Three Square Code Structures Stonehenge. Life often offers us the polarity of opposites. Something stands in opposition to something else.
This tiny number square gives rise to the pillar arrangement at Stonehenge. It was used in countless ways by ancient historic and even prehistoric civilizations. Currently we are entering a new age. It will be marked by peace and plenty. This is also known as a Golden Age. The same arrangement that formed the Palestinian cubit and the Egyptian cubit also structured the pillar arrangement at Stonehenge. Some information I quote from my own internal link below:
Abu Mūsā Jābir ibn Hayyān explains how this number square was divided into various corners and gnomons. I show how the dotted points below were the options that were used for the appropriate Egyptian and Palestinian cubits. It was also used for builiding Stonehenge.
Multiply the 4 corner numbers: 5 x 7 x 1 x 6 = 210. The Palestinian cubit is 2.107 feet.
Multiply the remaining five numbers which are called the gnomon: 8 x 3 x 4 x 9 x 2 = 1728. The larger Egyptian cubit is 1.728 feet.
15th-century European portrait of “Geber”, Codici Ashburnhamiani 1166, Biblioteca Medicea Laurenziana, Florence
Three Square Code Uses Lower Right Corner and its Gnomon for Stonehenge
Numbers in a row are called a sequence. Sequence is also used in music and dance. Stonehenge uses 5,6,7, and 8:
5 x 6 = 30. This numbers inner stone circles.
7 x 8 = 56. This numbers the outer holes.
Plan of the central stone structure. The stones were dressed and fashioned with mortise and tenon joints before 30 were erected as a 108-foot (33 m) diameter circle of standing stones, with a ring of 30 lintel stones resting on top.
For fun, add 5 + 6 + 7 + 8 = 26. Now, let’s look at the two products and one sum we created from consecutive numbers 5,6,7 and 8: They are 30, 56 and 26. Any beginning student of chemistry knows these numbers define the most stable isotope of iron: (1) 30 neutrons. (2) atomic number 56 (3) Finally 56 – 30 = 26. That is the atomic number of iron. Why is this important? Iron is the ash of nuclear fusion on stars. When enough iron is at the star’s core, it explodes. This creates all the heavier elements than iron.
Here’s the big question: Does Stonehenge represent the cosmic stellar process of creation? Was this known in the distant past? Or, is this just another numerical co-incidence?
With this in mind look at the common characteristic numbers between these two squares. First, I should mention they are both Fibonacci numbers: Five and eight are part of the series that grow by addition of consecutive numbers: 1,1,2, 3, 5, 8,13,21,34… etc. Hence, their number squares also belong to this same series. These number squares defined key ancient buildings. For this post let’s look some of the common numbers:
On the 5 x 5 any straight row of five numbers totals 65. On the 8 x 8 any two opposite numbers = 65.
On the 5 x 5 any two opposite numbers totals 260. On the 8 x 8 any row totals 260.
The central number on the 5 x 5 is 13. The perimeter around the 8 x 8 is the sum of the numbers 1 through 13 =91 and then multiplied by 10. It duplicates becomes the total of the 910 perimeter around the 8 x 8.
The point is: The designers of Stonehenge and the Great Pyramid both knew and drew on this. More in future posts.
Five Meets Six as Yin Meets Yang in Antiquity. Here we will consider mathematical interaction between five and six. These numbers were worked together by mathematics in many ways. The list given below specifies a few.
We begin with Stonehenge.
This first stage is dated to around 3100 BC. Within the outer edge of the enclosed area is a circle of 56 pits. Each is about 3 ft 3 in)in diameter. They are known as the Aubrey holes after John Aubrey. He was seventeenth-century antiquarian who was thought to have first identified them.
Later, 30 enormous Oligocene–Miocene sarsen stones were brought to the site. Thirty were erected as a (108 ft) diameter circle of standing stones.
Thirty fuses five meets six by multiplication. 5 x 6 = 30.
These 30 stones are set in a circle diameter 108 feet. This is characteristic of a regular five-sided pentagon. Each angle of a regular pentagon is 108°.
We also have he next two multiplied consecutive numbers: 7 x 8 = 56.
The area of Stonehenge area spreads over 6,500 acres. Deed holders include the English Heritage, National Trust, and Ministry of Defense. Others are farmers and miscellaneous landholders. In the past five and six met in numerous ways. This is especially true in basic measurement units. Below are listings.
Five was thought of as the footprint of the pentagon.
Six was the symbol of the hexagon
Thus. five was considered yin. Six was thought of as yang.
6/5 = 1.2 This approximates Egyptian remen which is 1.2165… feet .
6 x 5/6 + 5 = 2.727272…A megalithic yard is 2.72 feet.
6 x 6 x 6/5 x 5 x 5 = 1.728. The larger Egyptian cubit is 1.728 feet.
6²/5² – 1.44. One hundred and forty-four is a Fibonacci number.
6 x 6 x 6 x 6 / 5 x 5 x 5 x 5 = 2.0736. Approximates the Palestinian cubit of 2.107 feet.
(6 to the 6th power) / (5 to the sixth power) = 2.979…This is close to the three foot English yard.
At Central America and the Mexican Pyramid of the Sun: The key unit of measure was the “hunab.” (See Peter Tompkins Mysteries of the Mexican Pyramids). The hunab is 3.41 feet. Again, fives and sixes as: (5 x 5 x 5) + (6 x 6 x 6) = 341. I took this information from my previous blog called “Measure Proves a Pre-Genesis Citadel in Mexico.”
A Fascinating Note on Five meets Six
341 as (5 x 5 x 5 ) + (6 x 6 x 6) refers to world before Genesis. Here’s how: The name of the pre-creation God was Emesh אֶ֣מֶשׁ: “Laban said unto Jacob: The God of your fathers, Emesh, said to me…” In Hebrew “Emesh” literally means “yesternight.” Reference Genesis (31:29). Letters doubled as numbers in middle eastern languages. There were no separate numbers apart from letters. Here are the letters in Hebrew with the representative numbers of emesh. אֶ֣מֶשׁ – Alef = 1; Mem = 40; shin = 300. Ancient Hebrew ( and modern) have the same symbol representing both a letter and a number.
Ticking Antiquity Though the Prime Number Square. The inner workings behind this number square are responsible for ticking antiquity. Actually, it makes the entire cosmos tick. Though it seems simple, it is infinitely complex. I mean that literally. I now have over 430 blogs on DSOworks.com. Part of these are about music. Many are about ancient number squares. Number squares once bundled a Golden Age of Peace and Plenty. I’ve included a couple of internal links. Looking at these links first might give you a background.
Next, I will post an excerpt from my book, The Staff of God Volume II. It is from page 29. I believe most of the knowledge I gleamed was by Oquaga Lake. My duties there included playing piano for the Scott family shows and other revues. . I was their pianist for some 15 years. It is perched high in the Catskills. A matriarchal American Indian tribe once lived there. A female spirit from the Lennie Lenape was my instructor. As my book of poetry called The Oquaga Spirit Speaks describes her as such: “So much she needed an ear, she ignored my tranquility.”
Ticking Antiquity on Oquaga Lake
Number squares pair opposite numbers in the same system. Two opposite numbers achieve a state of balance through their addition. In the featured picture opposite numbers always total 10. However, doubling or tripling the numbers and totally them was ancient practice. Again, read the internal links. 1 + 9 = 10. Then 11 + 99 = 110. Then 111 + 999 = 1110. These totals straight number reads on the number square. An example being: 492 + 618 = 1110. Or 951 + 159 = 1110. With double numbers, 95 + 15 =110. However, if you read the numbers in curves, they go to infinity.
Numerical Personalities in Antiquity are Parallel. I just posted s blog about Stonehenge. The internal link is below. It is about the numerical arrangement of the pillars. The pillars in the various circles duplicate the essential numbers of an atom of iron. It is called Stonehenge Number Squares are Fairly Inclusive. Archaeology Archives – DSO Works
Here’s a quick summary and a few facts: Iron has 26 protons, 26 electrons and 30 neutrons. Its atomic weight is 56. For he identity of the element of iron at Stonehenge, read the above internal link. Then I will demonstrate the same pattern in the Tree of Life in the featured picture. Incidentally, number 26 is the numerical equvalent of “Yahweh” as spelled with Hebrew letters. In many ancient languages, letters doubled as numbers. This was called by the Greek name, gematria.
Numerical Personalities from the Tree of Life to Stonehenge
This equivalency would equate God with a fundamental force of nature as magnetic.
Now look at the featured picture. First, the two vertical outside pillars:Multiply the 1st two horizontal numbers on the outside pillars as (3 x 2). Then add it to the opposite pair pf (5 x 4). Total is 26. Next take the central pillar. Add its four numbers as 1 + 6 + 9 + 10 =26. Twenty-six, as the numerical essence of God, infuses the Tree of Life. Found in these two distinct ways, we number protons and electrons in iron. Next, multiply the last two extreme horizontal numbers as 8 x 7. We have 56. That is the atomic weight of iron. For the 30 neutrons, simply subtract as 56 – 30 = 26. Look once more at my internal link. The circles around the central 5 stones of Stonehenge duplicate these numbers. Stonehenge, the Tree of Life and an atom of iron have number sequences stemming from the 5 x 5 number square as pictured in the link. “So what?”, you might ask. I believe a new Golden Age can be initiated by the realization and activation of traditional number squares of antiquity. A Golden Age is marked by peace and plenty.
Stonehenge Number Squares Are Fairly Inclusive. Today I will feature its use of the 5 x 5 number square. It is pictured below. A lost and forgotten Golden Age was all about these number squares. I believe that with their reactivation, we can regain another such age. The blogs on DSOworks.com cover these number squares. They also are about how music enriches our lives. A Golden Age denotes a period of primordial peace, harmony, stability, and prosperity. Peace and harmony prevailed. People did not have to work to feed themselves. Earth provided food in abundance. Please keep the following in mind: The present way of thinking of numbers is that they represent impersonal quantities. Ancient civilizations animated numbers as words. Also numbers were thought of as musical in many ways:
Harmony uses basic number ratios. The consonant harmonies were either 1:1, 1:2, 2:3 and 3:4 or sometimes 4:5.
Higher number ratios were considered to be anywhere from mildly dissonance to dissonant.
Stonehenge Number Squares Included the Traditional 5 x 5 of Mars
Around the horseshoe are the remains of the outer sarsen circle, capped with lintels. There were probably once 30 stones in this circle. Set just inside the bank were 56 pits, known as the Aubrey Holes. About half of these have been excavated. They were marked in the 1920s with white concrete circles. The inner enclosure forms a horseshoe shape of five trilithons. Now to the 5 x 5 number square. The 5 trlithons also refer to the 5 x 5 number square. The numbers 1 to 25 total 325. Multiply the factors of this number as 3 x 2 x 5 = 30. That totals the Sarsen Circle stones.
Stonehenge Number Squares: Numbers defined relationships among many disciples. Ancients said, as with the large, so is the small. It is well established that the Stonehenge could predict the occurrence of ellipses. That is the large. The small is defining an atom of Iron. This element is defined by 26 protons and 30 neutrons. The atomic weight is 56. Iron is the significant element of nuclear fusion. Click on the internal link below.
Hoyle proved that this could have been used to produce a much more reliable method of predicting eclipses as whenever the moon and sun markers are directly opposite each other and the other two stones occupy those same opposing points, an eclipse can be guaranteed.
In unity there is peace. I believe, for this purpose, it is about time to understand this ancient and forgotten use of number squares. This can create a happy fusion of the assorted elements of mankind.
One Thousand Seven Hundred Twenty Eight. So, what is special about his number? There is an obvious answer: 12 x 12 x 12 = 1,728. It is the cube of 12. But where else is 1.728 hiding? First, let’s also consider the following equivalents:
1,728 inches = 144 feet.
1,728 inches = 48 British yards
Most important for this blog: 1,728 inches = 52.8 megalithic yards. A megalithic yard is 30/11 feet. The megalithic yard is 2.72727…feet. Expressed as a fraction, it is 30/11 feet.
First, one thousand seven hundred twenty eight hides in this number square. Here’s how: Gnomoically dividing the square of three was a custom. It was most conspicuous in the Arabic school of Jabirism. Jabir Ibn Hayyim traced this custom back to Hermes. Hermes traced this custom back to Ariel.
How is one thousand seven hundred twenty eight found?
A gnomon is the part of the geometrical figure with numbers that remains when one is its corners is removed. On the number square, remove 4 boxes that contain 5,7,1, and 6. That is the lower right set of 4 boxes. The remaining numbers of the gnomon are 8,3,4,9, and 2. Multiply these five numbers. Their product is 1,728.
Megalithic Measurement comes from the 3 x 3 number square. The megalithic inch is a straight read of numbers. Look at the bottom horizontal. It reads 816. That was my discovery. However, the actual discovery of the reality of megalithic measure was made by Professor Alexander Thom of Oxford University. He surveyed 600 megalithic sites in England, Scotland, Wales and Britanny. Thom also proposed the Megalithic Rod of 2.5 MY. As sub units of these, he further proposed the Megalithic Inch. It is 0.816 inches. One hundred of which are included in a Megalithic Rod. Forty megalithic inches make a Megalithic Yard. Not only does the megalithic inch (0.816) come from the 3 x 3 number square, so does their 40 count which makes a megalithic yard:
Add the perimeter numbers around the central five. We have 4 + 9 + 2 + 7 + 6 + 1 + 8 + 3 =40.
Finally, take the megalithic rod: 100 megalithic inches measure the length of of megalithic rod. On the 3 x 3 number square, 10 is a characteristic number. Any two opposite numbers equal 10. In the secret codes of this number square, powers of ten actually go to infinity.
Any two opposite numbers total ten. Here some pairs: 4 + 6 = 10. Or, 9 + 1 = 10.
For this, please look at the number square as I list the numbers . By two numbers at the time: 49 + 61 = 110. Another, 29 + 81 = 110. If it crosses the center, it’s dual to itself: 59 + 51 = 110. Or, 15 + 95 = 110. This number, 110 can be pulled out of the square in 16 different ways.
It also works three numbers at the time: 492 + 618 = 1110. Or, 951 + 159 = 1110. This number can be pulled out of here it 8 different ways.
The above maneuvers entailed a straight treatment of the numbers: All in a row. But when you twist and turn the numbers, they grow to infinity in their balance. This is the “grain of mustard seed” that grows into the largest plant. The Gospels refer to it. In this manner the smallest number square defines and describes infinity. Follow the next sets of numbers on the square as I describe them.
Thus, 4,927 + 6,183 = 11,110.
15, 943 + 95,167 = 111,110.
Or another two sets of 5 numbers, 81,672 + 29,438 = 111,110.
Or, let’s go bigger: 38,167,294 + 72,943,816 = 111,111,110.
Finally, the music of antiquity. We observed above that one thousand seven hundred twenty eight inches equals 52.8 megalithic yards. Sacred musical antiquity was all about the known diatonic scale. The “C” above middle “C” of the ancient diatonic scale vibrated at 528 times per second. Middle “C”, an octave lower, vibrated 264 times per second. This is also referenced at Stonehenge. The distance from its center up to the heel stone is 264 feet. The octave higher “C” by number (528) was taken and multiplied by 10 to arrive at the feet in a mile, 5,280. Measure, math, and music are all derived from this ancient number square. It unified mankind and brought the blessings of peace to all. Certainly, it can provide the same vision for the present.
Mind Massage is effected through poetry. This is because as physical massage benefits the body; poetry benefits the mind. In order for this to happen, the poems should be beautiful and uplifting. Numerous articles agree on poetry’s beneficial effects.
Regions of the brain linked to memory showed more activity than the general reading network while reading poetry. The world today is dominated “left-brain tyranny,” focusing on details, logic, and metrics. On the other hand, the right-brain focuses on “context, empathy, and the big picture,” according to the award-winning playwright and creative consultant William Ayot.I believe that poetry is as therapeutic for the mind as massage is for the body. By analogy we say, poetry is the art of massage applied to the mind.
Enter my book of poetry, “The Oquaga Spirit Speaks.” Oquaga Lake is perched almost 2,000 high in the Catskill Mountains. Almost every guest at the Lake House senses an immense spiritual presence around the lake. I became personally acquainted a particular spirit on hikes. In addition to being the house piano player at Scott’s Oquaga Lake House, I often led daily”walks”. One of my favorites was to the peak of Bluestone Mountain. We would trek up to a mountain top quarry. Slabs and slates such in the picture below were everywhere. All would take home a prized piece of Deposit bluestone. The spirit’s poetry would be added to the hike. Below is her relevant poem:
Mind Massage at Bluestone Mountain
A mountain of magical stone.
A giant wall of rock,
Quarried in antiquity
To build an ancient clock.
Shaped into evolving circles
By which lunar cycles were timed
And with it the arc of the Sun
Was harmonized in rhyme.
This mandala, wrought of Bluestone
A mystery yet it be;
Is called by the name Stonehenge
That so many still flock to see.
On a mountain of such stone dwell I,
Next to Oquaga Lake’s shore.
For the harmonious peace all around
It seems like Stonehenge at its core.
Reviving Antiquity. We are proud and pleased to announce we are refocusing our energies into two websites. Our web posts on DSOworks are currently at over 260 blogs. DSOworks will now be directed toward music, the performing arts and theater. All subjects relating specifically to antiquity will have its own website: revivingantiquity.com. Poetry by the Oquaga Spirit will appear on both.
REVIVING ANTIQUITY THROUGH MUSICAL TONES IN A NEW VISION OF PEACE
In the forgotten past was strong bond between music and architecture. From musical instruments dating from the 2nd and 3rd millenium B.C., we know vibrations per second of their pitches. These vibrations were translated by building designers into numbers of measurements prominent in their particular sites. A prime example is Stonehenge on the Wiltshire plains.
There were three main building phases, each between about 3100 BC and 1950 BC. The first circle, ~3000 BC, was made of timber. The post holes for the timber have been found. Around 2600 BC, the builders gave up timber in favour of stone. Most of the construction took place between 2640 and 2480 BC.
On page 127 Michell discusses how: The 17 surviving stone pillars are still suported by six curved stone lintels. He further states: As it once was, the circle of sarsen lintels was “one of the most exact and symmetrical works …ever created. The width is taken as 3,52 feet by many metrologists. Also, the distance from its center to the outside heel stone is 264 feet. Here are some its parallels to music:
The old diatonic “C” vibrates 264 times/second.
The old diatonic “F” vibrates 352 times/ second.
In closing: Our new website, revivingantiquity.com, will refocus on the unity art and science once share through number squares. Keep checking on its progress. The goal of the site is to work at redirecting mankind to a harmonious existence as once was envisioned in our forgotten and lost past. This, of course, is no small task. But as Hillel said: “If not now, when?”.
Oneness Comes With the Ancient Temple Plan. Those who have read my blogs know I have a rapport with the Oquaga Spirit. She is from the Lennie Lenape tribe of American Indians. I had been searching to see if there was a unified source for the arts and sciences of mankind. The spirit fulfilled my wish. During our visits, I was the house piano player at Scotts Oquaga Lake House. First, something about the Indians:
How do you pronounce “Lenape?” What does it mean? Lenape is pronounced “Leh-NAH-pay” and it means “the people.” Sometimes you will see this name spelled Lenápe or Lenapi instead. The tribe is also known as the Lenni Lenape (“true people”) or the Delaware Indians (after the Delaware River, which runs through Lenni Lenape territory.)
Where do the Lenni Lenape Indians live? The Lenni Lenapes were original people of the mid-Atlantic area. Here are some maps showing the geography of the Lenapes and their neighbors in New Jersey, Delaware, New York and Pennsylvania. Most Lenape Indians were driven out of their homeland by the British. Here is a partial map of the forced travels of the Lenape Indians. The Americans eventually relocated them to Oklahoma, where the modern Delaware Indian tribes are located today. Other Lenape people joined the Nanticoke or Munsee Delawares. There are also some small Lenne Lenape communities remaining in New Jersey and Pennsylvania. The total Lenape population is around 16,000.
The Oquaga Spirit communicated the following to me about Oneness:
The hidden codes of the 3 x 3 number square. Most people only see one: Where any row of 3 numbers totals 15.
The spirit gave me volumes of poetry about her philosophy and about Oquaga Lake.Right now, only the Oquaga Spirit Speaks is available.
She illuninated the featured picture in a vision. I was able to visualize it while hiking around the loop that goes around the lake. Then she told me how and where it was used since prehistoric times. The diameter of 352 starts the process. That corresponds to number to the vibrations per second of the diatonic tone, “F”.
Here are Some Examples of How the Ancient Temple Plan Unified Music and Building in Oneness
Diatonic middle “C” vibrates 264 times per second (as per Issac Asimov, On Physics). At Stonehenge, the distance from the center of the Sarsen Circle to to Heel onte is 264 feet. On the ancient temple plan the distance from the center of the design to the point that bisects the longer and outer rectangle is 264 by number.Different cultures assigned their own measures to these numbers,
The distance from the lower red arrow in the picture straight up to the point that bisects the line of the length of the larger rectangle is 440. One length of the side of the great pyramid is 440 shorter Egyptian cubits (1.71818…feet). Secondly, the distance from the Great Pyramid to the Sphinx is 440 megalithic yards (2.7272…feet/MY). Both diatonic and the currently used A-440 /sec.
At one time music was a primary bonds that brought oneness to all the sciences and arts. That’s why David, in the Bible, is first considered as a musician. Enjoy the spirit’s poetry sampling below. Also, click on the blog underneath to learn more about the Lenape.