Changing Standards in Musical Performance are Upon Us: Fast, crass, loud and vulgar interpretations of music are fleeing and soon to be gone. Mars and Venus have been used for social comparison. I refer to the book Men Are from Mars, Women Are from Venus (1992). The author is John Gray He had earned degrees in meditation and taken a correspondence course in psychology.
So what are some of the changes we can expect in the musical field?
Large concert hall and amphitheater concerts will greatly diminish. Smaller, more intimate settings for music will gain the upper hand. This is very much akin to the chamber music recitals that used to grace the wealthy during the classical era. Often wealthy patrons would employ their own orchestras. Conductor-composer. Joseph Haydn, working for the Austrian Esterhazy family was an archetype example:
Repeating a a three or four note phrase dozens of times during a song will find its place in private practice rooms only.
Changing Standards on Multiple Repetition of Notes
This is based on a true story. I worked with Rubinoff and His Violin. He would stand in front of a TV set, watching television, and practice the opening four notes of any given song maybe one to two hundred times. This was to get precision to to max on the motif he was working on. But this was for practice only! He would never think of making his practice session into a hit song! Today we mostly listen to musical practice sessions with expensive costumes and backgrounds. I ask my reader, how long will that last?
Having Fun Playing Piano on Main Street. My gosh, it’s like the good old days. Back to the 1960’s when everyone wanted a piano player. In the 60’s I was already playing piano professionally. At the time, I was living in Detroit. For years I was the Sunday brunch pianist at the Oakland Hills Country Club. They held the PGA’s there. That also included house parties galore. I was once told that the two best things about the club were (1) The recent addition of sirloin steak to the brunch menu. (2) My piano playing. I enjoyed playing contrasting numbers. People loved it. Frequently I would play Scott Jopin’s, The Entertainer, This would be followed by Chopin’s Nocturne in Eb (theme from the Eddie Duchin Story). My piano style was described as having sartorial eloquence. Thank the Good Lord, after all these years, I’m still ably playing for fun or at sartorially eloquent places. I am just completed my 8th winter season having fun playing piano at the Gasparilla Inn.
18th Hole at Oakland Hills Country Club (South) (498 Yard Par 5)
https://www.merriam-webster.com/dictionary/sartorial It’s easy to uncover the root of sartorial. Just strip off the suffix -ial and you discover the Latin noun sartor, meaning “tailor” (literally, “one who patches or mends”). It can be used for many descriptions as: The wedding party arrived in sartorial splendor.
Having fun playing piano at the Gasparilla Inn on the isle of Boca Grande, Fl
I strongly identify with the “father of the symphony orchestra”, Joseph Haydn. He was the court musician, conductor and composer for the Austrian family, the Esterhazys. The Austrian prince passed away. Then the king of England employed Haydn. The composer accepted a lucrative offer from Johann Peter Salomon, a German violinist and impresario. Haydn then visited England. There he conducted new symphonies with a large orchestra.
The choice was a sensible one because Haydn was already a very popular composer there. Since the death of Johann Christian Bach in 1782, Haydn’s music had dominated the concert scene in London; “hardly a concert did not feature a work by him” (Jones). Haydn’s work was widely distributed by publishers in London, including Forster (who had their own contract with Haydn) and Longman & Broderip (who served as agent in England for Haydn’s Vienna publisher Artaria). Efforts to bring Haydn to London had been undertaken since 1782, though Haydn’s loyalty to Prince Nikolaus had prevented him from accepting.
Haydn, of course, wrote the London Symphony as a thank you to the British king. I am also a composer. Frequently I play my own music. One of the favorites is my own theme and variations on “Aura Lee.” Elvis turned it into Love Me Tender, I have been working at the Gasparilla Inn for the last 8 years. Like Joseph Haydn, I suggest to all artists seeking employment: Follow the rules of etiquette. Perhaps that is also a good rule for anyone seeking employment.Below is a picture of some of the “royalty” that have stayed at the Inn. I’m there 6 nights weekly through Easter.