/Adud was 10…. Utu/Shamash was 20… Nanna/Sin was 30…Ea/Enki was 4o…Enlil was 50…Anu was 60.
Female deities: Ninnhursag was 5…Iaanna/Ishtar was 15. ..Ningal was 25… Niaki was 35…Ninlil was 45…Antu was 55.
With our featured picture we have five numbers and a corresponding Summerian god pinned to each of the 12 pentagons. In effect the numbers define the 5 vertices of each of the 12 pentagons.
Look at how varied the dates of its various uses are. The 12 primary key signatures of the circle of fifths became prevalent in the 18th century. It is still widely used. The dodecahedron’s parallel to the 12 tribes of Israel was officially established in Israel about 1,000 B.C. The 12 Summerian gods came about 4,000 B.C.
Ancient civilizations associated the simplest number square (3 X 3) with Saturn. This number square has hidden codes not seen by most. That is my reference in the featured picture. It can be look at by 3 numbers at the time or by hundreds. It literally is the stamping mill of the Universe. Many blogs on this website are about this number square. Read my internal link below. Why all this fuss? Understanding this lost knowledge and its redeployment can initiate a new Golden Age. Such an age is marked by peace and plenty.
Characteristic Number Hides a Secret Code. Civilization has lost its touch with the past. A lost Golden Age was all about number squares. Two opposite numbers always totaled the same number. Our featured number square will be the 3 x 3. Its characteristic number is 10. Any two opposite numbers total 10. These include 9 + 1; 4 + 6; 3 + 7; and 2 + 8. First, where did I first learn about number squares? From the writings of British author, John Michell. Many of my blog are about the 3 x 3 number square. Below is an internal link to one of them. I However, I was able to take John Michell’s work a step further. This is because of an American Indian spirit guide from the Lennie Lenape. It all happened on Oquaga Lake (See picture below).
View the square 2 numbers at the time by opposites. Whereas two numbers that cross the center are paired in the same row. Their sum is always 110. Thus, 49 + 61 = 110. Or, 35 + 75 = 110. The 110 can be pulled out of the square in 16 ways. Thus, 16 X 110 = 1,760. The center then becomes 55. It is surrounded by 440
Characteristic Number Square List of Antiquity
The 3 x 3 is 10.
The 4 x 4 equals 17.
The 5 x 5 totals 26
The 6 x 6 is 37.
The 7 x 7 is 50.
The 8 x 8 is 65
The 9 x 9 is 82.
So where is the hidden number code? Take the prime characteristic number of the 3 x 3 number square. Its sum is 10 as described. Next, total the numbers from 1 to 10. They equal 55. You have just seen how the center of the 3 x 3 number square becomes 55 when viewed two numbers at the time. Today many scoff at this. The ancients of a lost Golden Age accepted it. My Indian spirit guide also offered a book of poetry, filled with her wisdom.
Stonehenge Number Squares Are Fairly Inclusive. Today I will feature its use of the 5 x 5 number square. It is pictured below. A lost and forgotten Golden Age was all about these number squares. I believe that with their reactivation, we can regain another such age. The blogs on DSOworks.com cover these number squares. They also are about how music enriches our lives. A Golden Age denotes a period of primordial peace, harmony, stability, and prosperity. Peace and harmony prevailed. People did not have to work to feed themselves. Earth provided food in abundance. Please keep the following in mind: The present way of thinking of numbers is that they represent impersonal quantities. Ancient civilizations animated numbers as words. Also numbers were thought of as musical in many ways:
Harmony uses basic number ratios. The consonant harmonies were either 1:1, 1:2, 2:3 and 3:4 or sometimes 4:5.
Higher number ratios were considered to be anywhere from mildly dissonance to dissonant.
Stonehenge Number Squares Included the Traditional 5 x 5 of Mars
Around the horseshoe are the remains of the outer sarsen circle, capped with lintels. There were probably once 30 stones in this circle. Set just inside the bank were 56 pits, known as the Aubrey Holes. About half of these have been excavated. They were marked in the 1920s with white concrete circles. The inner enclosure forms a horseshoe shape of five trilithons. Now to the 5 x 5 number square. The 5 trlithons also refer to the 5 x 5 number square. The numbers 1 to 25 total 325. Multiply the factors of this number as 3 x 2 x 5 = 30. That totals the Sarsen Circle stones.
Stonehenge Number Squares: Numbers defined relationships among many disciples. Ancients said, as with the large, so is the small. It is well established that the Stonehenge could predict the occurrence of ellipses. That is the large. The small is defining an atom of Iron. This element is defined by 26 protons and 30 neutrons. The atomic weight is 56. Iron is the significant element of nuclear fusion. Click on the internal link below.
Hoyle proved that this could have been used to produce a much more reliable method of predicting eclipses as whenever the moon and sun markers are directly opposite each other and the other two stones occupy those same opposing points, an eclipse can be guaranteed.
In unity there is peace. I believe, for this purpose, it is about time to understand this ancient and forgotten use of number squares. This can create a happy fusion of the assorted elements of mankind.
Numerical Reality involves number square of Saturn. At one time, numbers were thought to be the foundation of all. Numbers, however, were not random. Reality was set in number squares. This plan was global. Seven squares in particular were favoured. Each square represented the properties of a particular planet. They were:
The full set of rings, imaged as Saturn eclipsed the Sun from the vantage of the Cassini orbiter, 1.2 Million km distant, on 19 July 2013 (brightness is exaggerated). Earth appears as a dot at 4 o’clock, between the G and E rings.
Numerical Reality of Saturn’s 3 x 3 Number Square
Numerous layers rings are visible around Saturn. This parallels the properties of the number square the represents Saturn
Likewise, a number of mathematical rings surround the 3 x 3 number square.
Add the numbers around the central 5 (I term these numbers p1 which stands for perimeter one). 4 + 9 + 2 + 7 + 6 + 1 + 8 + 3 = 40.
Then add them two at the time overlapping the numbers. (I call this p-2. This stands for perimeter two: 49 + 92 + 27 + 76 + 61 + 18 + 83 + 34 = 440.
Now take the numbers three at the time. Overlap the third with the first number. I call this p-3. This stands for perimeter three. 492 + 276 + 618 + 834 = 2,220.
These numerical rings around the 3 x 3 number square were used to measure holy sites of ancient civilizations. The ways have been described in the blogs on DSOworks. The blogs are free and easy to access.
We are about to enter a new era of peace and plenty. It is also termed a Golden Age. The codes contained in this planetary number square can help in this quest.
Musicalmile is a Masonic Unit of Measure. Ancient tones of the diatonic musical scale are well known and defined. Their numbers by vibrations per second were also used for measure. Issac Asimov, for one, lists these tones in On Physics. Guy Murchie, in Music of the Spheres, lists the same numbers. Every single tone was used in for measure in the Neolithic goddess culture construction. The general practice was to translate vibrations per second to units of measure that characterized a particular culture. Ancient Greek writers allude to this tradition. They call call architecture frozen music. Goethe elaborates on this quote:
REVEALING THE MUSICALMILE AND OTHER MEASURES FROM ANTIQUITY
“Music is liquid architecture; Architecture is frozen music.”
Here are some tones of the diatonic scale. Vibrations per second of the ascending diatonic scale in the key of “C” . I’ve blogged about a master temple plan that was made from musical numbers. The Indian Oquaga Spirit gave me a vision of the design. The list below from the sources given above:
Middle “C” vibrates to 264 times per second.
D” vibrates to 297 times per second.
E – vibrates to 330 times per second.
F – vibrates to 352 times per second.
G – vibrates to 396 times per second.
A – vibrates to 440 times per second.
B – vibrates to 495 times per second.
C – vibrates to 528 times per second.
These numbers were freely multiplied by 10 when larger measurements were desired. Thus, we have the musicalmile. Many of my blogs are about number squares. The characteristic number of the 3 x 3 square is 10. Any two opposite numbers around the perimeter total 10. Antiquity favored such associations. The 3 x 3 number square was “the grain of mustard seed.” Also, it was considered the numerical square of the ancient god of engineering, Saturn, par excellence. Read my blogs on DSOworks.com
Why bother with all this? At one time civilization had harmony and peace. Lack of warfare was not uncommon in goddess cultures. They existed before 4350 B.C. Riane Eisler covers the subject in The Chalice and the Blade. We are about to return to a Golden Age of peace and plenty. Music will lead the way. That’s why King David was a musician first. Over time, I will blog about sites built by music. Part of this return to a Golden Age is to rebuild or refurbish “musical” sites. We must create a greater awareness of what music and harmony can do for mankind.