Fifths of Tones Sets the Future and was the Neolithic Standard. Why the featured picture? The answers are all on the piano keyboard. Piano playing develops a talent for working with numbers. The solfeggio of the fifth set the way for the building of Neolithic temples. In Close Encounters of the Third Kind, the tones Do and So are the 5th. Do to So are a prototype for all fifths. The ancient temples used specific diatonic tones. The fifth relationship (3 to 2 ratio) was there. The only difference was the set specific tones. They were the fifth of A to E in Neolithic times; not the C to G as pictured on this staff.
Ancient diatonic tones had a primary fifth. The lower was set at A-440 vibrations per second. The higher was E-660 vibrations per second. Various historical cultures set the numbers of these tones into their own units of measure. Instruments dating back to the Sumerian times have been found. We know of their vibrations per second.
Neolithic cultures thrived on number squares. That’s what I have blogging about on DSOworks. Please read them all. This is lost knowledge that I have found. They also had knowledge of the hidden number codes on the 3 x 3 number square.
Consider the 3 x 3 number square by double numbers: First we view horizontally: (49 + 35 + 81 + 94 + 53 + 18) + (92 + 57 + 16 + 61 + 75 + 29) = 660. Now view vertically: (43 + 95 + 27 + 34 + 59 + 72) + (83 + 15 + 67 + 38 + 51 + 76) = 660. That numbers our diatonic “E”.
Consider the perimeter of 3 x 3 number square by overlapping double numbers as: 49 + 92 + 27 + 76 + 61 + 18 + 83 + 34 = 440. Reverse the numbers and get the same total. That numbers our diatonic “A”.
We have just found the following: (1) The lower diatonic “A” 440 of the fifth. (2) The higher interval of the fifth. That is, E- 660. Many readers are experiencing this information for first time. Please recognize that Neolithic, priestly ancestors knew this over 6,000 years ago. How did I come by this knowledge? On Oquaga Lake an Indian Spirit from the Lennie Lenape tribe was anxious to share her wisdom with me. Below is a free sampling of her poetry. Enjoy!
Audition on the piano youtube. Enjoy six typical selections for free. Time for all 6 is 13.48 minutes. Most important factor: The two-note phrase. For auditions the proof of the pudding is in the tasting. What does tasting pudding have to do with piano playing? A well played two note phrase is the highest piano art. More on this in a moment. Piano makes dining more pleasurable. This only holds if the piano is played with a beautiful touch.
AUDITION – MASTERING THE TWO NOTE PHRASE KEEPS YOU IN THE RUNNING
Be it Bach, Beethoven or Brahms- the two note phrase is key. In this regard the size or quantity of what you know, speed and power mean little. This phrase is the smallest increment of piano playing. My own teacher was Mischa Kottler. He was a stickler about this tool. It took me a year and a half to master it. That was only under his constant supervision. Mischa studied in Paris and Vienna in the 1920’s. His teachers were direct descendants of Liszt and Chopin. They were Emil von Sauer and Alfred Cortot.
Many, if not all compositions, are only played properly with a plethora of such phrases. This is especially true on the piano. My own youtube sample is below. I do my best to demonstrate its effectiveness. Keys to long term employment as a pianist include beautiful tone production and such phrases. Unfortunately, too many students have turned piano playing into an athletic event. As Mischa would say about such crudely undetailed pianists. “They play like pigs.” This, of course, was in his fiery Russian accent.
For bookings I go through Jay Goodley Associates Inc. in Sarasota, Fl. (941 480-9600). They are wonderful to work with both as an employee and for you as an employer. Also, I am available for piano lessons in Sarasota- especially off season.